IN MATERIAL D' A R C H I TE T T V R A, B T PB R. 5 P B T Tl VA. WITH OPINIONS OF EXCELLENT, ET Famofi.Arcbitetti, ehe lirifoluo110. OF MARTINO BASS M l L A N Ji §.1 ¥1 ¥ r I'l-{,BR..ESS.A 'For F1áattcefco>(:}' Pie.Mari'1-Marchetti Fratelli. M: D. LXXII. l ~ THE ILLVSTRI, ET veryMagn;JiciSignori, the gentlemen deputies of the Fahrica de! Milatto Cathedral. MARTIN BASSI. #~~;:::;. It's pajfati meji, moj or da quel z_elo, ehe in mefard Jemprt arde11ti§rmo~ of ueder ehe f opert of quefla gr'1Jt Mole de! noflro Duomo, proceed. not with that order, and not with that order, and not with that order. fi¥ --licitd,ehe every C hrifliano dee drji derare: oámaggiorme11teio, ehe fano Mtla11rfe, ~ ...and the allied forces... tnfrn works since my te11eri years crefcruto: it seems to me to dimojlrare of Mr. and Mrs. Depu-:. tates of that time, like some of the imtouate Jopra ope"'. ({:)' alcu11e, ({:)' alcu11e, ehe di nuouo si'cominciauano, not so fast!]>flour-flour-flowers, & buildings= I'm a great, unholy, ungodly T, and Crttd. Et qua111111 tunque al la prrfenza de/ C apitolo, la ccfa non refla_ffe to the whole hen clear, (:)" defrnita: although comefaolfat "echi The offence is a fine, straightforward thing, but it's not meant to be, (:)" eon fo11damenti reali (chefi hentpoi uedefi= contrary to the contrary:, § co,fo!a 11ond1 least con!d. faac01!fc1enza) co§ vauauaua io peryuade11do me flejfo, co11fapeuole intentioflmia: quandoper !et= della Guona A ij 4 (7 per auijl of quaTche mio amfco, & Stgnore, io Fake! f, that was cool, § narrates drffirentc a§ai. The waves yjjendo aneora,& eo' l fatiear= 111idi eontmouo ne li fludij &ff art,cr prophe§ion 1ma, I couldn't do it the way I did, as I f acil= mind we could make each one of us, of that time eh? Afterwards, I decided to confront the eofa in written form, com' dla uerame11te pa§d: le ragiotzi da me prodotte,il all dimoflando 1to1tfo!ame11te eo/ said mine : but eon The authorities of the lawmakers, and::J'eo! giudrcio de glt c..A"'rs chitetti, and::J'Perjpethui flrmati de'pt11 eecellenti, ({:)" famojl dtqueflaetd: some qualifications,({Y I! Juggetto, Juggetto, rt.:r lamateria, diqueflo booklet. N el w hich anyone, who would like to read= I, Trouerd Ja uera narration of the co.fe by me rjpofle, It's all about the piece of marble, which you can hear! door locatosula {ette11trronale de fooflro D man:et in the edtficio de! nuouo Batti/Jero:et nel nuouo T tmpio Jotterra11andodetto Jo Scurolo: rt.:r 1zelC gold, (7 a ltroue. V, trouerd le 1áagioni, ch'ro addu§, per dimoflratio¥ opi11101zi. vá1trouerd lafi1ttenz.a, ehe da some date: the goddesses of the authors, rt.:r de gli huo~ mim (as hodetto) flimatr tra' t more famefl than ~uejlo ficolo: of which>(:J' for etd,(7 little ejper1ence mine,et For Ja fame,rt.:r gratzdezz.a of their works, after the efo Joro richieflo,hehhi ricoefš.