Principal among all well known and renowned Roman architects, artistic workers or builders: Marcus Vitruvius Pollio – Ten books of architecture and artistic construction. A key and introduction to all mathematic and mechanical art, and of all astute attempts or speculations of artistic works. Diligently and properly written for the population, from such high understanding and correct ground, with a full and certain foundation of all laudable art. So that every avid student of art may thus be instructed in architecture and artistic construction, and may easily learn and grasp a correct understanding of the mathematics and mechanical arts involved in architecture. All this adorned and declared with beautiful artistic figures and antiquities and with special commentary for a better understanding. Scholarly, foresighted, and wise gentlemen, mayors and counselors, the city of Nuremburg, my authoritative and favored gentlemen. Scholarly, foresighted, and wise gentlemen, E.F.E.W., modest art and wisdom comes despite all dout. With such great diligence the ancients, our forefathers, founded and brought forth a high understanding of all art and meaningful inventions, which is to our temporal welfare and necessary for our physical preservation. And they took such care to freely and thoughtfully leave behind their helpful and useful inventions for us, their descendants. These arts and various meaningful inventions remain as a leading testimony if considered in common and equally well, and they allow everyone some useful and advantageous opportunity for design. But we find that one art has a special purpose or higher goal than the others, giving it special consideration. Quite a few helpful arts and meaningful inventions have risen to prominence, pleasing the eye and remaining until now in constant need. They have been very important in promoting friendlier, more pleasant, and greater social human interaction, or improving a city’s status and nature, and to get this with ease. The greater portion is also honored and each are disassociated from that fruitful and useful half that they may daily bring, and then further and more considerably alone on account that they are quite fun and entertaining, deceptively charming and agreeable. And so we believe that each art is to be considered its own separate specialty. Thus we pick for ourselves all art and meaningful inventions- not just what the ancients our forefathers would have goodwillingly shared, but also all that is modern and founded and produced day by day. With diligence we venture and attempt this discretionary partitioning or distinction, revivals, and requests. We find that there is no art that will bring to those who want or encounter it such great daily use and unbelievable advantage, such learning, practice, and need, as the excellent art of Architecture, which is justly seen as the most respectable, useful, crucial and most loved of all. Yet this area is not commonly understood as having a need for architecture. According to the opinion and teaching of ancient and highly considered Vitruvian architecture, some work of stonemasons, bricklayers, etc. should be respectively considered as arts through architecture. Diligent and experienced architects use this work and help as a handy instrument or tool. If these other artistic creations, judiciaries, or benefits are equally precious and from good sturdy ground, a good understanding of the work, and through advanced beginnings, and if experienced through architecture, they may thereby reveal the fundamental issues of their own work. They may serve to complete all our temporal and physical endeavors, our important wants and needs, achieving them through an intelligent and good understanding of the ordering and building of the work. There was also the thought and opinion held as true by ancient heathen philosophies regarding the diligent development of natural things, that human sexes began to live in dwellings and supposedly united and came together because of the most basic necessities of water or fire. We should be very careful that the art of architecture be the very first approach, beginning with this union of the first humans in a pleasant dwelling. Therefore we consider the needs and uses of the dwelling. For whoever follows this admirable pursuit may not inadequately study any other art or clever invention. Even the first attempted and newly developed architecture gave us all kinds of results, not just screening and protecting us from foul weather, hail frost, wind, cold and rain, but also protecting us from various dangerous and malicious people, contrary and ferocious