OF 
ARGHITETTVRA 
Dl GlO. ATONlO ATONlO 
llVSCQNI. 
With Ccntof dTˆnra Figures D1ffegna da/, Mede/imo. 
According to the Precepts of Vitruuio 

ARCHITECTURAL 
YOUTHFUL 
RVSCONl

LlBRl DiECI . 
With one hundred (effenq," and more figures from the Medejimo fecondo the Precepts dt Vitruuio, dtjfegnate. 
With diligent efforts, the G are now represented by Ed, Ficij, Fabbriche Roze, Ciuili, e Magnifiche, Tempij, Forrif“cation“, Mura,. Machine, Hho .. men ci, Trees, Plants & other things touched by Vi. truuio ne fuoi Libri.

on the Declarations of tJfi th, re, hre11i, and necejfarie for those; the 'J "wings d)Architect11ra./intend, and take g11Jlo, and of
read;no morelvedNta, en11˜1111mente pojlain/11ce. 
C 09N l:> V E I N D I C I C O P I O S I M M I - V no. of the noteworthy coffc, and the other of the Figures.

- TO THE SERENISSIMO SIG- FRAN. MARIA DI MONTE FELTRO DELLA ROVERE SECONDO, D V C A S E S T O D ' V R B I N O, SIGNORE, E PADRONE COLENDISS

A'N I V N A perfona, Se'renijfimo Signore, neceriamente pi Ji conuiene i'hauer intiera, e perfetta co-. gnitione di molte S cienz.,e , e delle migliori; che a un Principe, la doctrina appormr dee ˆ tutti i [oggetti fuoi fuoi non petiolo giouamento. Who, in order to make him happy, or to make him happy, ñ in order to make him happy with his handwriting, and in order to make him happy with your own, are employed with all their strength, and with all their strength, and with all their virtues, of which they know their Lord to be the principal jurist, and to delight. So let's overcome that with all the strength.., a, What is that, which holds, and governs the city, such are the habitants of her: the wickedness, while the Princes relaunch to me that brake, with which they give and give Ilephus, and the rvaf! They are bold to commit many unlawful acts by the Lord's leave, and daringly re_follow them to commit many unlawful acts, from which, when against those acts I hate, and against the Master's hatred, I diligently watch over them; pretending to commit errors, but not for fear of the future and eternal punishment, at least of the future and the storm. f!.! And so the philosophical princes, who have long been in their dominion, or with quiet death by closing their eyes, have been closing their sons in the peaceful peace of their States; And I ask of them 1n0The enemies, and I ask them, and I overcome them, and I overcome them in value, and I overcome them, and I overcome them in beastly fashion, and I can easily speak. emperors that all of them, and sons, anZt and more prof}ious, and happy moments have passed by the sound, and5 hog, giat still have the name of Idolatrous Princes, and that the name of 
Princes, but not Princes of Cryptian Princes pojfedono; ejfendo di. quefla uita worldly, rvolubile, efallace gifts, and alleuiamenti moreeto.fto, che compiatefilicittí, and for this from God to those such, oceduti;acci˜ da quejit, che in lui ueracecemente
mind - believe, those pro - erected, like . ommi beni con acce o., e veemente a. -But I do not think they're ugly, and I think they're wrong. But you are worthy heirs, those Princes, who have a chest filled with various sciences, and who adorn the hearts of many Virtues, and command them, and who, at the same time, hold their own, govern them: - "Such a good thing as to call them 1po ono, which, _ by entering, highly from the ing11,e de gl, buomint tlodare, e con qua I honore in nito bonorare,e riuerire, non per ci˜ punto sinnalz...,ano, ricordando I d'e er huominret ha ue ndo ol caro d'e e.., And of e d'e: er called Princes, to use the poˆe 'Ií in alltragare, et accrere Cere 1! culto Diuino,matener la - - iuflitia,et adoprar I in bene cio de, popoli. -... those who have delayed the arrival of the day, and who forgive and delay the arrival of the day, are also forgiving. And also the beggar of the outrages received, the year more for the nece jta, which they have to bear, and to do good, than for the act/to speak the hatreds of enmity and war. They are also indulgent to forgive, that is to say, not because of the unpunished iniquities of the ino kings; but because of the era11 - to the same extent as that of the fine: and that is what some of them have to do, and with rigour to order, and to deliberate, and to moderate the pleasures of my ericordia, and mercy; they are far from/and far from/and. Aua r:4tia,pe e,et origine di tutti i 1nali,ricOpen ano cO la Liberalita,e muni et-
to gifts, it is good11-, if the appetite for food is all the more important to
And now, how freely you can long for 'Vagando enz...,a ritegno.& e- nalm'Žte tutte che - e operattont da loro 1. anno, non per acquiflar ama tra gli louomini mOdani dt dt gloria 'Vana,e trˆ 1toria; r11a per/o uero,e per etto amor-e deU'eterna- -elicit. a -helpfull helixes, and -... to imagine in this world, to then (when the first) similar helixes in the other, in the other, are kept, but really blessed can be the holes of that ommo 6ene.., which makes man more blessed than the helix, and blessed. The first cause of all, Sereni s... Mr.: What have you got?



 

P R I M O. L. 
l 

D 
After the fudge rule) 
just beyond Dec
D


u 

lo /ftlo innanZJi al .Nle'l,,pgiorno, doue is the letter 73. from the center ..- alt om


hra B. widen the fe.fla,fi make the circular line,f5 ripo.fto the ftilo,doue 
was before, affettiji so much, that the om6ra Ji fminuifca,f.5 face of nuouo, 
crepitating the om6re after C!)'Yfeud“ equal to the shade made innanZJi 
) f5 
touches makes a circular line, doue ft will sign with a letter C. afthora from the sign 
B. alphabet C. with the Phantom Ji will defrost on the cross, doue is ago D. afterwards for 
thatCrossing 
doue is the D. f5 for the center pulled J“a a line 

aU;e will make the circular, a- heads of which will be the letters E. et F. 