<". final= s mellte ui trouerdt11tte the options, (9" ragtoni them, cor:: rrlpondeuti to opi11ions, rcrragioni mre: eo' d1{eg11ide/ f works, o-places all, d/ whichever one I mean of ragrona:: rt. Et di~rchrtettura,o-diPer(]>ettrua parlan:: do:,O-di coft al Duomo,rer,t!la pa.tria noflra appar~ Lieutenants: Whom do I dedicate this little writing to, . ftnon d ehe V. S. medefima h:i piih¥olte commcn.data ¥ Ond'io hoprefo ardimcnro di vole r vn dl deal with Ja origin pen,prindpio,& aecreldmencodidTe,& fot ... to the eura of which architects. Chc mi p:ueua dTer'ohli, eonfcien gaco to apalefor their dv that I tredeua, ehe tornafTe in damage , & dd Temple, &de> Gentlemen Depucati fopra l'apere d'e!To j &fina1mence dclb mfa City na ... ¥ Cofi porfi admi admi Si, gnori Deputies , with parerc , & confi.glio of huo,.. mini worthy , vna piltola da f:ma fopra. cio , & hl ciucfta. * 8 king .1 L LV S T R I B V S , E T HO N áE Sá T I S á V IR I¥S ccmpli maioris Mcdiol:ini pr;,:fc&is. M.ARTINVS §AS5IVS S. ~=~====~I R AM I N 1 forfan, vid ornatifsimi 1 quid fit, quod cgo, this is hunc nunguam in hunc I,um come fim foliws,nunc in conf pe.& m vdh-um prodire noi1 dubitarim: v.e.,, rum. cum c:i.ufam ipfam , qua commotus huc i,:itroire aufus fum,cognoueritis: rpe.ro forc, \ft qui nunc me forrafsis racid re.prchenditis mtum in vos animum :uque obfcmancfam, pietacemin patrfam, reli... gionem in diuos,in quorumhonorem cemplum hoc :iugqftifsimum cxtruitur, cui ;rdificwdo, vos propcet fiogularem bonitatem v<.frramdl: is praefedi . collaudetis. Habenc in mwihus fabd mar..mor in qttod hiftorfa. illa indditur ,qu~ nundum diure V frgini m~ tri de dus conceprione ab Aogdp sll:m1m condnet ¥ iam in hoc rnarmore conftitucum erat pauimencum ; fed Archite&1s alierum fn eo confŸruit; quodhuius fciemfa: perici , non pro pauimenco, fed pro patie.te habE'nt: ira tandcm c:i.mini locus huius noftri operis, in t:2bul:tcp conlticuitur. QJ1Ÿd tarnen erracum, cum anno fuã I was a prehenfum , nonnullisq; hnius Iod pr.rfettis demonlt:r:i.cum ; tarnen, quod eorum pr~fe&1r.r , & munerfa finis fam :i.derat, nihil ea de.re confedum eil. id itaque mihi nunc vobis omnibus indicandum elTdudic:mi; vc, & qu:i.nrum in me efr,rem-pli ipfius decori, confulamr ; & cult,:.t, qua:>nifi hoc pra:fiirilTem, apud Deum. ac nofhos homines .concr:i.hi potuilfet , me exolu:i.m. coq; m:i.gis id mtbifaciendum elfE' put:iui,quodhuius opE'ris c:i.ufa, in :i.ltE'r:tffapidis p:irte,qullm fabriam fculpend~m in má:inu! fump.ferunc, ica eti:tm peccatum tft, vt, niŸ abfurditas ilh collatur, & vrbi, & templo turpimdinem fit alfacurs. Er:i.nc true ia.mocpoli.ta, atque omni:t pr;rparara marmora : eaque non conremncndi preci)S quibus frernerE'cur pauimencum , vbi v:1s illud erat erat neck-e: tndum, in quo, qui Chrifro nomen danc , de more folent ablui.cum ipfE' fiylobat:i.s feciffec,in illud inddiffe incšmodum nrihiuidc tur, vc fumptus, at(J opificumforfortaffe labor , ipfi elfc:t perdendus. ¥¥ ' aquanta in eo operc fadundo Repecunfa fmpenr:i , turn in c~, dcndis, & rcc:indis, turn frfandis, ac polndis m:innoribus, mcliu1 vos, gtdm cgo,cognin,m hJbcre pordtis, fiu marmora cxpolira, & :ibiplo dcmum rcic:-:'b, confiderarcvo1u<'ritis. in quo