OF THE TTVRA ARCHITE
By M. Vil " R. VVlO,
.. Translated & commented By Monf. Daniel
Barbarian elected the Atriarch of Aquileia,
from him reueduti & expanded; & hora
more comfortable
reduced shape .
.. Translated & commented By Monf. Daniel
Barbarian elected the Atriarch of Aquileia,
from him reueduti & expanded; & hora
more comfortable
reduced shape .
Apprelfo France (co de ' Francefchi Scnefe,
G1oua11ni Chrieger Alcm: 1110 Companions.

M D LX V I I. 

A L L O I L L V S TRIS SIMO,
ET REVERENDISSIMO
CARDINAL OF FERRARA
D. H IP POLI T (? FROM THE EAST AND,
DANIEL BARBARO ELECTED
D ' A Q.. V I L E G G I A S.
-....= -- VTT and the/; elle works, I / luflrijsimo, f5 ' R.!.::,
..andá ..uerendi.fimo Sir, more than phono g1, 1, arda-
lfi:!:ii;....- you, et contemplated by the huomint.. piufcuo--
I'm taking 6eUeZ z..,to them, et the artifice of the maeflro
; f5 6ene j}ejfo from the first non-ji AFP
proua that gujio of effe, that 6EN miratee, f5
conj“derate (I [ente dapoi: Jlche as Jia ueroe, I will not tire
of prouare, for that, e5le paints ,e5le [crops, f5 Le fa6riche
de i grand'huominie, f5 other cofe Che Ji uedeno ogni Oday,
clearly they dimoflrano it, because more than Ji look, more
of feinamorano the relative. i / that is .(e_;no mantfeflo,
that inqueUe (empre ji_ (cuopra Maggiore 6e / le' {... ..eflo,
O fimigliante effect do uere, F5 preciof� nature stones,
compared to the falfe, ET uili made by the huomini.imperoche le (al
[eal prirno guardare di_f� moftra a!legnfima, f5 JP!endidf(.
Fima,e, tquafl flatterers entice the uifia with a fa!(o (jlendore;
and then they're missing. But the natural uere, f5 finee:, because (onofact by the uerity of nature, not to deceive any,
but for drtZ... z:_; are the Souls at the highest uiaggio, more prejtano of
that, I promise. La doue I pojfeditori DT queUe, fcoprendoc..
a 2-GMO
A L L O I L L V S TRIS SIMO,
ET REVERENDISSIMO
CARDINAL OF FERRARA
D. H IP POLI T (? FROM THE EAST AND,
DANIEL BARBARO ELECTEDD' A Q.. V I L E G G I A S. 
-....= -- VTT and the/; elle works, I / luflrijsimo, f5 ' R.!.::,
..andá ..uerendi.fimo Sir, more than phono g1, 1, arda-
lfi:!:ii;....- you, et contemplated by the huomint.. piufcuo--
I'm taking 6eUeZ z..,to them, et the artifice of the maeflro
; f5 6ene j}ejfo from the first non-ji AFP
proua that gujio of effe, that 6EN miratee, f5
conj“derate (I [ente dapoi: Jlche as Jia ueroe, I will not tire
of prouare, for that, e5le paints ,e5le [crops, f5 Le fa6riche
de i grand'huominie, f5 other cofe Che Ji uedeno ogni Oday,
clearly they dimoflrano it, because more than Ji look, more
of feinamorano the relative. i / that is .(e_;no mantfeflo,
that inqueUe (empre ji_ (cuopra Maggiore 6e / le' {... ..eflo,
O fimigliante effect do uere, F5 preciof� nature stones,
compared to the falfe, ET uili made by the huomini.imperoche le (al
[eal prirno guardare di_f� moftra a!legnfima, f5 JP!endidf(.
Fima,e, tquafl flatterers entice the uifia with a fa!(o (jlendore;
and then they're missing. But the natural uere, f5 finee:, because (onofact by the uerity of nature, not to deceive any,
but for drtZ... z:_; are the Souls at the highest uiaggio, more prejtano of
that, I promise. La doue I pojfeditori DT queUe, fcoprendoc..
a 2-GMO

.

every day more uagheZ., 't. Ja, f.¤ pi.. ueri..a, plus I.. appr..Z,..to


_or

no, e_, ' the more they admire them. Jl ftmtle a..1utene a t let..ort d..II..oco(and de gli huomi..the excels..ti, I qualt / Jeendo c..n dijiderto eo

_

precepts of Arts, et .. onttn .. an .. O with the fiudto, f5 ejfercttio
neUa inteUigen..to dt that!t . r1trouano ne! progreJlo, which
they make, the uirtu de/i author clearer, f5 PTU ammtra..from.
How has auuenuto to me in the fatigue done fopra V1truuio
already dedicated to Voflr to Signoria Jllujlrifima, f51?....uerendiftma:
imperoche, for that love, that has everyone DT do the

Juefatture ogni giorni migliori, reueding, & rereading the
said author, & fentendoui more guflo of excellence'z. 1, faa,
(5 uedendo ancho, who fucks the protector of the gratia rvo


flra he was breathless to!J6reached by the world: j} into by foliecitude
of the li6rari, I have sent him back to the light keeping all the light.
collected the fludio, e1 the ojferuan'<..3 mines in dignity, F5'clarez..a of the perfona uoflra, with those defiderio, which fem


before I have heard of giouare, how much I have brought the forces 5 my ad
each. 5 to give
u
no illuflre teflimonium of magniftcheá,
E5 excellent fa6riche, which she has done, e5fa allauia in
diuerfepaorti del mondo con merauiglia de gli huomini: del/
equa / the works I did uedute some first, that Iole de


itt
current ui, E, t of p..(quiere rarifsime;
made honorato judicio huomini p1u smart of me. however
I will not go further, the (ciando in everyone a dejiderio arden.
ti (simo Di uederle. e, t contentandomi of [ua 6uona handwriting,

I humbly get rich. Of Vinetia del

M D LXV / 1

, FRANCESCO DE FRANCESCHJ SANESE
A L readers.
.... Either not or I refract the Vitruuio with the
comment by Reuerendifsimo Monfignordaniel Barbaro Eletto d'aquileggia, fpeffe
I am not offended by this.
the soul fuo fapendo, that fua Signoria Reuerendifsima
she was occupied in other frudi, conuenienti
to the rank, which he holds ; but I breathe
a long time to begin with that, which I defend grandemence.
Horache fidandominellaimmanityfua, & imaginandomi,
that the huomini ftudiofi fempre riuedeno the CofE their, & seek
diampliarle, & adornarle, I set out to dare to cover my difiderio:
neither am I deceived by goodness fua, because he has helped me cortefememe
content that I reframpafsi, diffe me, that haueua anco
and the larynx laid ready, which he had already made with the uollare:
ihaueuaadd many cofe, & many figures that do not sound in the
first: & that would also give me Latin: La doue hauendo io
I have been more than that, which I would have been able to leave, I have been benign.
Readers ad utilitycommune, light up one & the other
Vitruuio, & ofareogni diligcm.a, to remake them in comfortable form, &
& with carefully&diligently carving figures from my
honorato compare & mate in quefb imprefa, M. Giouanni
Chrieger Alemano, & accommodarea qut{B nuoua forma, accioche
..gm..no then you can enjoy the fruit of the learned labors of the fopradetto
11110 S1gnore. llqualuolto col penficro a tutte] and fine art> uˆfcmpreritrouando modidigiouarcalmondo,& fiaffatica diimcn.deredaognuno lebelleco{e,chcfononelle ani piu noblemen, by making him a nobleman, he is obliged to whom he makes some beautiful muennonc. & pero hauendo ueduto, that in the AnalemmadiVitruuio_lo cccel!enre mc!FCR Federico commandino II haphortato
egregiously mterprcrandolo Analcmma of Ptolemy that is the ift: C{fo with I Analcmma of Vitruuio, & that the point is p..ll:,
FRANCESCO DE FRANCESCHJ SANESE
A L readers.
.... Either not or I refract the Vitruuio with the
comment by Reuerendifsimo Monfignordaniel Barbaro Eletto d'aquileggia, fpeffe
I am not offended by this.
the soul fuo fapendo, that fua Signoria Reuerendifsima
she was occupied in other frudi, conuenienti
to the rank, which he holds ; but I breathe
a long time to begin with that, which I defend grandemence.
Horache fidandominellaimmanityfua, & imaginandomi,
that the huomini ftudiofi fempre riuedeno the CofE their, & seek
diampliarle, & adornarle, I set out to dare to cover my difiderio:
neither am I deceived by goodness fua, because he has helped me cortefememe
content that I reframpafsi, diffe me, that haueua anco
and the larynx laid ready, which he had already made with the uollare:
ihaueuaadd many cofe, & many figures that do not sound in the
first: & that would also give me Latin: La doue hauendo io
I have been more than that, which I would have been able to leave, I have been benign.
Readers ad utilitycommune, light up one & the other
Vitruuio, & ofareogni diligcm.a, to remake them in comfortable form, &
& with carefully&diligently carving figures from my
honorato compare & mate in quefb imprefa, M. Giouanni
Chrieger Alemano, & accommodarea qut{B nuoua forma, accioche
..gm..no then you can enjoy the fruit of the learned labors of the fopradetto
11110 S1gnore. llqualuolto col penficro a tutte] and fine art> uˆfcmpreritrouando modidigiouarcalmondo,& fiaffatica diimcn.
deredaognuno lebelleco{e, chcfonon in the noblest ani, making megen_uapro_fefsione di, effere obligato a chi fcuopre qualchebella muennonc. & pero hauendo ueduto, that in the AnalemmadiVitruuio_lo cccel!enre mc!FCR Federico commandino II haphortato
egregiously mterprcrandolo Analcmma of Ptolemy that is the ift: C{fo with I Analcmma of Vitruuio, & that the point is p..ll:,
that , & that others, who have written of horologists, have not
given in their foundation, judging that Elfer uera, fola,& ifpedita
UIA, infecting, dimoiha, & practicing one of the main parts
of Architecture, has uoluco leuare from the ninth book I difcorft already made
fopra the horologists, & in them uece re ponere q uell:I of Ptolemy, &
of the Commandino, adding the ease, which is properfua. however
the readers of rinouato Vitruuio haueranno quefio oblivio more,
as anco deono hauerlo for many added figures; & fpecially
those of the Cauedi, which are difficult, & those of the bathrooms, &
of the palefl: ra bellifsime, who bring great light to the cofe of Vitru.
He fimilamente added Many difcorgs, & many beautiful practices, arousing
the rivers of the uerity to do some nice cofa, & a po black
the fouls in quefia honorata imprefa, in which many ft phono inunlrnente fatigued, pears!Fere irnprefa of perfone lettered, & practices,
these two conditions of rare return in a fogetto, &
fono more than neceffarie, fe L'huomo uuole hauere,& La cofa, & the name
as an architect. & I have ueduto the writings of many, who do pro ' fefsiono
of Architects, & do not make difl:intion among the Theorica,
) & practice: & infegnando to pull the lines femplicernente, fenz.a le
dimofirationi rnathernatiche, penfano, that that Fiaela Theorica,