A R and H I T E T. D .E L R 
v 
s e o N 1. F ..e [!a 


2.2. I: I B R O 
..the line will dimoflract the sundial part, f5 of the part... 
Northern: dapoi Ji dee take the fe(tadtcna part of the circular line, 
(5 the center of the fejl to place in the ..eridian line, which touches the circumfiren
..., doue and the letter E. f5 from the dejira, f5 from the J“nijlra fognare 
doue phono G. et H. f5 then in the northern part pong aji the center , 
doue in the circumfiren... is signed F. f5 by dejira , f5 by Jinillr 
to sign doue phono the letters L.et /C. Ž5 dal q al /C.& dall'Ha/! L. 

ji deono pull the lines to the center, f5 with the JPatio, which will do between q. 
f5 the H will do the Wind Oflro,f5 the Meridtana part,and that. 
fjatio,which will do from L. to K.fara the f}atio of the North:the other parts, 
that are three from the dejlra,f5 three from the fine.ftra ef!er deono equally matches, 
the ones from Leuante will doue Jirvederanno !e letters L. f5 M. f5 
here/it. 
from the west doue are the letters N f5 O. 'From lv!. to O. e5 
from the L. alt N in the cross / have to pull the lines, f5 in this way equally 
parties will make the JPatij of the eight winds throughout the dtjfŽgnat tour 
o; which, when they are defectrated, will be inquejia incia(cunode 
the corners of the figure of eight faces, so we'll start with C?Y5CeZ!!, say between Lo 
Siloco; f5 qarbinoe, The OHro in the corner will make the letter (j. between Oflro , f5 
qarhino l'H. tra'/ (jarbino..f5 il Ponente la N. tra'! Ponente,et tl Mae


Jiro the O. TRA'! Maellro, f5 la Tramontana la P. tramontana, 
e5 il Greco la l tra'/ Grecoe, f5 Leuante la L. tra,/ Leuantee, f5 il Siloco 
M. DiJPoHe in such a way, the aforementioned coffers, put the Hilo between the corners 
of the octangoloe, e5 in the same way as you say, J“ano likes it...e, f5 eight o'clock 
...of the chiefs of the rvie. 


 

P R I M O. 


THE END OF THE FIRST BOOK. 

DEL


 

DELL-ARCHITECTVRA 

( OF GJOVANANTONIO 

R V V I S C O N S I O N S, 

- L I B R O 
S E C O N,. D O . 

o MI Ne I A Vitruuio ˆ conjiderare in the First Chapter 
of the Second Lihro the diuerji manners, which ufarono 
the men in that their first rujlicity in forming 
the cafes, f5 says; that afterwards you finally 
fjelonche, f5 mimic the nest of shells to cover them, 
::. 
14 
ej]Žndo eglino of docile nature 
f5 gloriandoji every 

...E!2 ...I'l... I'l.., 
f5 cor/Jpor blacksmiths more ingenious than before; f5 coji alZate le 
forks, f5 trappoHi other branches, as 'Let us see in the following figure, formed 
best habitationi, inuejlendo the walls of cejpuglt... f5 of funds.., 
mixed with lotus. 



FOR 


IF C- ON DO. 
.. 
-- - -- .. 
P 
P 
ER diflnderj“poi daUe rains 
e 
from the sun, f5 from hail, f5 from the sun I'll cover them 
. 
-no of straw, leafy branches, and lotus, as the faggoty dijfegno mojtra us -... 


E 
E 
T because they can't hold up to the rains, and the other codes. 
The Verno hill, they began to raise up the heights, and


- Aa.CHITET. R.VSCONI. 
G praponendoui, 

 
iunge, because the Frigij, who hahit the countryside, for lack of 


dd 

Hojchi, they elect some of the more elusive parts of the land, f5 the cautious ones, 
f5 using them 
, Ji make ftanz.,a,f.5 hahitatione cotidiana: f5 dal di fopra 
Bonding between them many foHi,they make the tops of the pyramidal roofs, f5 they cover them! 
of reeds, f5 pag#e, as we see efjrelfo diligently in the feguent. 
dijfogno . And of that it will be necessary to have a human necessities with that, that the nauthur 
has made commune a'paeji,pofifiamo ajfegnarne,et draw a thousand ...(fempi 
d:t!le ojferuationi, che Ji fon fatta in diuerfe occorrenz:,e,oltre le aUegate da 
l!itruuio; f5 per hora haflarˆ to say, that Ji as in Poland 
doue ab-: 
hon.df1no di_/Jofchi , it seems that_worthy , ñ at least that they don't_ care about fahhricar 
On the other matter:_coji altroue,doue miss, huomini Ji phono. 

They are fufjiciently prouifted of,-que!lo, who have conceived them Nature; f.5 fjetialmente 
We see him in the mountains of Genoua, and of Sauoia, that he has not 
eglino wood, fe not in much scarcity, they cut the fae.fi 'Viui,non folo 

for the walls of the fa66riche;but for the roofs still, leaning them on fottilif 
6ajloni, which is about, not about the 


A Jt C H I T ET. D EL Jt Vs C O N 1
A mentione Vitruuio,that in France, in Jspagna, in PortogaUo, and5 in 
Guafcogna jifa ceuano de gl'e difici/ coji rou, covered with tauole livers of 
Rouere, ouero con paglie, f5 Jlrame; as it appears in the two following figures; 
f5 could you add, that until today for Germany Ji ueggono 
most of the cefe covered with pine tauolette,& which for Po/onta,e5 
for the Mofcouia few cafe ji trouano , than Jiano contefle of wood, 
also in the most nominated cities, f5 more celehri . 




I hear more tojlo than merauiglia. 


SECOND. 

2.9. 

Other reeds ("guita pur Vitruuio") cover their hovels. 