opcrc,vc propose es,& fymmcrrfas omictam ( de guibus tarnen non p:mca You say poffcnc) ac cancum de dus firmita te, & ftabilicarc loquar; I say column as cfragili pctr:t confcciffct, quibus ram graue onus ficim ... poncndum. valdcq , miror ab coram magna fundamenra iada e!Tc, quibus tarn dcbfŸs p:u-s imponcrcn,r. In fupercilio q,109uc portae signing, atquc corroborating, fd aufim affirmarc a1bitror, go, mulro faciliorc , atquc artifice id ponriffc fads , fupcrq3 fufŸncri; nc:93opus fuiller:inco fumpnr,in fcrramcntis comparandis. Prz ... tcrca, habcbant monr:tni homincs, qui marmora vdl:ra olim foJc ... bant cxcindnc, quordam Siliccs ,9t11bus viginci hifrc :rnnis proxi.mis cmpcorcm nullum rcpcrirc pon1er:mt; hos Archicc6:us here, demvcficr ,vc montanos H!:os mcrcc inmili cxonerarec,omncs an ... rio fupcriore cocmit. hie ego Iubcns ex ipfo qudierim , qucm in v fšm, quem ad fincm filiccs hos fit mercan,s ; an ne vc fundamcnã t.a ccmpJifaciancur ,: ar facb funr, vc muri incrufl:cnrur,: at omnia h:rc opcra, in quibus aliquis filicum vfusc!Tc po .crat , :rtacc~ fam~ fam confed:a funr, ipfc tarnen vidcrir qucm ad fincm, eos mcrcarus fic ¥. De crypta quoquc ( gucm kurolum appdlanr) taccrc conflitui, nc fcrrc iudicium in hoc operc vcllcvide:ir; de quoramen ipfo, \'t & cateris, quid fcnciam, fi opus eric, mulro commodius dcmonfira, 1'0. Hzc viri hurnanifsimi, doloriufŸfsimus, qucm ex pr:rpofic ... rarrmpli lniius acdificarione capio, mc vobif cum communicarc cocgir; ac per Deum,eiuf'}J gcnitricem vos obtellari,vt rotincom ... fashion,9ua: J1uic tcmploimporrur, pro ea, quarn V irgini macri dcbcris , in cuius honorem h~c omnia fiunc, pictatc, collatis; pr~~~ tcrica cmenderi s ; arquc nc in poll:crum imporrcncur, prouidcatis. lta futurum dt, vr Dcum Opnmum Maximum , ciufq; Macrcm fanftifsimam, fern per prop áci ,shab The qu:i.li tanco pfaequero:ique' Gentlemen, and which they ordered in order ifcritto , ehe nonfi porelT to make us any cofa imorno to the Scurolo,& Choir,of which fi will speak pit't difocco,fenza the firo incemcncnto,& False opinion: "Wave thou the Archiccccto of whom I reason, forco forc lc decre decrea fcnza fapuca de! called Caualicro ( ehe piaec0c For the God who has made you (fc interocnuto, and who did not see so many inconuernen ci, come V. S ¥ intend) &eomra l'ordinc Of! Capiculture, I won't bother you 1 year old. Now every day. dcterminato; & all infiemc ragunati the Gentlemen of the Chapter, I was asked :icnrro: & not I'm doing creanza morco akuno, foi by Count Sforza Mo ... rone inuiraco :i say. Waves I with that meghor way ¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥h¤@Ó¤F¡C 14 IJ!