o & a quefl: o way have neither Theorica, nor practice; because the
Theorica {Árefers to practice, & practice depends on Theori10
ca: & in fornrna who does not have the mathematiche, does not have the Theorica.

.


but I would defy for the utility of such quefii, that ft gloriano d'hauere

OF

the architecture, that f“ refirigneffero in fe fiefsi, & that Fi effiuninaffe


or-

ro well, & faceffero to fe ftefsi the questions fruitful Vitruuio,
& diceffero. Vitruuio says, that the architect of the eifer adorned the
cognition of many arts, & many fciences. well do I have such ornaments?
V itruuio says, that the architect of the hauere produced the bi.
fogno, & with a certain fobriety, letters, Difegno, Arihrnetica,
Geometry, natural reason, & ciuile> Afirology, Mufica, Profpettiua,
& other arts. well. I conofco I or all, or many, or none of
those? Vitruuio says, that the architect, is architect, for the order,
for Dif poftion, for symmetry, for decoration, for


fl: ribut10ne,


frribution, for the gratiofa manner. well. I have the habit of quefie
cofe in the mind? & coft doing a fe fl: efsi q uelte interrogations, fe
they shall not deceive them. they shall judge fe rnedefirni.,
& rrouando of hauere those ornaments, which says Vitruuio, will ringratierannoIddio,
who gave him inGeme with ingenuity, & other goods,
nor for that ft they will go glorifying Eiferous Architects
, ma ! they will strive every day with the works auanzare fe ltefsi: & fe non
the cofe, which was requested by The Architect,will be put to work.
for hauerle, ouero fl: they will be queti, & they will not 

attributethat, which ueramcnte do not have. however benign readers,& uoi
ftudiofi of the name,& of the glory aff:iticateui of throwing the fonda men
tofodo of that with racquifl: o of the uirtu , & of the arei, & ufando
that modefl: ia, that you conuiene
, do not attribute the cofe of others,
not UI arroge that, that did not hauere, gate oblige:: m to whom UI infeId
gna, ufate diligence to learn, offer the good & catch in; c.
well, what for him rr.io little fapere & good uokre I seem to "
rkordarui, effendo I fempre set at uofhi conunodi fen¥
I
za some riparmio of fpefa ,. & fatigue. mmc

to

.. hm

..D
gntll(

d1eru
& lrll
L I B I {__Oi.
tL-d C". 'n * Te og11' 1 fuaore tenne raccoltor Adunque con M. Amelio, P. Mini " reu...N Olermo, 1 * d I B rfi & d f ' s . . & 11dio, & Gn.Cornclio fuifopr.. the apJ>..recc..10 ..le .:i 1 e,
d / g I trtooi, a pro-uillion of the other torments. R which, fob1..0 e ..m1 c....EC e 1,
E1: 1o to, eo: pder .. rac:: d t. ne of tua forclla ne ferua{h lo. I don't know. - t pero cucn O 10 perecomman a 10
h * H r I * * uclbeneficio held,,& obliged, di.m..do, and and..onon aueua a temerene g 1_u ttmt an..I have commctato to frnucrcquefl: and cofe. 'N. _el proemio delfefloubr.ocofl says,. . . . d . áá .. ¥ ¥á á 1áam I going to grandfsime, & mfimtc graue ren ? a 1 mte1 progen1t?rt, 1 qua I a..prouando.la dc law the Athenians, they have me.in the Arts amn:iaefiraco, & 1_n those _fpe..1almcntc
chefcnza lcw: re & fcnza that Ra'communam: a D1 all the doctrines, which M turn there uolr/, can not for any way effere commendata.I ' J:,.[JL proemio of the fruitful book an.iichora says. ¥* But to me, 0 Emperor, the nature did not have the greatness of the corp. o: & eta m..
ba.deformed the face, & the int“rmita leuate forces : the dll,!.and effendo 10 from coli fam
prelidij_ abbando1....to , I [pero by means of the fcientia, & ˆe glifcritti to some degree_
!ali King.F. t altroue dimo/lra e“fere Flato ambitiofo, neither arrogant, nor auaro á * & Di Fe modeftamentamente parlando,he defends the literates, ripre..de tem..rarij, ammaeflra .. li!mperiti, & am..m..ifee with amoJ " and,&, * on faith those, who uoglwno fabrtcare :fegm cenif11m1 of the boma delli_iamo, & idell:innocence della uita. Scriffe ten books of architecture (as he states in the end of Lope:ra,)& fuck an afPctto.. & in a body reduces it, - rauna11do the parts of ej] ˆ a * benefit of all U. legenti, as he says in the proemio of the fourth book, the way, that UJA Vitruuio in the fcriuere
d (c.ome Ji conuiene )first ordered, by you confimpli�ity of uocaboli, & properties of words.delcheeglmeirende 