animals, and so forth. It gave protection, shelter, and shade from many dangers and calamities. It also preserved life and limb in various good times and men depended on it for help, because of their inherent stupidity, and the ancients used it to climb up and to better themselves. Today we can still see that only these arts and various meaningful inventions are the most important and necessary means for receiving, establishing, and reaping in a peaceful, livable civilization of dwellings. We couldn’t use or even consider any other way because this art is inspired and given to us by the Lord God out of privileged approval, fatherly will and providence, to be useful to man as a shield and weapon. We consider the means through which our human body prolongs its health and gains human strength to be the first and most important and highest expertise of our time. It becomes clear that the same greater portion began with this art. For still to be seen today are mighty and glorious constructs of antiquity, built with some bodily power and remarkable, unbelievable expense. For visual examples there are crumbling bath houses, gymnasiums, observatories, and theaters. The great aqueducts, or culverts, in particular stand as testimony to how various arts and forms can be wonderfully finalized and conquered through this art, and not only for bodily preservation and enhancement but also for thousands of other uses. Today we have museums, recognizing that nothing on earth has flowered that was not from this art, including the human body, advancement, trade, like fruitful branches and twigs springing out of a cut root. This art has brought us important tools for basic work, such as agricultural equipment through which we harvest everything, along with all other instruments and vehicles of labor. They dig wells for sources of water, not only for one place but to be sent to other places through the depths of the earth to flow through the high mountain, digging through hard veins of stone, evening out the height and flatness and leading through great lengths and in great heights. They contain and dam up rivers, ponds, and seas. They drain marshes and intentionally divert strong current of water to lead into cities as they please, employing various methods. Ships are built as all the oceans can be traversed using ships, and the shores must therefore be provided with ports and shipyards. Bridges must be built over large and small rivers along with royal mills and various buildings having to do with water. Whatever the purpose of the useful and noteworthy artistic work, each will be brought to completion with a fundamental and correct understanding of the art of architecture. Part of the reason we establish holy buildings and great construction is for the preservation of the Christian religion, including churches, temples, holy houses, and whatever the local city policy and regiment concerns, holy palaces of judgment and city halls, armories, treasuries, hospitals, royal and kingly courts, and common and exclusive city dwellings. They are constructed with such great magnificence and glory, all founded by well ordered policies. The most important construction, namely the city’s fortifications, castles, and keep, were also founded through this art, as well as city walls, city ports, gates, graveyards, fortresses, bastions, garrisons, posts, etc. all with their advantageous defenses. They were built with power and considerable effort for a freer and more secure city life, for business and trade, and for the needs of all man-made machinery. Their nature is unrivaled because of the artistic inventions of architecture, along with artillery hoists, vehicles, and many thousand, countless similar mechanical instruments, all of which have their origins in architecture. They would not remain if robbed of their universal as well as their individual foundation. In order to humbly convince with true arguments and solid logic that this art of architecture together with all its parts is the most useful, necessary, and therefore the most beloved and enjoyable of all artistic and meaningful inventions, the principle through which every well ordered policy and city regiment at any point in time of peace or war may be noted as having affluence and virtue, as staying firm and full of security, calm, frugality, and having the highest expertise of common needs- that you may become even more modestly convinced with all the vast histories and particularly from the excellent examples from Archimedes and through other famous artistic architects- To bring this to a fair conclusion, that this excellent art of architecture, and