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! mediocre admiratione affi'ci, quod vnus ex omnibu s , nequc :rtare , ncq, .c parra i:un exittim ationc ,wm alijs l1t1insvrbis Archi.cc. 5:is confcrcndus,huc :iccclfcrim dcmon.ftramnrs, qua-in huius ccmpl1 conflmfŸo, 11c incixpra , minus probem . Scd ra111en cogirandum vobis dt ¥ non mcdiocribus ca~,fis mc ad id im pul liun dfc. N am cum fam inde :ipucdria, in hoc fo.nd:ifsimo loco, non folL\m educatus, fcd cci:i.m in(timcus firn , mcq;, fiquid Cum, primum Deo Opc: Max. omnium bonorum authors , dcinde huic ipfi l0co id rot11m acecpmm fcram : tanri bc11efici1 immcmor mihi quidtm viderer, nifi & cius dignicati,pr~rcr Cfteros,confuln1m vcllcm ; & fiquan, do quid contra cam , :iuc crrorc , auc alia de caufo. admiffum cffe incelligo, eos non comm oncfaccrcm , ad quos h.rc cur:i. perrincc. Cuius modi nonnulb cum mihi hoc rempore dcprehend 1ffc videã rcr, vell-r:i.inq; , clarifsimi ,& honefl:i fsimi viri, piec:i.rem iufHti:imq, mccum rcput:trem, animus rnihi magis addcbanir, vc id cfticcrcm, quod & pictas erg:i. Deum :ime cxigebat, & vobis gr:uifsimurn fo, rc cop.nofcebam. Noui enim vefiros conacus, vcfiramq ; inijs, qua= adhuius ccmpli orn:i.menn1m pcrdneanc, diligenciam. fcio vos nihil aliud dies, noctcfq; cogic:i.rc, quam vc huic fabric;r ma.ximam clcganti:un,& pulchrinidincm comp:11cds. Adfum i~itur, ;i vobis httnc in locttm vocams; vtid, quod iam pollicicu s {um, rc ipfa pr.:dtcm; hoc eil, vt qrnrin hoc loco pecc:it:i. c0c iudico; c:i. vobis ica elTe, r:irionibus, & argumenris, planum faciam. Vos vc, ro, oprimi, &dodifsimiviri, quorum iudicio hzc commi(fa efi: dikcpr:i.tio, nolicc per De os, autgr:irfa, :i.utodio , rem dijudicarc, fcd animo omni pcrnirbationc vacuo,radonum m omenra di, ligenm accendicc ¥ Sicq; iufic, & rcligiof cDeum vobis vnum :inre oculos pr:rponcnres, fenrentiam ferrc. quod fi fcccritis , not folum Dei Opc. M:ix.m:i.gnamgratfam inhibiris: fed ttiŠ huius augufŸffimi Templidignir:tri, & cleganci~ confulcds. r r I I will finish, prefi arr:marc the prirno and:ipo er pofi:o in the cpifi:ofa d:i mc before dat:i. : i1 which cd'imorno all:i. Perfperciua by M. Pilgrim: I have been your pilgrim; run! dipref "eme fivcdenel pczzo drl marble, in lunf,hezza di orro,in :ilre=za di qu:mro 1:-race,& in groflcce d,d10 ounces, Like every other ftl, great, ago, but diffieulc: i:the porerhauere vn canro marble, in any eau:i, & eondotto doue V:l in situ ¥ Such nevertheless defends to put it in situ , fopra The Archicr:me, O fopl'aciglio della port:i fecccncncrion:ilc del nofháo Du omo: terr:i dieei! ecce br:iccfa,& mczo. N cl which ( ae, cio V. S. minurameme,e om 'ella mi ehiede, poffa inrender'il ruc, (eo) 1'Arehirerro:mrcec!Tore:i that, feee gi:i d'ordine de i Signo, .-idiidst the annunciation, I say I:t Madonn:i, & The Angela of molco rileuo; haucndo mdfo the gold:z:onre, ouer punro Of the sight, in the sides of the cffo rn:irmo, forf e to give me ¥~¥edma ( oper quakhcalcro fuo penfiero ) to find you share me, & font:i.fie, & mclTo about :1!cdici bracefa. la di/hnza, haucua with 1a r:igion Ioro~cligrad:ico the plan,fopra al qualcomonoJe decte figu, In him, and that he had his arms indiscernible, and that he had his arms; and there he was, fcot affe ecrra fl-anz;i. 911:hydrate, of an ogre fire: the in the cfuchun of the lake; and behold, mc the n1cro fi dikcrncd for the first defense finally. Now over