ltzreation - in the proemium of the fifth book: which I defied, which limo became,
J]R. ima that adaltrofi uegna .. But.we are faced with other difficulties: those oue-10 fPauentano I Bed'¥
R. I of Vitr-ur,I, oucro delay the jludiofi of the.Archit1: tt11ra: & big Fono & powerful ones.
It was the first time that many people knew, who wanted to give Vitruuio the knowledge of letj:Y: e
¥. .A, ttr.I don't play the.bifog110 difapere, & f˜no L " Ome Sofifti, and boaters: the flaws of i
which Dal .A-ttttor.and fono.in p�t places [covered. The other difficulty. it is obvious in the absence of
c. ffempi, yes of the ancient works cited by Vitmuio, yes of the figures, which he promises us in the end
of ori [ouna de ijitoi ten books. ..there should be much of it, (9" there should not be it; there should be caries.to
about J?iu preft.or indouinare, what appr.I want to know how hard the cofe is. But I would not uorr, that for quephte
oagioni some stunned Fi rimoueffe da Fi bella, & praised imprefa, in which many of ge..áO [oanimo * fatiguatififono, & all bora s ' aff.1ticaito, & s ' affˆtichera1mo,. fpera11do, that fatigue.,
& lˆdiligentia of the buomo [1tt to fuperare every humana, difficulty. á1 or for quefta reason
helped by the d..read, & from ft1uiio, cbe 1 * ii, iuc in many, po/lo Mi furio a quefta imprefa, alla
which is.homaz time to enter. 'That they may gather their minds, that they may be better
dimofl.the fentiero, & the end, to which dcono peruire, to say, what cofa is .Art: ondenafce :
t1..m.. c: re [ce: .. cbei_iperrte"!ga. Difting11e1 .Arts; The J. trouerot./ 4n * hitettJtra, & parts of effe:. id1cJJlarando l office,,&, the.end of the .A-rchitetto ¥.
1r .. O AND M I O'..
The]: nu1ifc/onouqualityd�lle-CofE, between thequali.one is. what Habito {I dimanda fecondo cbe
* Fi dice. Making good: B. tbito: e..I ' well babituato: & fim {'{lia11ti modi,, that dinotano o.. p; - poff�..re..na tf!M-lity, that di_lˆ_, doue�, difficultlyfi pof] ˆ le11are. Suboil
p; e1..you'.OnOn: ie,-0_gm[t:1entta, - 0gmartc, ' ogm 1'trtu, - er og11i 1'itio Fi includes. From qu11-
1Ja..ogpmo, 1elomtelletto trahe.dlfe,áofe. LunaJ,.that egJ1 conofce ' 4 importaw...of ap, [!rmde-
king
L I B I {__Oi.
tL-d C". 'n * Te og11' 1 fuaore tenne raccoltor Adunque con M. Amelio, P. Mini " reu...N Olermo, 1 * d I B rfi & d f ' s . . & 11dio, & Gn.Cornclio fuifopr.. the apJ>..recc..10 ..le .:i 1 e,
d / g I trtooi, a pro-uillion of the other torments. R which, fob1..0 e ..m1 c....EC e 1,
E1: 1o to, eo: pder .. rac:: d t. ne of tua forclla ne ferua{h lo. I don't know. - t pero cucn O 10 perecomman a 10
h * H r I * * uclbeneficio held,,& obliged, di.m..do, and and..onon aueua a temerene g 1_u ttmt an..I have commctato to frnucrcquefl: and cofe. 'N. _el proemio delfefloubr.ocofl says,. . . . d . áá .. ¥ ¥á á 1áam I going to grandfsime, & mfimtc graue ren ? a 1 mte1 progen1t?rt, 1 qua I a..prouando.la dc law the Athenians, they have me.in the Arts amn:iaefiraco, & 1_n those _fpe..1almcntc
chefcnza lcw: re & fcnza that Ra'communam: a D1 all the doctrines, which M turn there uolr/, can not for any way effere commendata.I ' J:,.[JL proemio of the fruitful book an.iichora says. ¥* But to me, 0 Emperor, the nature did not have the greatness of the corp. o: & eta m..
ba.deformed the face, & the int“rmita leuate forces : the dll,!.and effendo 10 from coli famprelidij_ abbando1....to , I [pero by means of the fcientia, & ˆe glifcritti to some degree_
!ali King.
F. t altroue dimo/lra e“fere Flato ambitiofo, neither arrogant, nor auaro á * & Di Fe modeftamentamente parlando,
he defends the literates, ripre..de tem..rarij, ammaeflra .. li!mperiti, & am..m..ifee with
amoJ " and,&, * on faith those, who uoglwno fabrtcare :fegm cenif11m1 of the boma delli_iamo, & idell:innocence della uita. Scriffe ten books of architecture (as he states in the end of Lope:ra,)&
fuck an afPctto.. & in a body reduces it, - rauna11do the parts of ej] ˆ a * benefit of all
U. legenti, as he says in the proemio of the fourth book, the way, that UJA Vitruuio in the fcriuere
d (c.ome Ji conuiene )first ordered, by you confimpli�ity of uocaboli, & properties of words.
delcheeglmeirende ltzrazione - in the proemio of the fifth book: which I defied, which limo fia,
J]R. ima that adaltrofi uegna .. But.we are faced with other difficulties: those oue-10 fPauentano I Bed'¥
R. I of Vitr-ur,I, oucro delay the jludiofi of the.Archit1: tt11ra: & big Fono & powerful ones.
It was the first time that many people knew, who wanted to give Vitruuio the knowledge of letj:Y: e
¥. .A, ttr.I don't play the.bifog110 difapere, & f˜no L " Ome Sofifti, and boaters: the flaws of i
which Dal .A-ttttor.and fono.in p�t places [covered. The other difficulty. it is obvious in the absence of
c. ffempi, yes of the ancient works cited by Vitmuio, yes of the figures, which he promises us in the end
of ori [ouna de ijitoi ten books. ..there should be much of it, (9" there should not be it; there should be caries.to
about J?iu preft.or indouinare, what appr.I want to know how hard the cofe is. But I would not uorr, that for quephte
oagioni some stunned Fi rimoueffe da Fi bella, & praised imprefa, in which many of ge..áO [oanimo * fatiguatififono, & all bora s ' aff.1ticaito, & s ' affˆtichera1mo,. fpera11do, that fatigue.,
& lˆdiligentia of the buomo [1tt to fuperare every humana, difficulty. á1 or for quefta reason
helped by the d..read, & from ft1uiio, cbe 1 * ii, iuc in many, po/lo Mi furio a quefta imprefa, alla
which is.homaz time to enter. 'That they may gather their minds, that they may be better
dimofl.the fentiero, & the end, to which dcono peruire, to say, what cofa is .Art: ondenafce :
t1..m.. c: re [ce: .. cbei_iperrte"!ga. Difting11e1 .Arts; The J. trouerot./ 4n * hitettJtra, & parts of effe:. id1cJJlarando l office,,&, the.end of the .A-rchitetto ¥.
1r .. O AND M I O'..
The]: nu1ifc/onouqualityd�lle-CofE, between thequali.one is. what Habito {I dimanda fecondo cbe
* Fi dice. Making good: B. tbito: e..I ' well babituato: & fim {'{lia11ti modi,, that dinotano o.. p; - poff�..re..na tf!M-lity, that di_lˆ_, doue�, difficultlyfi pof] ˆ le11are. Suboil
p; e1..you'.OnOn: ie,-0_gm[t:1entta, - 0gmartc, ' ogm 1'trtu, - er og11i 1'itio Fi includes. From qu11-
1Ja..ogpmo, 1elomtelletto trahe.dlfe,áofe. LunaJ,.that egJ1 conofce ' 4 importaw...of ap, [!rmde-
king

'P I{. I M O, 3
, * it is more a babito, than 11.n ' other ._ The other is, that does not COFI ageuolmente s ' acquiflano the beautiful habites,
none of leggieri deserves effe.R with the cbiary names of those called. Which cofi effendo, the huomo
auuedut.. s'agratica, & pratica con le perfone superiori, & non feduce fe medefmo, credendo ue
that which he does not do. You don't have the habit in this way, that others
they are of the intellect, others of the noftra uolontˆ. The habits of the intellect _for three delusions-
, 1 * e. .Some do not complain:I have the intellect more to the uero, than to the falfo to bend, as is the opinion, the JoJpetto,
the edulity: .Others 1rolleno the immense mind from the uere>, & Di fermo al falfo twist it. co
me fe some from [alfi principij difpofto, al uero by way some conf entire could not: & quefto
mal habito fi calls ignorance prauao. The third way of babiti is quc:all, cbe auuezza
the intellect to the uero -, so, that he can not Fi to the falfity, & to the er; * or> * and for any uia to reuolgere;
Worthy of & P;-quality eciofa, & conditioue of habito, as that, CBE lieui la
inftability of the oppinion, chia; - ifca the fofpect, & induce certainty, & firmness of uerity.
Maperche Il uero nelle co_f� diuerjˆmente Fi tmora: but c'interno al ueronelle CofE mol.I make you the habit of intellect. I say therefore in the intellctt o/, human effer a ' habito del uero,
what a nece!Jity adiuicne, & another habito of that uero, which is not necejJario, dett,; da
Filofofi true contingent ¥ the real necefJario is qztello, which for uera, & certain reason (s) with