all that has been invented, brought forth, and developed, not only out of a high understanding, various experiences, meaningful attempts, and some practice, but also reinforced with writing, from that which they shared to us their descendants despite all doubt, which has been to such significant good and high merit for our common use, and is worthy of much praise and approval- And that you may especially understand in this regard and give proper holy credit to all those who have been involved in the writings of architecture and passed on and shared their understandings, who have written about the oldest, highest esteemed, and most famous architect Vitruvius, and to pass on this same book which describes architecture with the utmost diligence and in a reasonable and handy order, that the entire art with all its parts may be laid out in a short summary, immaculately like looking at a mirror, with all arts and not as a costly and precious treasure, but as a correct, dependable foundation and all-encompassing groundwork for all the arts that go with architecture, to be highly received- And as this issue was until now understood by many excellent, educated, and well known people of certain nations, so this book of Vitruvius is shared in the native, foreign and alien language, for their particular advantage and to direct their work and meaningful inventions, as well as their wisdom and scientific methods, though we speak German- Therefore, these days this glorious artistic book of Vitruvius has been transferred to other foreign nations into various language, chiefly into Italian and then into Spanish and then the French language. But until now, like I said, save only for the foreign-speaking German readers who appreciated art, we have remained unacquainted, ignorant, or hidden from the greater portion because of a lack of translation or distribution of these glorious books, this precious treasure. However today all art and meaningful inventions will be brought higher day by bay from this blessed, excellent, indebted German nation. And not only will all other nations consult us, but we may far outdo them with high reason and common and useful practice in all necessary labor and effort. I have a great desire and good intention to be of common service, foremost for the meaningful art of math, as it relates to architecture, to serve as an occupation. I feel pleased to take upon myself this concentrated effort to share diverse architectural books of the highest quality to the best of my ability, and to transfer all artistic things into a common and plain German language using the press. But whilst these books of Vitruvius describe and order with such great understanding and splendid prescience the right ability required for artistic and orderly construction, it also describes all other arts which may require mathematical art and mechanical inventions. It is a short summary, developed and composed for this purpose, that the diligent reader might explore the faithful instruction of these books. These artistic things are somewhat hazy and difficult, not entirely understandable. This includes many things, but to give a particular example, the fortified construction and advanced machinery needed for weapons in Vitruvius’ time, as founded by the principle of architecture. It includes many other things that have been made and developed as needed, which to the German reader are of utmost importance yet strange and unknown. They are barely touched upon in our German literature or pursued from a solid foundation. I am therefore at this time concerned about many professions related to mine, such as the distinguished art of medicine, that these professions look to certain practices and works from the superb examples of other excellent artists, including: Luca Pacioli, Caesaris Caesarini, Benadicti Iourj, Boni Mauri, Leonis Baptistae, Guilielmi Philandri, Sebastiano Serlio, Patri Nonij, Orontij Finei, Niccolo Tartaglia, and many others whose literature about architecture and closely related arts proved crucial in providing true precepts for my undertaking. Their writings in foreign languages help lay out and declare these books of Vitruvius with special visual figures and with German commentary, and further involve related mathematical art and mechanical inventions and investigations, indeed all arts, so that those who understand and practice these arts might clearly and easily have the teachings and instruction of Vitruvius. Those who need other useful and understandable instruction might achieve just what they need, as such short and varied arts shared and related to architecture may not have