that... n1armo, the new Areh,ccrco h:i la fc;.1co , eome fi vcde, nitro 9ucllo, I say, nmo, and who made your fortune; and of our new v1 hi fom1aco (nc poffo pcnfare:'i ehe ehe fine) vn' alcro orizonrc; eome fi vcde for feeondo difegno: fcmcndofi of about :iquattro braccfa didillanza, cofa (corne V. S. §) non conuenfcnre in r:mra al, tez:z:1, Add a new hand to the ccrco pfano,o fmu(To,ehe fifia, eo! plan already farco, ( cof.t not pit1per (Inan:zi vfaca) & don't do anything you do when you have your opinion, -nc,parchc dimollrieredcre,ehc dltti plan concinui in fuper-ficie the other's vno of the other: everything that makes the eonofccrc eonofccrc the:inguloã and that they've conf Ÿrc ncled to them. Other than that, it's all over. {mu0olruaco vna opinion, with a korcio vfcio, ehe seems facto pill tofi-o dall'accideme, ehe da l'arre, con vn c:imino quadro, & vn -fucking cocksucker: & euere those fue cofe aggie, vbbidifco, t6 no to your Cecondo Ori:tonte , & alpha fmt fecund dilhn:t1; rhymes, nendo the alrr:the opcra of the first Arehircrto digr:idara to your first one Orizonre , & prirniera dHbnza ; ecome il tutto fi vede aneho per the first, & feeondo defegno : eon your profiles, & annocacioni pofte, (eom'ho derro) in the end. Yes, hey, ladies, fc 911, come on in. ...so I'm going to talk to the Ar,.., ehitetro, difsi.ehiara eof:tc ehe rurra volra, ehes'habbia da eonfl:i.n, ire in Perl perciua qui lunguc opcra fi fh. cgli cdi reasonc, ehe fi Opcri per vno di vno di gudri two ways; doe,o perl .t vfa de! perf etro di For Jaline.i pfan a di e! Ta opcra, ehe s'in.tcnde to do, so that the Orizonre, &Ja difbnz.i to the place Jo...,-ro, fi poffa rerminarc for the inrerfeearioni de Je lines Orizonrali, o Aero de lo fquadro makes of it Iinea cleh dilbnza, the slope, or true today in Perfpcrciua, from your work to the perfect perfect environment: & that's what it does. And, being, and being reasoned, we still pofsfamously, and being reasoned with him. propose us aggiugnerc, & fcemar by rali digradati, oucr' oggetri in Perfpettiua , do , ehe ne rorna apropofito: menm: pero , pero , non Let us be, as thou hast done, as thou hast foccus, (ipit) d'vn '†rizonte, & d'vna dHhnza ; pcrcioehe already roai , in vn:i fol:t opcra of Pcrfpccciua, not I've got a few hours to go to the Orizonre, and I've got a lot to do. But what I say is not as the propofiro, as it seems to you, in EuelidcÈ And Virdlione that is, what they say in their demofrrariot-ii,that is,po. nacur oculus,& never ponŠcur oculi,& conum dfc figuram,qur habetverricem in oculo, & non in oeulis, & ponanir, radios ab oeulo hemiffos in redam lineam fcrri,& non ab oculis. T.ilchc fe of two Orizonrihaudfero wanted qucfŸ gr:111di huomini parl:ire, non the hauerian (eome fi see) eon fcniplice number cfprefsi, & di. hey, hey, hey, hey, hey. Ne alcrimmti fi sees in 1aprattica de! Durcro,dd S er. Ho, & de! nobilifsimo, & inrendcmifsimo Parrfarca d' Aequilea. EHendo therefore, as we have come together, I see no gual ra- The two interrorded instruments