T in ..rarjiglia cafes have roofsflnz.,with tiles, -poflaui fopra flmplicemente 
the earth with the straw, as here fuck Ji uede - 

s E C o N b Ž. 1, 

-N- Arra Vitruuio what ufauano i (olchi in the Greater Sea in the fai 
To toast their cafes, for the abundance... they have bofchi; which hears::. 

mo forji adejfo fPecially in Poland (as he says of fopra) recadoji J 


glory that main lords of power, two or five years, did in little f}a- 
time to manufacture a capacijfimo housing: f5 between {y:i}Sui'uri; e5 
in the villages of many of Germany's cities and towns, Ji has medefimally seen how many - 
The cafe of wood is very politely composed; it is5 the feguent figure; 
which for_fe flejfa fenz...,a lot declared is ajfaichiara,moftra il mo-" 
The eJfo Vitruuio narrates of the setting on fire, and the formation of buildings of fudettos 
Colchi,leuando the ufo roofs of Pyramids,and covering them with funds,e5 of fo... 
to, making them tefluginate, to ufare their own word of ejfo - 

He's staying; 


THE I . B R-O ..: 

l'' 

praposendoui lotus, and making the roofs hanging, gave the c-aduta to the water, 
Ž5 ji afocurarono magg...rmente, of the way we hear ejprejfo here fucked
A mentione Vitruuio, that in France, in Js]agna, in PortogaUo, e5 iii F Guafcogna ji faceuano de gl' edif“cij coji roz...,i, covered with tauo!e livers of 
Rouere, ouero con paglie, e5 ftrame; as it appears in the two following figures; 
f5 may I add, that until today for Germany J“ ueggono
most of the cafes covered with pine trees,& which for Poland,e5 
for the Mofcouia few cafe Ji trouano , that not J“ano count of wood, 

also in new cities ;more nominated, f5 faster6 . 

s 2 e o N b ˜. 1, 

-N- Vitruvian Arra that ufauano i (or/who in the Greater Sea in the do 
To drink their cafes, for the abundance they have of bofchi; which hears;. 

mo farji adejfo jpecialmente neUa Polonia (as he says of fopra) recadoft Ë 
gloria que' main lords of power, dou,,nque uanno, farji in poco f}a- 
time thiodi time to manufacture a capable.fimo housing: f5 between'sui'uli'{uri; e5 
in the boroughs of many German cities and towns, the number of... 
tˆ of cafe of lumber compofle very politely; f5 the flguente figure; 
which for_(it is flejfa fen... much declared is ajfai clear,mojlra the m.. 

do narrated by the elf Vitruuio of the set infieme,et formare g! edifici de' fudetti 
Colchi,leuando the ufo roofs of Pyramids,and covering them with foliage,f5 of l- 
to, making them tefluginate, to ufare their word as ejfo. 

He submits; 

. To the Vitruvian mind, which in France, in Js]agna, in PortogaUo, and5 in F 
GuafcognaJifaceuano de gl' edif“dj coji rou, covered with tauote livers of 
Rouere, ouero con paglie, f5 ftrame; as it appears in two following figures; 
f5 could add 
That until the day of today for 
Germany J“ ueggono 

most of the cafes covered with Pine tauolette,& that for Poland,e5 
for the Mofcouia few cafe Ji trouano , than Jiano contefle of wood, 
also in the newest Cities .more nominated, f5 most famous . 

SEC'ONbo. 

11 

. Arra Vitruuio what the (or/who in the Greater Sea is/do1 what you do in the 
N 
bricar le cafe lor 
o 
, for tabbondanz...,a c'hanno di bofchi; it that hears:! 
mo farji adejfo Jpecialmente neUa Polonia ( come diceua di j˜pra) recadoji tí 
gloria que' main lords of power, dot-11,nque uanno,farfi in poco fja4 
tio of time to manufacture a capacifomo housing: f5 between 'Suiz..eri; e5 
ne'borghi of many towns of Germany Ji heed medejimamente-gran how many ... 
tˆ of cafe of lumber compofle very politely; f5 the feguent figure; 
which for_(is flejfa fenz...,a lot declared is affeichiara,mojira i/ mfJ4 
The elf Vitruuio narrates of the setting up of buildings of fudet-. 
With the Whom, by removing the roofs of pyramids, and covering them with funds, and 5 of f ... 
to, making them tefluginate, to make their own word of eJfo. 

t 

He's staying; 
a.i L I J3 R O 
It is said, that the Frig/j, who hahit the countryside , for lack of 


6ofchi, they elect some ptu eleuate parts of the land, f.5 which are to be taken care of, 
f5 using them , Ji make ftanz.A,f.5 hahimtione cotidiana: f5 dal di fopra 
Bonding among Jah many fuHi, they make the tops of the pyramidal roofs, f.5 They cover them 
of reeds, f.5 straw, as we hear eIJre(!˜ diligentifomamente nelfe guente. 
dijfagno . And that it will be necessary to have a human need with that, which nature 
has made commune a'paeji,pofoamo ef(egnarne,to draw a thousand ../flmpi 
By the ojferuationi, that J“ fon made in diuerfe occorrenz:.:,e,oltre le allegate d:I 
Pitruuio; f.5 for hora 6aflarˆdi say, that Ji as in Poland, doue ab-. 
They flood with. hofchi, it seems that they are worthy, ñ at least that they do not care about. fahhricar 
on the other matter: coji altroue,doue miss, huomint Ji fo,:,.o. 
Prouifti fufjicientemente dt that, which has conceived them the Nature 
; f5 ipetitively 
We see it in the mountains of Genoua, and Sauoia, which have not yet reached 
eglino wood, fe not in much scarcity, cut the fajfi rviui, does not do 

S O 


for the walls of the fa66riche;but for the roofs still, leaning them on J˜ttil,f 

fimi hajloni, which a- riguardanti,non che ˆ glt habitatori,pojfono render jpauento 
moretojlo than merauiglia. 



eOther 

 

SECOND. 2.9 

Other reeds (eguit a pur Vitruuio) cover their hovels 
.
E 
E 
T in ..rarj“glia cafes have roofs[enZ'va tiles, -poflaui fopra flmpltcemente 
the earth with the straw, like qu't fuck Ji uede - 


A R. and H I T ET. D EL ll Vs e o N , 
. 
li 


 

30 L I B R O 

M 
M 
To why the men, at last, have been dying to repair/
i:, f5 defendji dalie necejlitˆ, pajfarono to the prouederji of commoditˆ, 
f5 of delitie; therefore auuenne , that in the habitationi jpetialmente like 
shelter them,. f5 as ordinary 
f5 own ricouero, pofero particolar 
penfiero, f5 non pur cafe humili,f5 bajfe;ma grandi habitationi conflruf. 
well founded lighthouse, & walls made of brick, stone, & wood, 
covered with tiles with inuentioni, f5 ornaments uaghi, e5 iftraordinari, del. 
which for ejfmpio feruir year the. two following figures - 


. . 