advanced. May all despite my weakness of person be spared work and pain through these efforts, and may I prove helpful and useful for common practices. And with the sharing of these ten books and with my diligent artistic expertise, I am furthermore moved and anxious that the Viruvian architecture and ordered figures and commentary or design in these ten books deal with the most useful and advantageous architecture, related mathematical art, meaningful mechanical inventions, and various useful practices. May these special books share the unpracticed and untaught reader the very best, clearest, and strongest foundation and introduction with these printed books of Vitruvius, and be shared with good will. As the wise and versatile architect Vitruvius found it fit to give first attention in his esteemed books and writings to the almighty Caeser Julius, and then to Augustus, as an excellent and holy gift and to extend his gratitude, then so should all who have received so much dedicate under both these Roman Caesers’ holy names and hold up the book for publication with the praise they deserve. We should do this for those who transferred these holy books into some foreign languages and also documented and traded the arts related to architecture and so so still to this day. We should further commend the opinions and high and great views of the mighty potentates with their applicable efforts and literary works, who have gracefully given aid for all diligent artistic expression to common use, as a strong protection and mighty shield. I do not hesitate to follow the auspicious examples of certain educated, sensible, visionary, and wise gentlemen, including E.F.E.W, who richly adorn and honor all famous and laudable arts with modest experience and with various holy gifts of God. They are the highest patrons, soft and fatherly possessors, providers, and protectors of all famous laudable arts, to translate and order commentary on Vitruvian architecture and give other important books that articulately deal with architecture related arts. Under the holy and well known name E.F.E.W. I have spread about and published for the many advantages and uses of all art enthusiasts. For while E.F.E.W has a particularly friendly disposition and good intentions, he also strives to serve and stand for any common need and expertise of any client. E.F.E.W furthermore modestly displays an angelic, joyful and peaceful rule and gives rightly ordered Christian policies. And thus from all principles brings all artistic virtue, famous artistic and laudable things, to make any place a place of peace, and to make any and everyone of good report, so that there may be few injuries. I don’t doubt that it will fall on me to utilize E.F.E.W.’s effort through my literary work. I truly hope that all art enthusiasts will find this work under E.F.E.W.’s high reputation and glorious name pleasing and agreeable. As a volunteer, I will likewise greatly expend and let up no diligence to this end, that these and similar endeavors may be advantageous and helpful to all art-enthusiasts and common use. I will by day bring my highest power to goodwillingly honor and please E.F.E.W. 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Slber wae ^tcrin more about Coronene/ ?refotrab/ vir Corm$cn $ugebert top advertise on fol/as well as bieplatten vnb remove loads all geftme barauff tn ber high district gefepet advertise follen/magauf? volgcnber teaching Stfitrumj fo bir folche of geringjter high auff i 9 fchuch.high contrary, gnugfamen bertchtgibt advertising/gnugfamen remove loads/ how we also advertise bir volgenbe erf-sized.^nb for bae erft fo meref/bae bie-old bae of all he RTD gebelcf fo auff bae Capital have called refer - /bae ?pijtplium / bas ift ber of fafen upper fafcieten/?>ifce gebelcf ift verorbnet all laft jutragen bee superiors bawe/ ?)arum bifee Cppftilinfonbcrheif of ben 3 onifchenvnb?>orifchen wolge^icrb enlisted/ale we in the United statesreferencesexternal linksfurther reading ren/spell over X ejrt ^itruuif bifee places of vne verftenblichen gnug verteutfehf ift.333eiter wiH 93 itruuiue also bae nit alone, bie ?ppftilien fieh bem geficht to abftelen f vnb lose ren/he vnb gewife is bifeo places gnugfam to}shows/vrfach/fonber also bie Coloffico* tera/welcheo wortlein cinpebeogrof? well gebew bebeut / eo fei; of heufern upper Q3il* bern/inbergr?