shut . & oltra of 1ueflo ttero neceffˆrio is that, that for proua De no cofa Fi p (glia. & finally
the neceDario is that, cbe dt:all proua, & of the prouata cofa is composed. Wave
from the aforesaid tell/i, - e manners of habiti D ' around () to the uero necejfario t:the phono manifefie. The
first she is named S cienz.G,, that hltbito is of conclufione for uera & necejfaria prouaacquired.
The fruitful is dett, t intellect, cbe is babito de I principij, & delleproue, & considers the name of the
power of the soul, in which he fi truoua: the waves<! appointed, intellect. imperoche allo
this is not the case with any other previous practice: but the terms, that is, Japendofi, have been accepted.
the fignificatione of the names: of Ji.tbito the intellect j�nza other proua, [olo da diuini raggi il -.lllftrate of the natural Lumen conofce, & conf Ente effer uero that, which is likely to it. 'But Dan
you who.ima the conofcimento of quefto uero, prima notitia * & quel uero, primo uero ¥ I Filofofi,
P>áimi concepts, or dignity, or Ma(j“me folliono call. From quefto habito said intellect, they have
beat tdgore, & fpecially force the Mathernatice. for in those phono quefte notitieomanifeftfffime, & though petiolefirmo of quantity, phonoper˜ of ualo1áand ine/limabile. 'For [apeore adur11ue conclose many cofe da I proprij principij , ( what else not<!, which has fcienza)
bifogria first acquiftarfi the intellect: that is, the habit, which conofce the piáincipij. cbe I in quephlo luoogo would call, understanding, not to confuse the uocaboles of the cofe: for intellect is a nameus. Power & Soul uirtu, which means: & intent i: operatione, oue; * O babito of
que / 1, I potr: nza. The ter * za. manner is called Wisdom, which is P1 * onta & ifPedita cognitione of
prouea.The conchufioni applicateor. Et as the acumen of the diuina intelligence penetrateá * to pe; - within
at the mez_g of ogrii cofa, cofi to a refueglation of the babitu intellect.ito in many fcien.., &
in the cognition of moltiprincipij Fi retroua the uero: & quefti fono the habites of the intonw intellect
to the uero necefferio: that is, from around the uero, cbe cannot e / Jere, than fi.1,, in which mn
/ I is retro11ato that habito, than we .Art let us call: propl'ilamente I say, because bora Fi rag I
na with I proprij, & ueri uocaboli of the cofe. Hora uediamo feootra gli babiti, Che fono d'intomo
to the fi troua F JF contingent.rtc * I say cbe in cofe made by the buomini, percbe dependeno
from their country, cbe no more to q!!efto, that to qt!it is finished, not finished,,
of what [opra we said. (7 others of those relevant to the Union, & conuerfatione, others
they're at the l!tility, & commodo tm�wrf, deo. The rule of those is named ' Pmde11-
za, who is habito moderator of the actions IJUmane, & ˆuilo. I. a rule of fecundates is called. Ar
te, cbe is h, tbito regulator of works, cbe seek any matter andfierore. (7 ' / i as from
of the first; * ego makes the men _(they are called Tmdcnti, judges, legislators, and the{yttori:
Cofi from the fruitful phono said .Architects, Soldiers, .Agriccltori .. Fabri, & J/.rteftci. Gia
.To .. say
'P I{. I M O, 3
, * it is more a babito, than 11.n ' other ._ The other is, that does not COFI ageuolmente s ' acquiflano the beautiful habites,
none of leggieri deserves effe.R with the cbiary names of those called. Which cofi effendo, the huomo
auuedut.. s'agratica, & pratica con le perfone superiori, & non feduce fe medefmo, credendo ue
that which he does not do. You don't have the habit in this way, that others
they are of the intellect, others of the noftra uolontˆ. The habits of the intellect _for three delusions-
, 1 * e. .Some do not complain:I have the intellect more to the uero, than to the falfo to bend, as is the opinion, the JoJpetto,
the edulity: .Others 1rolleno the immense mind from the uere>, & Di fermo al falfo twist it. co
me fe some from [alfi principij difpofto, al uero by way some conf entire could not: & quefto
mal habito fi calls ignorance prauao. The third way of babiti is quc:all, cbe auuezza
the intellect to the uero -, so, that he can not Fi to the falfity, & to the er; * or> * and for any uia to reuolgere;
Worthy of & P;-quality eciofa, & conditioue of habito, as that, CBE lieui la
inftability of the oppinion, chia; - ifca the fofpect, & induce certainty, & firmness of uerity.
Maperche Il uero nelle co_f� diuerjˆmente Fi tmora: but c'interno al ueronelle CofE mol.I make you the habit of intellect. I say therefore in the intellctt o/, human effer a ' habito del uero,
what a nece!Jity adiuicne, & another habito of that uero, which is not necejJario, dett,; da
Filofofi true contingent ¥ the real necefJario is qztello, which for uera, & certain reason (s) with
shut . & oltra of 1ueflo ttero neceffˆrio is that, that for proua De no cofa Fi p (glia. & finally
the neceDario is that, cbe dt:all proua, & of the prouata cofa is composed. Wave
from the aforesaid tell/i, - e manners of habiti D ' around () to the uero necejfario t:the phono manifefie. The
first she is named S cienz.G,, that hltbito is of conclufione for uera & necejfaria prouaacquired.
The fruitful is dett, t intellect, cbe is babito de I principij, & delleproue, & considers the name of the
power of the soul, in which he fi truoua: the waves<! appointed, intellect. imperoche allo
this is not the case with any other previous practice: but the terms, that is, Japendofi, have been accepted.
the fignificatione of the names: of Ji.tbito the intellect j�nza other proua, [olo da diuini raggi il -.lllftrate of the natural Lumen conofce, & conf Ente effer uero that, which is likely to it. 'But Dan
you who.ima the conofcimento of quefto uero, prima notitia * & quel uero, primo uero ¥ I Filofofi,
P>áimi concepts, or dignity, or Ma(j“me folliono call. From quefto habito said intellect, they have
beat tdgore, & fpecially force the Mathernatice. for in those phono quefte notitieomanifeftfffime, & though petiolefirmo of quantity, phonoper˜ of ualo1áand ine/limabile. 'For [apeore adur11ue conclose many cofe da I proprij principij , ( what else not<!, which has fcienza)
bifogria first acquiftarfi the intellect: that is, the habit, which conofce the piáincipij. cbe I in quephlo luoogo would call, understanding, not to confuse the uocaboles of the cofe: for intellect is a nameus. Power & Soul uirtu, which means: & intent i: operatione, oue; * O babito of
que / 1, I potr: nza. The ter * za. manner is called Wisdom, which is P1 * onta & ifPedita cognitione of
prouea.The conchufioni applicateor. Et as the acumen of the diuina intelligence penetrateá * to pe; - within
at the mez_g of ogrii cofa, cofi to a refueglation of the babitu intellect.ito in many fcien.., &
in the cognition of moltiprincipij Fi retroua the uero: & quefti fono the habites of the intonw intellect
to the uero necefferio: that is, from around the uero, cbe cannot e / Jere, than fi.1,, in which mn
/ I is retro11ato that habito, than we .Art let us call: propl'ilamente I say, because bora Fi rag I
na with I proprij, & ueri uocaboli of the cofe. Hora uediamo feootra gli babiti, Che fono d'intomo
to the fi troua F JF contingent.rtc * I say cbe in cofe made by the buomini, percbe dependeno
from their country, cbe no more to q!!efto, that to qt!it is finished, not finished,,
of what [opra we said. (7 others of those relevant to the Union, & conuerfatione, others
they're at the l!tility, & commodo tm�wrf, deo. The rule of those is named ' Pmde11-
za, who is habito moderator of the actions IJUmane, & ˆuilo. I. a rule of fecundates is called. Ar
te, cbe is h, tbito regulator of works, cbe seek any matter andfierore. (7 ' / i as from
of the first; * ego makes the men _(they are called Tmdcnti, judges, legislators, and the{yttori:
Cofi from the fruitful phono said .Architects, Soldiers, .Agriccltori .. Fabri, & J/.rteftci. Gia
.To .. say