Followed 

 

SECOND. 


. . ... 

S 
S 
Eguita Vitruuio in the Third, or Chapter of the Second Book to infect us 
How, F5, what kind of land did Ji habbino you make the bricks of, what kind of bricks 
white, creamy, white fia, it's 5 ro... ...a mafia-smith's, f5 fake, f5 fake, 
˜ in the time of the Primauera, ñ in the autumn: f5 that he, he says, will do... 
that Jiformed two years earlier, 1ftendo that 
 


DeUe 

 

L, I B R d ... 


r' 

The 

D 
D 
EU and bricks difcorreji medef“mamente, f5 we cauiamo 
that he who is d,Jfgnato in the feg uent figure, that is, that three strong d,quadreUa 
The Greeks, the 11th century, called Att{A)pa, that is, two palms, were here. 
with the letter e.A. the other one no1d.J{A)po, that's five palms, f5 the ter... 
Ttrrpa! J'(J)po,,, that is four palms, ftgnate with the letter '13. f5 C. f5 that 

I would also like to do the same as between the Letter...,-i D. 
all of which are in work and in action, with an alternating faceJ/“- 
-á 
ro L, parete J“cura, f5 la uifta 'Va ga, f5 non ingrata. 


' 

NEL 

 

S E E O N Do... 

33 

J .. ,1 


-N EL ...limb The following chapter speaks of a kidney for the mefcolamen


to with lime. Deputy, I'm the one who makes the fortresses black and white, 
the rojfa, is5 the carhoncino . <The best one is the one 
that Hroppicciata 
with the fingers that make noise, and noise; and5 that .fPecially, which f}arphrases 
?hey will not stain it, ?hey will not stain it, ?he ground will rvephtise it. If they will not. 
Huche, it's the place of eJfa rena 
He says he's going to cure her, f5 

Jeglierl11 from the gluttony of J“umi,f5 from the liturgy of ..Dear, as we rudely rudely ruin 
Represented in the feguent ftgr,ra - 
. 

ARCHLET. R.VSCONI. TrattA 

 

T 
T 
Ratta Vitruuio in the Octauo Capitol˜" of the Second Lihro deUa maniera 
of the wall, Û5 uˆ dilig

can in that matter, which is Rata very ejfatmmente declaram by 
M onjignor JlluHrifomo Patriarch Barbaro; e5 from Palladio ne' fuoi L,h;i 
d 'CY.lrchiteftura: also continuing in the short declaration of the following 

. figures J“ will say., that Vitruuio proposes to do two ways ofnurare, One.., 
thatJifa to network mode, f5 the other 
which is the ancient, called uncertain. 


...she uncertain is coji called by the uncertain composition, which reefs from the unequality 
Of the cements, which Ji is committing, which have no form 
Certainly, they're going to break the unequal, and truly uncertain, order into law and order. 
The other form called reticulata is that one, which for the water...ration of the stones, 
˜ de' bricks, make the composition of the whole wall, the uifla uienc 
ˆ dimo.ftrarji lineata,appunto ˆ foggia di rete:que.fta in feguente figura... 
There Ji mojlra with the letter C! A. f5 The other with the letter B. the letter C. then. 
in the reticulata is to moftrate the compojitione of the square stones, that 

they make the outside of the wall, f5 the 'D. the bricks, they make the olfactory, the alloy ... 

m e'!ti,Û5 the ejfo fence;as for the whole (ampagna of 'Rena Jino ˆ Na 


...we see innumerable hoggid“ ejfempi of those relics of... factories,... 

that stand on their feet.
E 
E 
T because it says Vitruuio, who in a way reticulated with the ef/empio of 
some Roman factories Ji runs danger, that the filling of effe 
make the building ruinofo; e/fendo that the lime afciugandoji re.fta poluere 
, e;t 
lafcia the naked cements inside the body of the wall with euidentifsno pre


(5 "to the detriment of your own," he says, however, "that some shall not be able to incur 
In which, in that, in the bifurcated, he makes the walls of two feet, by making the 
mez...,o cocauo apprejfo i corji,e5 orders straight, like pilaHrelli from par.te 
of inside of fajf˜ square rojfo , ouero of terra cotta , ouero of happy ordinary,& 
with iron crabs 
, ñ leaded bind the sources; f5 ˆ que4 
I have way, not in confofo, but neatly done the work, can fenZ1, dif- 

dense for long.fimo time last . Delia what does the feguent figure there 
moflra 

 

mojlra a part a part very well defl elated, rappreflntadoct 
an ejfemple of noble factory, made with coji made auuertin,ienti:con la 
letter A. appears the rtempiemento de.. wall, with the B. the crossing of, 
marbles, with a C. the square fajfo rojfo, ouero felice, ˜ bricks, with a D. 
the crab, ouer iron ligature, to tie the foreheads, f5 with the E. ligaments, 
e5 the ojfature, which are joining the whole factory inwardly. 