^ ber Slifen/foman ber erfchr?tflichengr?f?h"^t"?fwtinem^eutfch vn? gehewer family/how to bie vnmenfchlichen gr?h beo ChUftopheri still bifer ieit in need milling vnb bilben/how we groffen vngehewren 5 >olpphemo ber ^)epben lefen / vnb follen bife vngehewre groffe'm ben's name from the werefmeifter Coloffo / which rin folcho vngehewer ^ilbwercf ber0orinen5u honor $u Slhobiogemachth^tauff 7 o Clen he gefchepet high which wercf 12 jar ?at/vnb fol bifeo werff made worben fine auff $00 2alent.4Difeo wercf upper Coloffuo ab eo far geftanben / ift ee, burch a The book of the book of the same name by the author of the book of the same name by the author of the book of the same name by the author of the book of the same name by the author of the book of the same name by the author of ten O beltfci genennct/beren fmb iu Slom geftanbe/ bie district, the 5 o wercf fcfjuch h?fh 9 ^ wefen / ober ^ O (flen high / fo ben idolize $U honor court / vnnb in folchegebew BIC miraufi ber opinion 93 itruuif ?ppetra enlisted genant/gefepet/how to spell in Campo 3)tartio ber Coloffuo 3 ouie UN bae gro^ ^ilb $u Slo^ bee ?epfere -?omitiani from all ich?nftcn CDtarbel made ift/which bifer ^etf CStorphoriue refer - $u Slom/ 5 baf^called swells good freunb / vnb fch wap gefel. S7un fpricht xtitruuiue more/how about vbrig tljeil mbae Cpmatiumin 12 thalabgetheilet part to advertise the fol/barumb fo befchaw bu in as vil ....... H 9-M ?"*"I?"?i)mm"rtfcf?<"tf (Wfitna 6" ^onifcfati (Jolumnt/"f5 Mtt You feltigm ilitor, how enicf; folcfje pcrfpcetmifcfjar tu white Buzzed "n" ta tw "crcf iubmscn cDontoi ^rcp,"for/&"tf.?.€ap. CXXVIII we You Dm simple (?pijtel abgcfjmlet special Fund rules in obgcfcf?ter $igur / nemlichen Dm crfTcit tmterflen fafen in $ t^etl / Dm nechflen afterwards or mitlcrm in 4 thetl/The Dberflm rnn? grdfferen in ? theil/Dte give it to You straight-12 tjeii/ how oon 93itruuio requested$host/ The hows The t?eii with >; recorded / become 3jtragalo the iier after iefjbifchcr manicr giver 6 " wil I have thee in Wonder ermanet / Dao Thou to the greasy ?rchitecto/ soft white bow $u Verona erbawethatnit oolgen woltefl/?)ifer baw flet 2)e* rona nit remote oon The iewen pozten/Da wirflu fejjen onD oernemen / like The greasy 2(rchi* tcctue in ozDnung The $afen, or $afcien Deo ?pijlile straight Dao wiDerfpii gebzaucht/Then DieaUer onterfl #afen tjl at all Dicfeften/The mttler half-alfo Thin / The Drie in the third D?nnen/folchen fail you onD also wargenomen in The give w in 0poleto fo ?)rufo ?ermanico in gefchziben werDc / but foleheo ^we have The fleiffigen 2(rchite follen is to be swept/be folche oon a number of 0chzeinern onnD itunjlnern with obel ge* reimbte name ^elberflengenennet / The^?alfjen nenneno3)emtcello/we(che in Difer 3o- nifchm manner in fonDerheit werDc follen/auff made The $rpfen or gophozum in The reef rtfponDieren or flc^ compare with The (?pipil/ or The fafen and ^pitrachelioZti obcrfl The columns vnDgraD/ in the middle of Z wifchen follow two lines gchdtt &*< w? dberpen fyaubt Deo bilDo praefo fcljmir fc^Cccfet berab with C To dberp domestic means/ vnD cf et (I bioauff in the middle of The mats oDerjjMinthcn Deo vntern 23afen mitB recorded/vnD such as betting The vnterfchieD fep $mifcbert R and S /ntagpu ermeffen to The vnterpen *plintbf Deo95afen with "? recorded, but The mitler bdbe Deo ?pmpant / fo netint?etl high ip /beietebnet with V. as well as The 4Denticuli tmD Zufamen poffung Of ?ozonen.")ie 0p ma fo just above ITF ligt / tp with X be $ CIC^net / abcr from Difer 0pma we want her* naefe an anDern komforten o: t weiter IjanDlen. Head gcDencft ^itruuiuo Deo ?pmpa- ni/vnDbeDeutfolcho woitleinoie vozDer aufffpipung Deo dbern tbeile Deo g warniDziggnugip/magfolchealfo. 0o You for DaoerpDao QEimatium oDer gepmo in two equal theti geraD in mitte abtjjeilet bap / fo Zeuch a pieprichrich Itni venture down/there pell the one and only fuf; Deo gircfelo/th" in in the far deodorant ?pmatii / or as far as deodorant dberp gepmbo reaches/vnD ripe? a snrcfel free organic onf Dae anDer o zt/Zu enDeO (?pmatif or folcbcn dberpen gefimbo / Dannretp from bepDcn fat wheels Bottom of euferpen theilen/Die ftch geraD in mitte Deo (?ir- cf elfreif? betreffe / fo gives you folcbo a fchdne Dzpecf ete aufffpip?g folcber gpbelwenD oDer STpmpani/wie wolaucb folcber gibel by etlicben nit alfo gefpipet/fonDer in Der falben Sir cf elronDe is listed asD/vnD is calledD folcbe manner from the ^Belfcben Qlrmenata/ 2(about how folcfeeo avenue will be paNeLed fol / will we be able to see eye fcbeinlicbe pgu* ren fepen/auff folcbe ?pmpanum you can use the 2(croteriam Zufepen / of Den 3Balf)ert "pilaprclli genant/The mdgen we call fchamel The pictures / The fepet man gcwonliehen Dtep on a folcbcn vozDer gibel/in the middle of a/ vnD to be careful of the one / but Dao mitler fol an acbffjet! bdber fein wann Die Zu bepDen neben fcpten/JMiniuo fchzeibt am 1 1 ca. deodorant $ <; bueho/wie Der <0ibutaDio Der erp gewefen Der folcbe SSUDer auff Die fetten Der Decber gefept bab.2(bcr ^?apupa Qdbertuo calls Den erpe erpnDer Difer Ding SSucciDcm/ ?