4 Li11en, 0 
dette cofe ritrouatoha!ttmO, cbe, 4rte is dress..ellamcnt..,.c..meinu.... foggt!to ripoflo; that / a diJJ,onea do, & operate with rule, & reason fuort1 '/ and CofE utzl: to u1ta: C..mc ' Prudcnza tJ babito, chedifponc lointe..e..to to reg..the European Parliament, which all.. u_mo11e,..good of repisblica, & dellafm,..tglta, & DT fe_ftefl˜'conue;..gon<>: the waves $'..FTZ, modcfl..,
strong, liberal, amfri, ucraci, & 1!1 Jo_mrna good:_, & wr..uofidzuentramo: &d1piu q11af“ f7m1-
of the uirtuberoicafiamogi: atz. But lafctamo to d1et1á0 le co [e_, which do notfannopern?'¥ &
let us return to the NAFL: I think of the fruits, fruitful, which promised bauemo di_ (opra. 'N.._'!: f�e all artedaifj, er�mza. The cbe as fia, I will say bre..mnente, by blowing up cbecofi!, ..lfJ, erimza: Da eh.. nafce: 
As a source of the .Art. IJJ,me..za 110n is other cbeuna: o..nttzone na; a damol..and ..1cor-:. 
dan-z!cofefimilianti a I fenfi bumam ..ttopofte, for lequalt remember..t' {! L httomo ..rudr: A of 
all ttd one iftef!it's way. & coti tejfemp10. Njl conofl: ere a cofe, UI concorre pnma zl fon 
fo, dapoi memory: zuefto other comp.tration of the CofE remembered. Hattendo f huomoper 
UIA de I fenfi comprefo, e 1e Lo Ajfenzg,per ejfl " mpio, conferred to qttefl,o, & to that 
in the weakness of the phthomachus, reminding me of this effect, it caua uniue-rfele fomma, 
& say: .Aduuque doue is debolez.za diftomaco to affirnzg is giotteuole, & good ¥ the fimi / e 
you can see other plants.., .. d.. molt.. partico..ari, et d!fli..t.. ifP";'ienn_nZ! with me'z? memory 
p110 tran * e le propofitronr unmerfalz, lequalt phono prmczpq dell'art ¥ La iJJ, er1en: za assembleis fimile to the footprint, which will give us the fairs. pere be fi as form is principle of retrouare the Ce1 * uo, 
n�pero is part of the Ce-mo, (therefore the ceruonnon is not compofl<>of orme,) cofi the experience .. 
principle of ritrouar the arts , & is not part of any art; percbe Le cofe a i _(enfifottopofl, and not 
fono principij Dell'arti; but occafione, as d1iaramente fi uede, pc> ' that the principle of Art 
it is unireerfele , & not fuccopofto a I fen/I humani, bencbe pe - r ttia de ' f�nfi flato fia ritrouato ¥
but what a difference lies between the iJJ, crienza, ('7' Art, fi uede innqueftonmodo. Of course l, that qu.i1, 
to the operation is not from the .Art the ijpcrien' {!, different :therefore both in quefla, and in that 
I'm going to do it, f“. difcende to the inditJidu (}; for which the phono actio11i look for the particular cofe: 
But as for the strength, & effectiveness of/1' to operate, the eJJ, erti do greater effect, than 
those >who have folly the reason rmiuerfele of the cofe: & however f pefl˜ admiene CBE It Ar 
tefpcrto, a1mcnga God, that he has in mind the r:tgione de gli Artifiˆf á * erra perJ, 
& sin well-Jpejf˜, not for not fapcre, nor because the reason is less uera : but because it is not 
effercitato, n�cofce I dife1tidell.L. 1which many non-refj wind waves 
delf .Art. With all that the art is excellent, & more deignandeuanijj, eriewza, percbe is more 
1tici..a Al fepere * inte11..end..Le caufŽ , & Le ra..CofE ion * there doue the experience operates f en'z5 
right, he appreciated the mtellrgente .Artifice is PZU ready to remoluere , & give account of the cofe, which 
ilfimplice, et puroefJ, erto. The waves the .Art is allafepie-n-za, which is habito nobilf(Jimo, more uicina. 
Sign rnanifefeto ' del fepere is the infegrutre power > & ammaeftrare a / ti * ui, perciocbe laperfemoneconfifte inpoterenfar other afe m.!deftmifim(..lianti. Et however R. Artifice > which is that 
that means the reason, can in [egnare &fnrenu1i'other fŽ fte!Jo > as for art fua: but laEjperto does not coft. & Fe well Lo EJJ, er..or moflr.. to others ..omceglifa, however it is not suitable to give co11to, not/?I await the A1: te: & the FHA dtmoflr..tzonealtra1lf Enfo nonft and/lende, & is fol.zmente iHmodo diueder.. CO1 .. 1 .. mt? connalczmaoppmronc, or belief of the one, who uede: ilquale in fwiile 
act FA officio fe-mzle tmpe -, fe..t.. , & away from the Office of the.,,1rte: & per˜Vimmio uzwieÈ
cbel.! iJJ, eá*'.enzafia with cognrtrone accompanied. C< > me adunq11e n. ifl: and the iJJ, erienZ:_1; chiccofae; & mdJpno..or C. A_r..and d.. that process, clearly there is evidence. Dalchefi comP:
áende.c!J!r d11e mame; - e D1 11Jeá * 1e11..a. t a.1,. that's what I'm saying, that's what I'm saying, cbe.sacquiflz f. A;-te: as qut1: 11do / i says. I do it iJJ, erie117an, & uo () ' iionprouare, F'emiie'i.:eal -, r, . - The I r, do .. o,,: 1¥c..maco, a: E:,~ que1,? and as 1onte a m1..qu..to all .Arten. The altmrrumiera isqucua, cbe� etc-rta_ta > &de / la dall'arte, cbeft truoua M nor, & fecund the reasons of Art la e!ferdtiamo.
,g / 1fl you can also give the press cofe 111: dere,, * he la iJJ, erienza far piuferue alle Arti, CBEs'acquifla, io 
I 
4 Li11en, 0 
dette cofe ritrouatoha!ttmO, cbe, 4rte is dress..ellamcnt..,.c..meinu.... foggt!to ripoflo; that / a diJJ,onea do, & operate with rule, & reason fuort1 '/ and CofE utzl: to u1ta: C..mc ' Prudcnza tJ babito, chedifponc lointe..e..to to reg..the European Parliament, which all.. u_mo11e,..good of repisblica, & dellafm,..tglta, & DT fe_ftefl˜'conue;..gon<>: the waves $'..FTZ, modcfl..,
strong, liberal, amfri, ucraci, & 1!1 Jo_mrna good:_, & wr..uofidzuentramo: &d1piu q11af“ f7m1-
of the uirtuberoicafiamogi: atz. But lafctamo to d1et1á0 le co [e_, which do notfannopern?'¥ &
let us return to the NAFL: I think of the fruits, fruitful, which promised bauemo di_ (opra. 'N.._'!: f�e all artedaifj, er�mza. The cbe as fia, I will say bre..mnente, by blowing up cbecofi!, ..lfJ, erimza: Da eh.. nafce: 
As a source of the .Art. IJJ,me..za 110n is other cbeuna: o..nttzone na; a damol..and ..1cor-:. 
dan-z!cofefimilianti a I fenfi bumam ..ttopofte, for lequalt remember..t' {! L httomo ..rudr: A of 
all ttd one iftef!it's way. & coti tejfemp10. Njl conofl: ere a cofe, UI concorre pnma zl fon 
fo, dapoi memory: zuefto other comp.tration of the CofE remembered. Hattendo f huomoper 
UIA de I fenfi comprefo, e 1e Lo Ajfenzg,per ejfl " mpio, conferred to qttefl,o, & to that 
in the weakness of the phthomachus, reminding me of this effect, it caua uniue-rfele fomma, 
& say: .Aduuque doue is debolez.za diftomaco to affirnzg is giotteuole, & good ¥ the fimi / e 
you can see other plants.., .. d.. molt.. partico..ari, et d!fli..t.. ifP";'ienn_nZ! with me'z? memory 
p110 tran * e le propofitronr unmerfalz, lequalt phono prmczpq dell'art ¥ La iJJ, er1en: za assembleis fimile to the footprint, which will give us the fairs. pere be fi as form is principle of retrouare the Ce1 * uo, 
n�pero is part of the Ce-mo, (therefore the ceruonnon is not compofl<>of orme,) cofi the experience .. 
principle of ritrouar the arts , & is not part of any art; percbe Le cofe a i _(enfifottopofl, and not 
fono principij Dell'arti; but occafione, as d1iaramente fi uede, pc> ' that the principle of Art 
it is unireerfele , & not fuccopofto a I fen/I humani, bencbe pe - r ttia de ' f�nfi flato fia ritrouato ¥
but what a difference lies between the iJJ, crienza, ('7' Art, fi uede innqueftonmodo. Of course l, that qu.i1, 
to the operation is not from the .Art the ijpcrien' {!, different :therefore both in quefla, and in that 
I'm going to do it, f“. difcende to the inditJidu (}; for which the phono actio11i look for the particular cofe: 
But as for the strength, & effectiveness of/1' to operate, the eJJ, erti do greater effect, than 
those >who have folly the reason rmiuerfele of the cofe: & however f pefl˜ admiene CBE It Ar 
tefpcrto, a1mcnga God, that he has in mind the r:tgione de gli Artifiˆf á * erra perJ, 
& sin well-Jpejf˜, not for not fapcre, nor because the reason is less uera : but because it is not 
effercitato, n�cofce I dife1tidell.L. 1which many non-refj wind waves 
delf .Art. With all that the art is excellent, & more deignandeuanijj, eriewza, percbe is more 
1tici..a Al fepere * inte11..end..Le caufŽ , & Le ra..CofE ion * there doue the experience operates f en'z5 
right, he appreciated the mtellrgente .Artifice is PZU ready to remoluere , & give account of the cofe, which 
ilfimplice, et puroefJ, erto. The waves the .Art is allafepie-n-za, which is habito nobilf(Jimo, more uicina. 
Sign rnanifefeto ' del fepere is the infegrutre power > & ammaeftrare a / ti * ui, perciocbe laperfemoneconfifte inpoterenfar other afe m.!deftmifim(..lianti. Et however R. Artifice > which is that 
that means the reason, can in [egnare &fnrenu1i'other fŽ fte!Jo > as for art fua: but laEjperto does not coft. & Fe well Lo EJJ, er..or moflr.. to others ..omceglifa, however it is not suitable to give co11to, not/?I await the A1: te: & the FHA dtmoflr..tzonealtra1lf Enfo nonft and/lende, & is fol.zmente iHmodo diueder.. CO1 .. 1 .. mt? connalczmaoppmronc, or belief of the one, who uede: ilquale in fwiile 
act FA officio fe-mzle tmpe -, fe..t.. , & away from the Office of the.,,1rte: & per˜Vimmio uzwieÈ
cbel.! iJJ, eá*'.enzafia with cognrtrone accompanied. C< > me adunq11e n. ifl: and the iJJ, erienZ:_1; chiccofae; & mdJpno..or C. A_r..and d.. that process, clearly there is evidence. Dalchefi comP:
áende.c!J!r d11e mame; - e D1 11Jeá * 1e11..a. t a.1,. that's what I'm saying, that's what I'm saying, cbe.sacquiflz f. A;-te: as qut1: 11do / i says. I do it iJJ, erie117an, & uo () ' iionprouare, F'emiie'i.:eal -, r, . - The I r, do .. o,,: 1¥c..maco, a: E:,~ que1,? and as 1onte a m1..qu..to all .Arten. The altmrrumiera isqucua, cbe� etc-rta_ta > &de / la dall'arte, cbeft truoua M nor, & fecund the reasons of Art la e!ferdtiamo.
,g / 1fl you can also give the press cofe 111: dere,, * he la iJJ, erienza far piuferue alle Arti, CBEs'acquifla, io 
I
'P Jt. I M o. 5 
s'acquiflano per_ in....ntio'ne , clie a quelle, che s ' bnfarttno per am;..aeft lat!terlto. Ila. na.[c....toadelle arts from prmc1pw is weak, but over time acquifta force et mgore: zmperochez prmtz muen 
Bulls have little I. CofE urns , & not po!Jono ageuolmente collect many uniue1phali propophytioni, 
for ..equ..li f J/.rte s ' ing..gliardifca, pi: rcbe for breuity ..lla tJita not b"!m-0 _time 
by fame_la ifperum..: ma lafcui..do at pofter1 the co-ports d, t they J�_em_ f. 1!1ca d1a_q..lali, & agg1ugneno their occafione d1 a11mentare le .Artz, for the m (jlta wrtu, that in I pocht pm, 
cipij fi truoua. per_che J} as in ' ll!en!ea_afi co1!cefC the multitude of fhd,..iti fuck a Prince,, 
cofi many concepts of art. il. fuo prmc1pw Fi riferif“: eno. & for qm: / to D1 Grand kmde phono worthy 
the inuctors of the cofe, which ija1mo troHato the principij j�nza rifParmio of fatigue, from which 
deriua the fulfillment, & perfection of the J/.rti: doue he fi can say that half of the fact, i 
the beginning ba_aene. Et_, here you are told to baft_an...cl ' around the..a Origin, diffusi (tione , accrefcimento, 
et perfettwne deU .Art. ztefla that 10 diftmgua t jlrt1 fruitful, that dz fopra promise to do. 
Of course I do not want in this place to make a fcielta of all /: .Arts partitamentea, for which 
too late I would understand cbi Law, & little giouerei * the [I'll you to behind that fignificatione 
uniuerfale of qucfto uocabolo, which abb;áaccia t J/.liberal rti, of which three phono 
cfintorno Al parlare, & quattro cerca la qu.tntity, from around speaking is grammar; 
The R.!Jetorica, logic: search for qrutntity is geometry, the.A. / lrology, f.Aritbmetica, the-: 
Mufica. Lafcierero /:.Arts uili, & baffe, which worthy not of the prefente confideratione, nor, 
of the name of the art. 7: xgn I will reason about those .Arts, et doctrines, that there .(0110 infPir-ate from God, 
how is the Nofb -: t Chriftia11a Theologia; why hora not fi tends to q1, efto fine, that -: retruouiarno 
all that, what a fuck name of .Art FL contains: impcroche is not to propophyte noflro: ft 
that I'o the diuinationi, cbe mefl: Olate phono diui11a infPiratione, & bumana inuentione. 
I'm adimque Al prefente bifogno those .Arti neceffei-ie, chef erueno co1i digmtJ, & gran: 
dezza to commodity, & UFO de ' mortals: how is the.Art of going to sea said ..uigathione, 
C .Military Art, t'.Arte del fabricare, la Medicina , L'agricoltura, La Ven1t. ggione, l.. 
'Painting, ('1' Scoltura, Il Lanificio, & other fimiglianti, lequali in two ways Fi po -!Jono con.. 
trust. before as dif�orre110, & with uie reasoneuoli trouando uanno the reasons ,. & le 
rules of operation * dapoi as with readiness of the hand are labored with; burden in any matter 
and / or, that CBE er: t stored in the mind. Donde nafce that some .Arti banno-more of the fcien,-¥ 
..- i, & others less. & a cono_(waxes/:.More worthy arts, quefta is the uia. QJ!elle,.in which does bi.fogno 
/: J/.rte del 1mmerare, geometry, & t other Mathematice, all have del g;áAndes-.. the r“maneu 
te fenza said it .Arts (as he says ' Plato) is uile,. & abject, as cof.t born from [emplice ima 
ginatione, fallacious conit:ttura, & dal uero abb ¥ tndonata ifperience * Et Quiui appttrir1 fa dignity 
of the J/.rchitettura, which appro11a is judges the works,cbe from the others .Fi arts do. But 
why not praise any cofa first, but before that it does not , that it cofa-fia: giufto, & ra 
gioneuole is,, that we dimoftriamo the origin) & the force ,. & parts of the./ 4rchitettura, & qual 
fia the Office, & the end Dtllo architect. & percbe the rnedefimo / I fa d, dlo .Autto1 * E, as 
from erud.'t0 -, & amrnaeftrato in I precepts delf .Art, I will give principle to the clicb�iratione de I j“1oi 
say ,.I'll take care of myself from the dedication of the opera. Dedicmido ad.; mqi!C to Ottaui & J/. tt,. fio says in quefto mo do ¥ 
And N T R E, that your diurnal mind 1 & deity -, is Cc do rmpcrator, Aquil!aua 
The Empire of the world, & the citizens (gloriauano del Triomphe & uittoria 
thy, I pour out all the enemies from thy Inuit uirm: I ground beaten: & while, that 
all nations tame you, & shape your nod await you,& the Roman people in-
fiemc col fen:ito out of all fear, out of thy high places prouedimi & Conli was gouchrnato; 
I do not dare to shed light on the cofe of architecture I fcritte, among many 
occupationi, & with great penf“eri efplicate: doubting not out of time tramcttendo-
I.-
'P Jt. I M o. 5 
s'acquiflano per_ in....ntio'ne , clie a quelle, che s ' bnfarttno per am;..aeft lat!terlto. Ila. na.[c....toadelle arts from prmc1pw is weak, but over time acquifta force et mgore: zmperochez prmtz muen 
Bulls have little I. CofE urns , & not po!Jono ageuolmente collect many uniue1phali propophytioni, 
for ..equ..li f J/.rte s ' ing..gliardifca, pi: rcbe for breuity ..lla tJita not b"!m-0 _time 
by fame_la ifperum..: ma lafcui..do at pofter1 the co-ports d, t they J�_em_ f. 1!1ca d1a_q..lali, & agg1ugneno their occafione d1 a11mentare le .Artz, for the m (jlta wrtu, that in I pocht pm, 
cipij fi truoua. per_che J} as in ' ll!en!ea_afi co1!cefC the multitude of fhd,..iti fuck a Prince,, 
cofi many concepts of art. il. fuo prmc1pw Fi riferif“: eno. & for qm: / to D1 Grand kmde phono worthy 
the inuctors of the cofe, which ija1mo troHato the principij j�nza rifParmio of fatigue, from which 
deriua the fulfillment, & perfection of the J/.rti: doue he fi can say that half of the fact, i 
the beginning ba_aene. Et_, here you are told to baft_an...cl ' around the..a Origin, diffusi (tione , accrefcimento, 
et perfettwne deU .Art. ztefla that 10 diftmgua t jlrt1 fruitful, that dz fopra promise to do. 
Of course I do not want in this place to make a fcielta of all /: .Arts partitamentea, for which 
too late I would understand cbi Law, & little giouerei * the [I'll you to behind that fignificatione 
uniuerfale of qucfto uocabolo, which abb;áaccia t J/.liberal rti, of which three phono 
cfintorno Al parlare, & quattro cerca la qu.tntity, from around speaking is grammar; 
The R.!Jetorica, logic: search for qrutntity is geometry, the.A. / lrology, f.Aritbmetica, the-: 
Mufica. Lafcierero /:.Arts uili, & baffe, which worthy not of the prefente confideratione, nor, 
of the name of the art. 7: xgn I will reason about those .Arts, et doctrines, that there .(0110 infPir-ate from God, 
how is the Nofb -: t Chriftia11a Theologia; why hora not fi tends to q1, efto fine, that -: retruouiarno 
all that, what a fuck name of .Art FL contains: impcroche is not to propophyte noflro: ft 
that I'o the diuinationi, cbe mefl: Olate phono diui11a infPiratione, & bumana inuentione. 
I'm adimque Al prefente bifogno those .Arti neceffei-ie, chef erueno co1i digmtJ, & gran: 
dezza to commodity, & UFO de ' mortals: how is the.Art of going to sea said ..uigathione, 
C .Military Art, t'.Arte del fabricare, la Medicina , L'agricoltura, La Ven1t. ggione, l.. 
'Painting, ('1' Scoltura, Il Lanificio, & other fimiglianti, lequali in two ways Fi po -!Jono con.. 
trust. before as dif�orre110, & with uie reasoneuoli trouando uanno the reasons ,. & le 
rules of operation * dapoi as with readiness of the hand are labored with; burden in any matter 
and / or, that CBE er: t stored in the mind. Donde nafce that some .Arti banno-more of the fcien,-¥ 
..- i, & others less. & a cono_(waxes/:.More worthy arts, quefta is the uia. QJ!elle,.in which does bi.fogno 
/: J/.rte del 1mmerare, geometry, & t other Mathematice, all have del g;áAndes-.. the r“maneu 
te fenza said it .Arts (as he says ' Plato) is uile,. & abject, as cof.t born from [emplice ima 
ginatione, fallacious conit:ttura, & dal uero abb ¥ tndonata ifperience * Et Quiui appttrir1 fa dignity 
of the J/.rchitettura, which appro11a is judges the works,cbe from the others .Fi arts do. But 
why not praise any cofa first, but before that it does not , that it cofa-fia: giufto, & ra 
gioneuole is,, that we dimoftriamo the origin) & the force ,. & parts of the./ 4rchitettura, & qual 
fia the Office, & the end Dtllo architect. & percbe the rnedefimo / I fa d, dlo .Autto1 * E, as 
from erud.'t0 -, & amrnaeftrato in I precepts delf .Art, I will give principle to the clicb�iratione de I j“1oi 
say ,.I'll take care of myself from the dedication of the opera. Dedicmido ad.; mqi!C to Ottaui & J/. tt,. fio says in quefto mo do ¥ 
And N T R E, that your diurnal mind 1 & deity -, is Cc do rmpcrator, Aquil!aua 
The Empire of the world, & the citizens (gloriauano del Triomphe & uittoria 
thy, I pour out all the enemies from thy Inuit uirm: I ground beaten: & while, that 
all nations tame you, & shape your nod await you,& the Roman people in-
fiemc col fen:ito out of all fear, out of thy high places prouedimi & Conli was gouchrnato; 
I do not dare to shed light on the cofe of architecture I fcritte, among many 
occupationi, & with great penf“eri efplicate: doubting not out of time tramcttendo-
I.-