L
L 
Oda Vitruuio the way of the wall of the qreci, and5 I tell ofJ two, knots, 
the ttn... 1etto equals,/ 'other difi:guale. The first when all the corjifaranno 
egt-ta!tn big{1:.Ja, as it is depicted in the following figure .d. that, 
All the cernenti/%nate C. Even-numbered, the other is when the orders of the corji 
"¡" far4nno d1rt{2:.Jaft equally, like Jiuede in the other jig,,ra ']J. that i 
omissions

E WITH DO. 37 

cements with the letter D. phono di/pari, f5 l'untt, e5 /-other of those ways 
he who, when they are well licked with the continued groJeZz... 
dlpareti, pojfano tbtrare, e5 confuarf“ lungarnente. 

B 

A 

- 

r;::::-> >..--=---.. 

- 

R 
R 
He remembers another way of walling said filled, and he divides it in two but 
niere, 
As we see in the fallout dtjfegno. The first is more regulated; because 
Ji pull the corji de- cements ordered, a in the facondo ft, nettono in confofofo. 

D 


 

..8 L I B R O 
M
M 
A the way of the wall of G reci,feguita then, is very diuerfo ;because they order 
The long cements of the cements equally with bricks as 
ciJi dimojlra neUa feguent figure with the letters A. f5 B. f5 then binding 
the 111uro with equal diflanz.,a with square bricks,they have the forehead from one o'clock, 
e5 the other side, to use the middle name J', a.k.a.'. 
70,0,; which Jlringendo earnestly sign, f5 afocurano the fodeZ::, 
"za de' muri; signed in the medejima jgura with the letter C. 


and Ontinua neUo ft..lfo (apitolo ragionando dl pareti fatti intieramente 
of bricks to give many ejfempi di fabbriche qreche,which,f.5 for 
the length, f5 for ejfer not at all unknowns to us, very little can hurt us 
With all this in the feguent jgura in 'Let's see - coji in general rappresentato 
dilfegno such 
which, in the end, will be a good thing in one piece... 
. C! In days gone by, the Jiphany brick factories are intimately 
Venetia, f5 however 'Let's see the most durable edijci, f5 plus Jicuri. Rome 
has a few, but a few, with comfort, & plenty of cement! 
e5 the bricks do not hurt 'Truly fe not for the outside of the fah/J
rica, to make them, ñ lauoro piano, ouero colonnades, frames, f5 other cojifa t 


you ornaments . 


 

SECOND. 


D 
D 
.Anna Vitruuio at the end of the (apito!o Ottauo i Gratici:, that is the strong one 
paret 
i 
I'm in the d., inside the reedwood youjfoti 
:, 
& then 
Kicking cruciflatidi: because how much do they rejoice toUa prefte'{ZJa,f€ keep man ... 
co place,so much phono of commune:, e5 greater calamity: why phono faci ... 
Lijfimi to the fire.[ wood fono fegnatineUa (eguente figura con la !et.A. 
et 'B. le canne con la let.D. la calce con la C. i pilaflretlt,ñ f˜rte'"(z.,e dt effe.. 
wall made of bricks, signed with E. ouero di ghiare, signed with F. 
. 
e5 the fear of bricks, "squared, signed with "q." Of those 
even at the time of the 'nojlri Aui 'We see and / or hurt many new fahhriche lo-. 
ro,f5 in rome, f5 for france, f5 for France 
:, 
& jpe-. 
eia/mind in Paris f5 but what it is - is pof!o quefto dijftgno, that easily 
...so that Ji Jia will be able to be intact.  
L.. I B R O 

...,_ . 

I 
I 
Timber is necessary and is the main material no less 
that the other narrated in the Chapters pajfati: fe ne 'comes for this Vitru. 
he ninth chapter to speak of ejjj˜,f5 proposes to us in the beginning precisely 
the time of cutting it, which wants Jia in the autumn, at the hora that 
begins to make the West, attaching reason, because it will not be propojito 
the time of... Primauera; the trees, and the trees, and the time of the hour, not 
less than bodies primed for their humor is in, known, e5 Ji 'Vtí defending in 

frglie,et fiori;phono manco rvtili,et no fani,appunto come .phono Rimati gf ani 
"...wings full of the opportunity to sell them. In cutting it, it gives us a great deal of confidence, 
That nojitaglt affection, but that the cut comes up to meZ:! the marrow 
, 
f5 ji lafci coji purge t 'humor to prefer it from rottenness, e5 quan 


C fi 

 

SECOND. 41 

Do Ji will see that he will no longer flirt with it, at the hour that he has thrown into all the earth. 
in that way will be perfect, and 5 appropriate. 

\ 
.. 
P 
P 
ER comprobatione di quefta fua conjideratione, remember that ft 
he's doing the arbufcelli, which will be some time by piercing his foot, 
they send out of their marrow uitiofo humor, f5 faprahond,,nte,e5 ft 
they maintain, f5 confert-sano J“curamente. 


AR.cHIT.ET. RVscoN1. L Difcorre 


 

L I B R O 

42. 

D
D 
l(runs then particularly fopra diuerji trees, e5 confldera in queflo, 
f5 in that diuerfe condtzionii with the folita faa diligen{a , f5 about. 
The Dijfegnatore of the nojire figures I will believe that hauejfe penflero of 
ejprimerci medejimamente all effe (f)etie , but pojfono feruir benifissimo le 
three followers, in which we hear The Tree in your early age (to say 
(coji) f5 then made robuflo, f.5 rvecchio; that fenZa dubbio fe tutte ui j˜fiero... 
they would make nobiliftima rvifta, f.5 would gratefully accompany the efquiJita, 
f.5 mirabil diligen... rvfata in this book; which, however, from quejle pochi 
ftamo for'ati ˆ dolerci,ch'eg 
there, all of them not the dij[egnajfe,preuenuto dttUamorte. 


 

IF C ON D O. 

.. 
91 



L I B R O 


THE END OF THE SECOND BOOK. 


