For its age the book boasts a font which is surprisingly easy to read for a modern reader. The only thing that might strike one as odd is that the s‘s look very similar to f‘s (So similar that even the OCR software fell for it).
On its titular page the book makes use of three different font styles. The name of the author, Torello Sarayna (Veronensis) is written in large capital letters. The following line is written in slightly smaller captial letters. The following lines are then written in even smaller letters which are now written in lowercase.
The regular text pages aren‘t divided into columns. Instead the text is presented in grouped style with a generous empty rim all around the text block. As was customary when the boom was printed, the first letter of a new chapter is always gigantic and decorated with a lot of vine-like ornaments.
In the index section there are two columns instead of one. This way more terms can be listed per page and the index section is shorter as a result.
The images displayed in the book can be divided into two main groups: Freehand illustrations and technical architectural plans.
The illustrations show a variety of subjects such as ruins and buildings. The plans mostly show smaller architectural details and ornaments. There alsp are some sections wich mainly show columns.
Most images are accompanied by a small text explaining their meaning and giving a bit of context.
In the book overall there is more text than images. The images only occupy about 1/5th to 1/4th of the space.
The overall layout of the text is befitting of a history book like „De origine et amplitudine civitatis Veronæ“ which is probably meant to be read chronologically.