6 i n. _omi, incurs [sinell'offe{A of your soul. But po.., let me join in, c) 1.. egt..al cur! .. cn: ui 
& the faIute of everyone with public handling,.. ..cll_a oppo..tuntta dc'.publ1C1 edtfu:
IJ; acciochc not (olamcnte fuffecol fauor tuo la <?but ..1 ll: ATO made m .. gg1ore,..to ..nchora 
madl: of the imperial greatness haudfc, & r1putat1one of the publ1Che fabr1c:1t10:.ni: I have penfato not cOcr more time tardare; & I have not uoluto pretcrmctterc, ch_e d1fubito: your name does not shed light on the already said cofe, the mpero that for this reason he was given his father conofciuto, & of .. ua ui..you mol..or fiudiof? ¥ , But h.tue..do the council 
of the celefii of the confecrated one ..and the fcg_g1 of the 1mm..rt:1..1ta, & transfemo in the pot..rtuo the father's Empire: the ifieffo m1ofrud!or me....n. a d1 that rdbn..or fer..or, mte ripofe Il fauore. A..unqucecon ..1. Aur..have.' Pub. M11: 1d1.., & Gn. <;orn..lto fu1 f..prnl'accordazione delle Battile, & de gli Scorp1001 ¥.& , alh nf .. mo1 .. and the other _torments;..
together with the elf I brought them some commod1t:1, lcqualt Cubit that you m1 concede, 
very good for the racco..mandationc dit..to forell.. the Recon!feruafli chin; & however and(fcndo 
me for that bendieto ten..to .. obbh..at?,..1 ¡:..d.. che_ MUP to the eflremo of the ..1-
ta did not fear any d1..g10_: lo d1ed1 prmc1p10 to fcriuerc quell: e ..of..: perchc 10 
haucua auucrtito, that you baucm fabncato many cofc, & all UIA ne. ua1 building; &
also for the auuenirc fci for haucr care, & penficro of the publiche, & priuate fccon works¥ 
I give the grandness_ed_clle Cofis done.. acc_eioche fi....or to the memory of poflcri commcn?atc. [oeliof written with diligence detcrmmatt precepts 111 way, that by you fieffo ponenclou1 prnfiero 
you can conofcere what fuCfcro the cofe already fabricated , & how baueffero to riufcir q11cllc,
that fi doucffcro fabricare: therefore I those uolumi, I have opened all the reasons of quc 
flo ammaefiramento 
The fottio 0 ~ prudent reader potr.I for the words of //itr.confider.n * e LZ prudence, & goodness fi, a, 
as of for [ona, which efl�ndo for be11efic1i nceuuti obl (e; ATO & held, dimofira gratitude, &
nellaogratit1: dmeogiudiˆo, ofj'emzdo quelle, ' Oj�, che pojf˜no effer GR'1te a chi Le riceue * ¥ inuero 
e / fendo tlltto il mondo fucco un principe, Farsi erˆno ceffate, & le porte di C�mo rincbiufe * Il principe R'1colto nell.tglo1u of the beautiful imp.,.efe made by him, godeua del firo JJ, len:lol'e, & fommamente 
Fi dilettaua of fabricare gloriando / I dilafci.1r the city (which prim.T was of cooked stones) laflricata 
of Manno. It was Oct..'{littolo Di Giulio Ccfare: born of .Aaia, & Di Ottardo¥. Al 
coflui time n. 1cque Nflflro s ('{nore. Ftt uerely good, & great support of u1rtuofi, for 
i / that does not tam or pe.,. B: mere aurefciuto The Empire e!Jer dette appointed .Auguflo, how much pe - 1 ba11erefauorito_ (!,
libl!ominid.t well, & am, 1e11tato with praise, & award ogniuiiáu't,& doctrine*.To Him 
d1mquemer1te11ol1..ente cwfocraf/itm11iole foticbc fi, e, C ' 7 ' with ingenuity of those cofe, & with 
qttelle parole lo e. Oalta, c / Je tteramente,& fenz... flattery makes him happy.ino. Et tantofia said, 
D 'around" 1 dedicationof the work * he / i le.ggein some tefti r. on Minidio, ma ' N., ttmidio, & 
inalc1111i'n!!7.tJidico. ] 0110fl t..l!0l!Or other{cde, cbe EIU to one, d, and other wayfi must readj'c 
,.oBencht: m alcmo.o1eMedagl!e / i le!,: 5.41, cffere]latoopra!.. Cec7a an L. M.!'fi1io ¥ NU ruefto pr>.c.. .. m1port... 'l \ T: 10]0110 wro_o, or [odr d1m..plowing that cofo and Bali / la, & Scorp1one, pcrc1ochefe11e 
drra 11cl has one book to its own place.111: I am (as far as I am concerned) confusing the order of the cow. !'1: * 1ir˜ ad11nq11e a Viná. il1ualefe, * ondo the precept 'ddl'.Art diff.mfce, and detcnnina, decof.1 is,, hcbitettn.t, saying. Architecture is Jcienza, of many difciplinc, & Jj diuerr“. im
..aefiramcnti ornlta, from whose judgment all the works are appwuano, which Dal'e:: ltre Ani comprntameme (Áf, mno.
'Before, cb..fi I: fpon: {a, e:?'dimoftri cbecofo�, Architettura, Di'�/, 1forza di qfle/lonome, perczocbemoltog1ouaaflomtcndmzento 
of the cofe, which will fi*.Arcbitett1: ra tlnome, cl * and d, 1tgreco derdtur; & is of cfae 1tocicompojlo . The first fig11fica principale, & capo ¥ La feco11d. tfabbro, is Artificer . Ef cl?i1toltf is good cfpress uolg. cl7i, ente l, t FORCE of said n..me I'd say that's what I'm saying, And that's what I'm saying.Arcb roof not fo meflicri alc,, mo,R > ia is Joprafian-
tca 
6 i n. _omi, incurs [sinell'offe{A of your soul. But po.., let me join in, c) 1.. egt..al cur! .. cn: ui 
& the faIute of everyone with public handling,.. ..cll_a oppo..tuntta dc'.publ1C1 edtfu:
IJ; acciochc not (olamcnte fuffecol fauor tuo la <?but ..1 ll: ATO made m .. gg1ore,..to ..nchora 
madl: of the imperial greatness haudfc, & r1putat1one of the publ1Che fabr1c:1t10:.ni: I have penfato not cOcr more time tardare; & I have not uoluto pretcrmctterc, ch_e d1fubito: your name does not shed light on the already said cofe, the mpero that for this reason he was given his father conofciuto, & of .. ua ui..you mol..or fiudiof? ¥ , But h.tue..do the council 
of the celefii of the confecrated one ..and the fcg_g1 of the 1mm..rt:1..1ta, & transfemo in the pot..rtuo the father's Empire: the ifieffo m1ofrud!or me....n. a d1 that rdbn..or fer..or, mte ripofe Il fauore. A..unqucecon ..1. Aur..have.' Pub. M11: 1d1.., & Gn. <;orn..lto fu1 f..prnl'accordazione delle Battile, & de gli Scorp1001 ¥.& , alh nf .. mo1 .. and the other _torments;..
together with the elf I brought them some commod1t:1, lcqualt Cubit that you m1 concede, 
very good for the racco..mandationc dit..to forell.. the Recon!feruafli chin; & however and(fcndo 
me for that bendieto ten..to .. obbh..at?,..1 ¡:..d.. che_ MUP to the eflremo of the ..1-
ta did not fear any d1..g10_: lo d1ed1 prmc1p10 to fcriuerc quell: e ..of..: perchc 10 
haucua auucrtito, that you baucm fabncato many cofc, & all UIA ne. ua1 building; &
also for the auuenirc fci for haucr care, & penficro of the publiche, & priuate fccon works¥ 
I give the grandness_ed_clle Cofis done.. acc_eioche fi....or to the memory of poflcri commcn?atc. [oeliof written with diligence detcrmmatt precepts 111 way, that by you fieffo ponenclou1 prnfiero 
you can conofcere what fuCfcro the cofe already fabricated , & how baueffero to riufcir q11cllc,
that fi doucffcro fabricare: therefore I those uolumi, I have opened all the reasons of quc 
flo ammaefiramento 
The fottio 0 ~ prudent reader potr.I for the words of //itr.confider.n * e LZ prudence, & goodness fi, a, 
as of for [ona, which efl�ndo for be11efic1i nceuuti obl (e; ATO & held, dimofira gratitude, &
nellaogratit1: dmeogiudiˆo, ofj'emzdo quelle, ' Oj�, che pojf˜no effer GR'1te a chi Le riceue * ¥ inuero 
e / fendo tlltto il mondo fucco un principe, Farsi erˆno ceffate, & le porte di C�mo rincbiufe * Il principe R'1colto nell.tglo1u of the beautiful imp.,.efe made by him, godeua del firo JJ, len:lol'e, & fommamente 
Fi dilettaua of fabricare gloriando / I dilafci.1r the city (which prim.T was of cooked stones) laflricata 
of Manno. It was Oct..'{littolo Di Giulio Ccfare: born of .Aaia, & Di Ottardo¥. Al 
coflui time n. 1cque Nflflro s ('{nore. Ftt uerely good, & great support of u1rtuofi, for 
i / that does not tam or pe.,. B: mere aurefciuto The Empire e!Jer dette appointed .Auguflo, how much pe - 1 ba11erefauorito_ (!,
libl!ominid.t well, & am, 1e11tato with praise, & award ogniuiiáu't,& doctrine*.To Him 
d1mquemer1te11ol1..ente cwfocraf/itm11iole foticbc fi, e, C ' 7 ' with ingenuity of those cofe, & with 
qttelle parole lo e. Oalta, c / Je tteramente,& fenz... flattery makes him happy.ino. Et tantofia said, 
D 'around" 1 dedicationof the work * he / i le.ggein some tefti r. on Minidio, ma ' N., ttmidio, & 
inalc1111i'n!!7.tJidico. ] 0110fl t..l!0l!Or other{cde, cbe EIU to one, d, and other wayfi must readj'c 
,.oBencht: m alcmo.o1eMedagl!e / i le!,: 5.41, cffere]latoopra!.. Cec7a an L. M.!'fi1io ¥ NU ruefto pr>.c.. .. m1port... 'l \ T: 10]0110 wro_o, or [odr d1m..plowing that cofo and Bali / la, & Scorp1one, pcrc1ochefe11e 
drra 11cl has one book to its own place.111: I am (as far as I am concerned) confusing the order of the cow. !'1: * 1ir˜ ad11nq11e a Viná. il1ualefe, * ondo the precept 'ddl'.Art diff.mfce, and detcnnina, decof.1 is,, hcbitettn.t, saying. Architecture is Jcienza, of many difciplinc, & Jj diuerr“. im
..aefiramcnti ornlta, from whose judgment all the works are appwuano, which Dal'e:: ltre Ani comprntameme (Áf, mno.
'Before, cb..fi I: fpon: {a, e:?'dimoftri cbecofo�, Architettura, Di'�/, 1forza di qfle/lonome, perczocbemoltog1ouaaflomtcndmzento 
of the cofe, which will fi*.Arcbitett1: ra tlnome, cl * and d, 1tgreco derdtur; & is of cfae 1tocicompojlo . The first fig11fica principale, & capo ¥ La feco11d. tfabbro, is Artificer . Ef cl?i1toltf is good cfpress uolg. cl7i, ente l, t FORCE of said n..me I'd say that's what I'm saying, And that's what I'm saying.Arcb roof not fo meflicri alc,, mo,R > ia is Joprafian-
tca 
'P Jt I il! O. 
that's what they do to him. La doue we can say the .Architect not effer Fabro, not r, zacflrd of 
timber, not bricklayer, not feparately certain, & determined craftsman, but chief, fopraftant, 
& regulator of all arteficij: like that, that 11011 fia before, to such a degree [breath,.that he 
. not Fi habbia prir, za in many, & diuerfe doctrines, & works and / Jercitate. Sopi-aftando adunque ˆimoftra, 
di [egna, diftribuif�e, ordina, & Comando. & in quefti offices appears the dignity of the architecture 
efJer to fapienza uicina , & how uirtu heroica in me' {!) of all limbs dwell ¥
because fola means the causes; fol.I embraces I. and beautiful, & high cofe: fola, I say, among all R. Arts 
participate in the most certain fcienz.!!, as IS F. A. ritbmetica, & geometry, & others, fenza,lequali 
(as has been said) every art is.uile, & f Enza reputatione. Yedendo therefore Vitr. r.Ai * chitettura