DEt


 

45 


OF THE L' ARC TE T TV RA 

BY GIOVAN ANTONIO 

1l V S C O N I, 

1 


THIRD BOOK. 

 
dine delle mifare, cautioned by the human body, the quaf 

has all the limbs matching each other, 

Ji that the whole compojitione riefce propose to you ... nata, f5 

harmonica; Û5 however, we have not been able to find you yet.


cabbages again,Û5 those denominated Finger, Pal


mo, Foot, e5 Cubit . The feguent figure is the mo


llra, having diuhyped the body all in 24 parts, which, being fruitful. 
Vitruvium's diflribution,ref}ondpno excellently,& bajlarˆ per declaratione 
to and/or to register here the words that were spoken here. Nature in such 
How I make up the body of a man, who makes it from the head of the chin to a man... 
f5 aUmity of the forehead, f5 aUmustache roots of capeUi foj/is the tenth part, 

It's5 as much as the palm of a daUa hand 
juncture of the knot aUa top 
of the mez...,o; the head from the chin to the tefla tefla t eighth part, 
e5 even from the Ceruic Ba.Ife. Vatla fommity of the breast to the roots of the 
Hair, the fefta part; at the fomity of the tejla the fourth; from the phthne of the chin 
in the end of the nostrils is the third, apart from the height, of the whole face, and5 
as long as it is along the nafo t-etto injino to the mez..., or of the fopraciglio, f5 as long as it is along the nafo t-etto injino to the mez... 
Down to the roots of the hair, to the forehead. But the foot is there


. f 

A R. and H I T .ET. D .EL R. V se o N I - 
M fta part, 

 

L I B RO 
fta 
tti 
part of the body, it cubit the quartll, the chest the fourth 
e5 in which way the other limbs also have their members, f5 
proportionate mifare, like the ancient painters, f5 Jlatuarij have benifii


but with a lot of knowledge, e5 ufato... ,
Ataci la regola deUe mifore dalla fmiflra del corpo humano,caua Vi 


i 

confeguenZf trUle, which, however, the Tempj dedicated to the Gods fr/fro also 
ordered with giufta diflri6utione , f5 compartment; f5 in jlejfo Chapter 
ftguita ˆ ragionar di efo Temp 
i 

j,of which he offers us slices, ch, 
I am very vaguely dijftmamented,& ef}refo neUe noflre figures, 
cbe J“ po/fono enjoy tn piantll, in face, f5 in profile. 
the first face of which is of the _faade dinanZj, f5 of the forehead ofJ 
Tempio detto in Ancis, mila quale phono ne gli angoli le pilaftrate, f5 contra/o
rti 1uadrati, f5 in the me..or columns, which make up the front, and5 


r11Sft1 
rvfo nofiro, face in pilaflri. 

-á
T E-R z-O: 


4á9 

 and 

I. 
I
.. 
...and with... it's said that it's... it's in the... because there's each one of" pile... 
flrst, which is the sound of the first breast and a column... 
f5 fopra di,. 
ejfaJi supports a frotefjicio: e5 this form is called by 'Greeks 7rp6u)l.o... 



I 
I 
The 'T erZE is said a,'...17rpo' fJ'uË<f, because it adds to the f
 

The 'T erZE is said to,'...17rpo' fJ'uË<f, because it is added to the fudetto ajpetto dalla 
pojleriore part another face of columns, f5 oppositeJPicio . 

A R. and H I TE T. or EL R v se or N 1 .

Auf wir e V,itrutt,io propojlo di fopra, coji quaj] in confofo, la cognitio-. 
In the times of Tempij preaches from the ftgitra, and5 From their own hand for certain of your own 
oj]eruatione , defende tn quejio Secondo (apitolo ˆ conj“derare cinque maniere 
by eji Tempi/, onjiderate fecundate the jpatr:f , which phono between column, et 
column, which coji delight the eyes with the bull variety, like paufe , 
e5 interua(s) of the voices the ears, since that which is confused 
a/I' ears, it's really handwriting, f5 6efleZz.,a ˆ l' eyes. The first IJetie 
call 7rux.:iouJ...o, that's f}ejj,˜ rijlrette cofonne,}and that's what it is,}in the intercolumn. 
(to say coji) of which ui cape la grojf'{z.,a d'una colonna e5 
me..., who 'We see diffracted in the fading figure.
?
T E R Z O. 

Jf 


L
L 
A f2.!!Jtrta is called Ap,ofJ',,1Ëo, in which way no fi gives tufo de gli 
<!Architraui of stone, nor of marble; but fopralecolumns Ji have ˆ 
Set the traui of contiguous woods:& the manners of those Tempffono ha.f 
J, wide, f5 hurnili, e5 adorn their foreheads with terracotta figures, ñ 
to golden copper. 


The last one 

 

... r- B R. O 

J' 

L. 
L
. 
Vltima 
call u/'uJ\o, who 
he says 
that at the UFO, at the U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., at a U.F.O., 
f5 at the stop has a lot to offer, f5 at the stop, f5 at the end; therefore, publish your reasons. 
glt fjatij between the interualli Ji deono make the groJfeZUl of two columns 
f5 a quarter 
f5 the intercolumn of meZ!!!, of three grojf...e: why? 
in that way he will have the affection of the graceful figure 
the ufo deU'entratlZ 
fenu impediment, f5 the pajfggiar around wide, f5 magni.fico. 
-¥ 
t ' 
S 
S 
Today then comes fubito, that fl la facciafif, doue is to make the Temple will do 
to make it four columns, which will divide it into parts 11 and me; 
l f5 the ports of the bafamenti, out of the sides, f5 the ports of the bafamenti. If of Jei, 
diutdaji in eight parts; faiths eight, in rvintiquattro and me..o. Of those parts 


Jia the Temple of four, of fei,˜ of eight columns on the forehead, took one of them 
f5 that will make the module: the groffZu of the columns will make a module, f5 
every inter-column, except me'g,, Jia's of two f5's of a quarter: 
the intercolumn of me..., st dinanZj, as in the back... 
Jia of three modules: 
the highZ.. of the fia columns of eight modules f.5 me'{g,; f5 ˆ quefto mode glt JPatij, 
that will make the right decision between the columns. // that will follow that 


tf}rejj˜, f5 dtjftgnato very minutely . 