>ao but folcbe dberpe BilDer gefenef et oDer inclined fepen De gepebt nach/wie SChtruuiuo advertisement vnD with acceptance temple rating according to ^erfpectiuifchcr art vnD manner/ Dao triflftpcbnitalfoallein^uinDifenDingen/ fonDerin allen Den wao vno in Der hohe im ge? pleads furfornbt The split Zu febawen/alo To a card Difee vnfero fur^abeno/ fep on furgenomene ?d?e/which is furtive about j re middle "plepricbfige oDer 'PerpcnDicufar lini furwertli^ just anjufebawen as in the above ^figure with C B from above ip/ which lini we in Der fjdlje auff febueb (want to pay attention to the web/vn fep Dao aug Deo anfehawere with A registered/ in the ?d?e of ebnem ppaper mitB vergeiehnef/vngefcrlicben auffDzcp wercf febueb/fo will be on two parts The line which ficb (jinauff >erpreif et $um Q5ucbpaben C/ vil lenger fine/when The/what ficb nit further Then $u P erpreef et.(^ben split in folcber fol also from other lines which are marked with "A" from painted eyes verpanDen wcrD / fo nit alkin Dao ganp wercf/fonDer peDeo tbeil of tbeil 5u theil grasped/the fimo vnD abfep of all gliDer like you in obgefepter ^igur augenfcbeinlicben fe* |en magp bep the lines fo from the top down the db plates pch erpreef en vnnD verg verg verg chen with the gepmoDee Q3afen vnnD vnterpen Dicfe der Cotumnen mit aufgelistet/ or like folcbe also above the deodorant capiteelo are colored/ are fucked with the ab|c* pen vnD vberfebieffung der fafen Deo Qrpipilo pch To meet/like folcbeo with the bookpa- benRDSverZeicbnettp/oDerwiefolcbear above Dce ^pipiltf warZunemen bep Of the F/ vn index, further information is recorded in the emgefaffet crossing gopbori with X as well as continue to read along iewen fdpffen brnauff with Q^verDrawn / vnnD abermalo continue with the ODplapreUi or the fcb<"rttel then the pictures of the pcenD ^(croteria called / vmtD also account Sirdnfeefur/bae.-. Cap. CXXIX ^Mentfic^ef?rrnffuti^tJer comfortable erbobuuuqDen)Otbcr?!)bcl/oon tm old 3rchitecti* ?pmpana aenant/in ?ria "ael vnD runber togen fbtm. also of the felbias S5i(of the limen/welcber lines The fo ft eh of the eye efethen / vnnD do in Diefd^ebinauff ae^eit a?eZeit DielenapenfinD/wiebicvotaefepte^iauranuafam auaen fcheinfichen anZeiat / Daraup (cichtlicben aHurteme/mte Die ober" ?ejtmpe vn S9ilD wird? 2(over But in a fine way dermabrasion out of the string upper" ?ejtmpe vn S9ilD perpenbicular directed advertising foss/alo ob fit down grasp woIte/alo bas man fie ober Die directional optic from the right perpenbicular fepen moit/mie folchs marked with D / through a fcharpffen wincfel au6 The f cord (ini hinaup gerueft tvotDen btp Zu E/hinaup von T/ according to the relevant or the available documentation (ini aue Der rchtefehnur ?in aupwerp pulled tvire / as Then folcfje fchlpmme gnugfam displays ip Zu dberp Deo 0e* fimppline bee*pi(apres?i/vmb wieuil Die (ini K of Der perpenDicuiar / folches peblins aue The fcord verrucft/equals The (ini L of M.0o(chs but host Difer indicated mep* nung half of^itruuio nit a(fo verpanben/fonber Difer Xen 93itruui) wil anZ eigen/ Dao The upper 0efimp6 as fie in jrer ojbnung nach einanDer auffacriefjt pe^c fossen/in fol* rather split with joy overgetting crfchiejffunge/footing i z part furfchieflen/ so that fie Depo more fieblicher fepen/ als mir Then also bifem 99i(Dt in voigefepter pgur Den fopff ge* tended to have/from the buebpaben P ZuQ./ Den i z tet( finer (enae rf. &er ^o(fc(cn half world before from?}itruuio0trtge6 called tverDen /finD of the old aujfgebiacbt w?zben / as tvir in the pine book shows babies/of the folds QCBetbifcher fleiDuna/in fonWork The itcctwr angeb?ttg/alicg to fine otbnung auffis convenient.* meft Ju fianblcn.I ?erhalbcn ?ro|imcd)ttgcr ^epfer in bem erften book wag bem diligent Slrcpitecto Eon n?ten / also which funft he wiffeng / a ben fol/gnugfamlichett crfleretpab/Slbcrimanbern book bifer Slrchttcc* tur/pab I all notturfftige matcri in furijembefchtibett/fo 5u all gebew notwenbig/Slber in britten's book, we have gcljanblet/eon ber bifpofitio? ber churches gebew onb •fjetbmfcbeit temples/ eon )rer some) form of/ gcftalt/type/tmb tmterfcht?ung /a pebe fonbcrliche type "r abthei? luttg I/ber bteper gefchlecht ber fubtsliftcn ptopottion jrcr mbbcl/tmb ut fonbcrheithabichbic^onifchmanier with flafj bcfcbtibcn/Slbcrwnecbft eolgenbem book/iftmein ftirncmeit gnugfamc rntnb eolfomene tmtcrrtcb* tion $u fcfjcn/ber ?otifchen tnib (jtotinthifeben manter / tmnb berfclbige? bnterfchibt tmb epgenfehafft 5u erfleren.