effer such, says Ell first.ieffer ..Science... & for Sciwz.:r-intendecognitione, - & raunanza 
of many precepts, & ammaeftramenti, which unparalleled concern to conofcenz..a D'1m end 
propofto. then why in quefto there.Architecture conuiene with many other JŽ1enz.!!, of which par 
tentamente Fi can say, that ciafcuna fia cognitio11e: but Yitr. le. ascribce alcuue differcnz.!! ,, 
that reftring that uniuerfale, & comm1me understanding of the aforesaid name. & quefto is office 
of the 1jeradiffinition, that is to declare the nature, & the strength of the diffined cofa, so CBE she 
from all other cofediftinta, & [ep, trata Fi cono [ca, & jm˜ foggiugne Vitr. .. Of many difciplines,_& 
diuerfi ammaeftr, Imenti ornata . F. t diftinguishfor the said words ['.Architecture, by many par 
the peculiar tidings, which come from the fymphs, are of the experience, (9 " fi efl�rcitano per pratica. 1 ' {_is 
for this reason, it is difficult.ta t .Architecture: percioche fe quiui reflaffe la diffiiiithione, ell,: i 
it would make common, &wider than that ,.cbe Fi conuiene. Imperocbe the.Art of saying, laM.e-dicine, 
& many more .Arts, & fcienz.!! ornatephorus of many doctrines, & of d�u:rfi ammaeftra¥ 
minds, as clearly for glyphcrittitdicicerone, of Galen, & cl' other authors / I uede. I{jflr..gnendo 
adunqtte Yitr. with greater property the fua diffinition, says the by whose judges or S'approuano 
all the works, that from the other arts fifanno ¥ ! I. echo the last dijferenz.:, i, what in iteri, & giufti 
terms, & quaftconfini locks the .Architel tura.percioabe the judge the works accomplished by. 
le.Arts, it's her own , & not others. The speaker adorns himself with many ./ 4rti, & dif�ipline, & 
, quelle grandif]ime, phono, & belli (fime. The fimigliante does the doctor; but t one, & the other have 
diuerfi understandings . F Speaker I adorns fer power to [uadere, IE induce opinion in GMO matter 
propofta. The doctor to induce, or crmferuate them fa11ity. But me ./ 4rchrtetto folo per giudicpre, 
& appro11, are the perfect works from alt-re .Arts: perfect, I say, 01u: R accomplished, as he says 
Vitr. but that can not judge j� not the finished cofe, accio no fcufa FIA of the .Maker. 
Y ero is also queflo,,: he lo .Architect fopraftando while that Fi do the opcre, gudica fe e!,. 
lefi f': znno good, is bad, & a_pproua quefta, CL biaftna that, fruitful judgment, & cognitio-ne 
,_cbe he has; & forfe quefta is best.ejpofithione that the of fopra. From the dijfinitionáof the.Ar-chitettura 
, what a cofa it is .Architect , & Fi conofce, .Architmo, efter he, cbe 
percert.i, & merauigliofa reason , & UIA yes contlamente, & contanimo does determine, as 
* and, & with t work to conduct at the end those CofE >cbe from the mouim>Jnto de I pefi d,. il' 
compartment of the bodies, & from the composition of the ope;áand to the benefit of the httomini.do 
commendate. L. chitettura is fcienza.adorned with many .tfji: iplim:, & diucrfi amm.ieflrame.1¥ á
you.! Et by difcipline means that, that the dif�epoli learn . Et per ammae / iramenti, that' 
that the maeftri infognano.il speaking is a tool of the infegrucre, it is, ~ the gdi;áand learning * the dot-trintt 
it begins in the concept of colitis, which ennfegna, & fi eftcndefino to words. the d [feipline co-mincia-n
and / the hearing of the one, who learns, & ends in the conceptot. But mockery coj“i is the fitpponere: 
;?cr reason, & dimojb-areperpratica,; i1l that d laDottrin.1, in, 1uefto is I. i Emditionc, cioJ lo1 
fkrojfamento. The Perlotcuitgiuditios'appro1umo. .. The goutdicare is COFA * supercentiftim.i, & noni 
to others concejfa, that ˆ i faui, & prudent: therefore the guulitio fi fo fopra lŽ cofe conofciute,, 
& for that, .. S'approua, I IE Fi dd lafenten-za,&fi dimojh * a, chec-on ragioneji�ope..R. a
to, ap_proua gather!lel', A,, �hiteuur.1, top_ere fntte from other.and, fraught ¥. op_era is qr1the artifice;, 
Oh, my God.> 
'P Jt I il! O. 
that's what they do to him. La doue we can say the .Architect not effer Fabro, not r, zacflrd of 
timber, not bricklayer, not feparately certain, & determined craftsman, but chief, fopraftant, 
& regulator of all arteficij: like that, that 11011 fia before, to such a degree [breath,.that he 
. not Fi habbia prir, za in many, & diuerfe doctrines, & works and / Jercitate. Sopi-aftando adunque ˆimoftra, 
di [egna, diftribuif�e, ordina, & Comando. & in quefti offices appears the dignity of the architecture 
efJer to fapienza uicina , & how uirtu heroica in me' {!) of all limbs dwell ¥
because fola means the causes; fol.I embraces I. and beautiful, & high cofe: fola, I say, among all R. Arts 
participate in the most certain fcienz.!!, as IS F. A. ritbmetica, & geometry, & others, fenza,lequali 
(as has been said) every art is.uile, & f Enza reputatione. Yedendo therefore Vitr. r.Ai * chitettura 
effer such, says Ell first.ieffer ..Science... & for Sciwz.:r-intendecognitione, - & raunanza 
of many precepts, & ammaeftramenti, which unparalleled concern to conofcenz..a D'1m end 
propofto. then why in quefto there.Architecture conuiene with many other JŽ1enz.!!, of which par 
tentamente Fi can say, that ciafcuna fia cognitio11e: but Yitr. le. ascribce alcuue differcnz.!! ,, 
that reftring that uniuerfale, & comm1me understanding of the aforesaid name. & quefto is office 
of the 1jeradiffinition, that is to declare the nature, & the strength of the diffined cofa, so CBE she 
from all other cofediftinta, & [ep, trata Fi cono [ca, & jm˜ foggiugne Vitr. .. Of many difciplines,_& 
diuerfi ammaeftr, Imenti ornata . F. t diftinguishfor the said words ['.Architecture, by many par 
the peculiar tidings, which come from the fymphs, are of the experience, (9 " fi efl�rcitano per pratica. 1 ' {_is 
for this reason, it is difficult.ta t .Architecture: percioche fe quiui reflaffe la diffiiiithione, ell,: i 
it would make common, &wider than that ,.cbe Fi conuiene. Imperocbe the.Art of saying, laM.e-dicine, 
& many more .Arts, & fcienz.!! ornatephorus of many doctrines, & of d�u:rfi ammaeftra¥ 
minds, as clearly for glyphcrittitdicicerone, of Galen, & cl' other authors / I uede. I{jflr..gnendo 
adunqtte Yitr. with greater property the fua diffinition, says the by whose judges or S'approuano 
all the works, that from the other arts fifanno ¥ ! I. echo the last dijferenz.:, i, what in iteri, & giufti 
terms, & quaftconfini locks the .Architel tura.percioabe the judge the works accomplished by. 
le.Arts, it's her own , & not others. The speaker adorns himself with many ./ 4rti, & dif�ipline, & 
, quelle grandif]ime, phono, & belli (fime. The fimigliante does the doctor; but t one, & the other have 
diuerfi understandings . F Speaker I adorns fer power to [uadere, IE induce opinion in GMO matter 
propofta. The doctor to induce, or crmferuate them fa11ity. But me ./ 4rchrtetto folo per giudicpre, 
& appro11, are the perfect works from alt-re .Arts: perfect, I say, 01u: R accomplished, as he says 
Vitr. but that can not judge j� not the finished cofe, accio no fcufa FIA of the .Maker. 
Y ero is also queflo,,: he lo .Architect fopraftando while that Fi do the opcre, gudica fe e!,. 
lefi f': znno good, is bad, & a_pproua quefta, CL biaftna that, fruitful judgment, & cognitio-ne 
,_cbe he has; & forfe quefta is best.ejpofithione that the of fopra. From the dijfinitionáof the.Ar-chitettura 
, what a cofa it is .Architect , & Fi conofce, .Architmo, efter he, cbe 
percert.i, & merauigliofa reason , & UIA yes contlamente, & contanimo does determine, as 
* and, & with t work to conduct at the end those CofE >cbe from the mouim>Jnto de I pefi d,. il' 
compartment of the bodies, & from the composition of the ope;áand to the benefit of the httomini.do 
commendate. L. chitettura is fcienza.adorned with many .tfji: iplim:, & diucrfi amm.ieflrame.1¥ á
you.! Et by difcipline means that, that the dif�epoli learn . Et per ammae / iramenti, that' 
that the maeftri infognano.il speaking is a tool of the infegrucre, it is, ~ the gdi;áand learning * the dot-trintt 
it begins in the concept of colitis, which ennfegna, & fi eftcndefino to words. the d [feipline co-mincia-n
and / the hearing of the one, who learns, & ends in the conceptot. But mockery coj“i is the fitpponere: 
;?cr reason, & dimojb-areperpratica,; i1l that d laDottrin.1, in, 1uefto is I. i Emditionc, cioJ lo1 
fkrojfamento. The Perlotcuitgiuditios'appro1umo. .. The goutdicare is COFA * supercentiftim.i, & noni 
to others concejfa, that ˆ i faui, & prudent: therefore the guulitio fi fo fopra lŽ cofe conofciute,, 
& for that, .. S'approua, I IE Fi dd lafenten-za,&fi dimojh * a, chec-on ragioneji�ope..R. a
to, ap_proua gather!lel', A,, �hiteuur.1, top_ere fntte from other.and, fraught ¥. op_era is qr1the artifice;, 
Oh, my God.>