Continut$
I 
I 
The way to rajlremare the columns, and reduce them fertile lining proportioni 
in the uero, e5 regulated ej[er them, by diuerji ualenlhuomini is jlato mejlo 
in practice; and5 thatThose who profess it will do it very well 
by the feguent figure dijfegnata with all fue reasons: f5 however will baflerˆ 
To have it placed qu't in the place where it was, not having us for hora else 

End, that to order coji fommariamente que.fte figures, that we habbiamo, like 
We said in the beginning, we added to you, in the beginning, that little, that which we were 
to declare some coj,which we need.But more importantly,doue ft 

of the Doric columns, which have the medephyme proposed, in queft11 
...he'll be wary of the diffŽigned way even more difÞcultly. 

In the e: Ontinua ..eUoJi1/˜ (apitol Vitry,1uio d d..rci the rule of dimh1uir... le 
columns fJfUa part of fopra, conforming to 'high wings' {... them; f,€ said, that, the 
diminutioni frightened the collorini nortJinat... wo7pa,xn'}...,a, in that mqdo: 
...and Itt Column will be 15 feet tall... at least make the grolfe'Z... d..lfuf! 
from 6affo in fei pdrti, et di effe parti five faccino l... the top of it: 
0!.flla that will make fifteen up to ruinti feet, the plant ft diuiderˆ.in 
parts fai e me..., f5 of ejf five and mez.io will make the fudetta- gri!f/Zz...ia: 
F2...!!! What a blush, of "ruinti fino a trenm, -diuidajila pidnta in-- fatta par.ti , 


f.5 fairies will do fimi/mente eJfa grojfe'Z.,Z:A..f5 coji quel/.a da -trenta fino J 
Forty from the 6ajfo will waver slices and mez.io; f5 -fopra fei and mez:,...;o: e5 da- 
Forty to fifty will have in the foot the diuijione in.eight, e5 of jo-,- 
Pra in deeds; as we edify in the feguent figure 
. ' 

. A 
R C H I T E T. D E L R V S C O N 1. p 

THE 


 
L ..I B R O 

-And after the fudetti difcorfi ˆ tr..ttar deUe haft, f5 percbe in quello 

Thirdly, Lihro is rude enough to think of the Ionic Order's folame, but he's making it so. 
mind, f5 the ef}rejfione deUo Hejfo Vitruuio uedremo dijfgnate 
qu't le haji Ioniche con le fue mifure. So, says Egk, that the gods,... 
/will be done in the Attic way, which is the way it will start out. 
part of fopra Jia for a third of the grojfez:...,z...,a of the column, the rejlo Jia 
de/1,hem: Leuato the hem,the rejlante Jia diuifo in four parts, the haflone of 

Fopra n'hahhia one, the three reftants Jiano diuife in two equal parts, one Jia 
of the haflone of fuck, the other with your squares to the cauetto, which 'Tptx.01)1.0, is called 
give us qreci - 


L
L 
A :Ionic Bafe is high, like the ..ttic lining, but with a diuer[o;e 
because the ejfˆ's width will do for every ruerfo as much as it is grof 
makes the column added the fourth, f5 eighth part of said grojfe..z...,a;ma 
falteZZft is just like the...ttica, f5 coji torlo of eJfa. ..a il reflantee, 
beyond the hem, which will be the third, part of the big Jupiter column... 
diuifo tn Jtte parts, Ž5 of three of ejfŽ Jia the haftone of fopra, the others four 
parts fiano equally diuife, f5 of a Jifaccia the cauetto di fopra co'fuoi 
"rods, f5 your planting1'z., or called the fopraciglio, f5 the other firm medeflmely 
Another fuckin' cautionary tale: f5 that's gonna seem bigger than it is. 
For thou wast the truth, to the very edge of the hem. The rods 
Ji will do for the eighth part of the cauetto, and5 the fjorto deUa hafe pears 

-á 

/'ottaita, 

e - ¥¥ - .. , , ¥ 

.. ... . 
, 
.!. 
.,J 
. I 


 

T;E R...Z. 
O. ..J 
J-ottaU4, e5 (eftadecim" part ofU11 grojfo{... deUa colonna : which coffers 
all of them are treated by Monftgnor Jllu.ftrifomo Barharo. 
in the fuetationi ˆ Vitruuio : besides the other rualenlhuomini, that have 
fcritto in quefta profefione 


V/' ui ui are missing a few other figures to make us feel like that one. Q that in difcorfo we are treated by Vitruuio in the remaining of this 
(apitol, which dohhono two mifare of capitals,& the rules dlfregi,e5 of the 
IonicorJine frames : quefta fola feguente n-hahhiamo, la quale-quando 
not in other will hurt at least for teflimonium of the mo!to,that there rt


fta to deftderare in quefla hellij!ima, f5 mligentijima fatigue - 


L I B R O 


N 
N 
EL leuare over columns and frames, and5 other than fl sheets 
a 
there 
dJ 
an easy 
e 
f5 reasoneuol rule because Vijia doesn't live in ejfr 
Deception born: f5 saith, That all the limbs, that they should go over the cttpitelJj 
dt!the columns, i.e. .Archit raui, Friezes, Timpani, FaHiki, and5 
Pilaflreilt,ttJttti de0no fold out for the twelfth part ciafcuno dellte 
to the front, flanking us to the opposite side, and two lines /i 
They'll look the other way, and one of them will touch the fucking side, f5 t other one will talk to her. 
Of fopra d' some of those mebra;thatr11 which will touch the fuperior part 
will be longer,f.5 as long as the hearing of the line proceeds in/11 
part of fopra, will make the aJPetto further away, f5 that folds inside uerfo the wall: 
But it will bend, as Jopra's fcritto, alt'hora ci (embreranno al. 
la 'Vijia straight to perpendicular. JL that we hear diligently, mamenteamente rapprefresented 
in the next f“gura, where all the limbs are divided into twelve. 
parts, e5 for the two-hundredth part Ji/port out to adjust the pro. 
port... f5 the order of the/'elevation, fertile the fadetto document 

T E R z p 


AR.CHlTET. JVSCONI. IN 

 

...f B- R' O 

EL .end of 'J''fto Chapter infi 


gna tl tl the way we channel the co. 
lonne,et dice, che deono ejfer per c,flu. 
a column ...four years ago, 
which Ji will do in that way, that 

chickens the [square in the cauo de la Janet. 

_ 

e5 tricked, e5 swindled, touched in such a way with 
the foe arms from dtflra,e5 from J“niJira 
the corners of. ejfe fcane/lature , which 
the tip , it's the angle of the / team fl moua 
easily. The grojfe'{u then of the 

ftrie, ouero fcanetiature, f5 de' pianuZ:, 
How much will their deonji /are you will find the 
g 
arrived in the mez., or delta column, as we see it. 
in this figure 
. 


r. 
THE END OF THE THIRD BOOK 

BY THEARCHITECTVRA 

BY GIOVAN ANTONIO 

R V S C O N I, 


:t I B R O QV A R T O. 

..===:::::::-i I T R V V I o begins in the f!..!,limb Book .ne' prime 
rverfs of the First Chapter ˆ reasoning of the columns 
Corinthias, who say, that they have the mifore iflejfe ofL 
except no capitals, f5 efo capitals make them 
...to them, being chefs of the highest calibre... 
of the capital is the third, apart from the grof. 

flZz.ia deUa column; but that of Corinthia is all 


ta la grojfe'Z.,'a, f.5 qu'i jguente n'habbiamo il dilfegno. 

. 
. 

s 

 

68 L I B R O 

. . 
S 
S 
And then you can tell us, like everyone else's orders, Ž€ fonic 
o 
, e5 Doric

f5 Corinthian fojfero named ne' princip[j lor 
o 
, reciting some 
hiflories of those times, e5 /i leads to that rempio, which in the Ionian Fabricated 
to <Apollo P annionio, said by them Doric; for the first time they heard him 
made in the City of 'Doriej“, doue says, that 'Wanting to put the columns, 
f5 not having for yet the effe, steel potejfro reggers' atoms 
with a few wagas to propose, they mifurcated the plant of the 
rvirile foot, f5 of that groj]ez.,z.,a making the .fuHo of the column 
They took it so high up... from the ground with your capital. 

Afterwards 


 

T E R z p. lij 


ARCHITET. JVSCONI. IN 


 

".AND THERE. B- R: O 

N 
N 
EL .end of quefto C,apitol infi 



The way the columns are channeled, 
and says, that deono ejfer for each one 
column twenty-four channels , 
which Ji will do in this way, that 
pofta la [square in the cauo della fcanel. 
iatura, f5 tricked, touches in a way with 
le foe hraccia from dtjlra,f5 from Jini.Jl
ra the angles of effe fcanellature , which 
the tip , it's the corner of the Ji moua team 
easily . The gropanzees of the 
ftrie, ouero fcanellature, f5 di pianuZ::, 

zj, their deonji do as much as they can t ag 

...or of the column, like you... 


we look like this. 

. .. 


THE END OF THE THIRD BOOK. 



OF THE ARCHITECT... 

BY GIOVAN ANTONIO 

R V S C O N I, 


T H E B R O Q U A R T O. 

I T R V V I o begins :net ..rto Book .nl prime 
-rverji of the First Chapter to reason of the columns 
e 
Corinthias, who say that they have the ifld/e mifure de 
L 
sound engineers, except for capitals, are 5 efo understood 
higher for the greatz...to them, ejfndo that falteZ 
2... a del capiUo lo... ico is the third one... apart from the one who is grateful. 
of 
flZz...,a deUa column; but that C()rintia is f'!t 


It's the groffe, & this is the consequence of our dilfegno. 

. . 


IF 
IF 
, I 


 

68' L I B R O 


S 
S 
And then you can tell us, like everyone else's orders, f5 sound engineer... 
e5 Doric, 
e5 C<Jrintio fojfero denominated neither principles/theirs 
, reciting some 
hiflories of those times, and5 ji will lead you to the Temple, which in the Ionian Fabricated 
To t.ApoUo P annionio, said by them Doric; for from before I heard him 
made in the City of 'Dorieji, doue says, that 'Wanting to put the columns, 
e5 n<Jn hauendo per ancora le f“mmetrie di effe, accioche potej]ero regger 
with some uagheZ,Z>to propose,they mifurcated the plant of the 
manly foot 
...and the {y:i}f5 of that grojfŽ...acting as a whisper of the column- 


_ 

They did so in Altez, from the ground with the capital. 

From then on 

 

Q V 'A- R T O . 6 ... 

D Apoi hauendofl ˆ fabbricar un Tempio da gli ftefo lonij ˆ Diana, ft 


They signed of the form, f5 of a graceful woman; f5... but they made 
the grojf'{Z-Ja deUa column for the eighth part of the other 
e5 tenef!ers! 
The tallest, most fuckable afjetto to the '13afl la fl;ira in place of lime, 
f5 to the capital I impoverished the 'Volutes hanging from the deflection, f5 from the jintflra, 
here, crefJ.'i cincinni of the hair, f5 adorned the foreheads with some petioles 
waves, e5 with phephthons called encarps, f5 for the whole trunk of the column 
Jafciarono dropped the canker sores, quaji layers of female uefti. 

D 
D 
A queflo ft pajf˜ with uagheZ... major,& f˜t 
tiglie'{...di giudicio ˆ cercarecar moduli pi riflretti 
to make more foelte columns, e5 coji jcero 
the height of the Doric column of sliced diameters... 
...of the groj'{y:i}5 the Ionian of eight and a half. And fruitful 
they ordered Corinthias, which is in imitation. 
of the gracefulness 'Virginale;& however to qtte.ft 'ord(s) 
It sees given hip in accordance with major ornaments, 
e5 'Vaghe'{,Z!, more flowery, f5 more minute, that is 
1Ji others. 

, 


ARCHIT! T. DEL llVSCONJ. s .ALLE