in this work are the same, or I owe you 100 brothers, in this famous Cathedral, of Mila, no ¥ 100. Beyond the amtorid of the great men of the great men adduced; from whom not I'll never speak to myself, if you're right, I'm not going to, I'm going to tell you, cho le belle opere de ' noftri eeccllcmf moderni , ehe fi fattc f eon, uenet1olezzehan _no escaped,as phono Giulio Romano,the Genji, Baldaffar Petrucd; the Great Manregna; Rafael of Vrbino, eh'io do ... ucua dir'prima,& canri a.Irri, ch'io taccio per breuid: nc l'opera whose J 1 Of which:iH giam:1i non Ci1áirrouopii'id\1.110odzonte,& d'vn~ difta11..... zŠ, & though two,& two fe see in quefl-o marble. Olrre :ido I'm saying, no object this way! It's a form, not just a form! never with r:tgione di Perfpectiua , cfler digr:tdato ; fe con l'vno de¥ two propofHmodi de! perfecco, o.li.nea pfana, non fi regul:i. Ec fe So, this way! Reason:... regul:i fi epocuco digradarci that1:o finufã F Fegn:tto D. G. E. F ,: Jonrano, & difeofto & eertamcnte da fc goodc rules of the work:three; faeendofi per fe.fte{fo eonofeere of non dfer fatco with the r:tgioni dell':trce ¥ l'vna propofitionc cnota, per That, which I have already decided to do, in two ways, and to.., no pur' de! Durero, del Serlio, & dd Barbaro: l'altr:t per fe fi-dfa, cofi fi fi proua. The love affair with Jar:igion de! perfetco, haueu.idigrad:ico the pfano . D. C. G, H, com.e fi sees for Iodi..fegno; And for the oper:t; it was of douere:i volcre oper:tr'tr'con ragione, ehe 'accrefdmenco , fe pur fofte fbro neeefsitaco afarlo, fo[e e concinouo with the one in fuperfide , & firegge[e dal primo Ori..: z:onte,& by Japrim:1 dift:tnz:thy ¥hor fe fi sees, and that he erect0 d:t :i.ltro nuouo pumo, & nuoua dilhnz:t, non et>gli fuor' del'ar, You,: Fe that frown aggiomo repugnant not only to the first hoof: but also to the first uiandio :iJaragione, & :il:t nacur:1 de le eofe; the vna de Ie quali ra, days, I say of the aeerc feere H more:tni in Perfpettiua, for the authors [o.pradcrci cnotifsim:t ; the alcra de l'orizonce, & di{bnze diuerfi, pti, The opel':t fte[a fi vedc ¥ But I have done so; I say, ehe duc, ouer pitl pfam digradati, & eominoui in fuperfide, phono qm:1 H, nd eongiungimenco de qnali non fivede akun'angulo; & ehe I sounded like the orizonce ifteffo, & not like the diuerfa difranza : but all the so: the fi fi nds: ingulo in the marble for the first of the Orizon... , & dclle diltanze ; adunque ( amio giudido ) non fad quefta regol:t admdfa da gli huomini perid , & imendendend ¥ Dirafsi forfe, ehe fiano difgiund,: ref ponderafsi, ehe Jipiani difgiund have three. of them any ref:tlira, of vno,ouer pH1degrees : but between them there is not fi vcde rifalita akun:1 ¥ AI' ineonrro fi ved, & per gH aucori , & For 1aragion fi proua, and that dfo not of plan; but of the icofl-o of pare.ce. fa,;rfficio: perdoehe per l'ortaua delinicionc del-primodi Eu..clidc fi f:i,ehe vna fo!a rctca lfnc:t can form no augulof & for the first propofitione of the eleventh, and that I'ifteffa re:ccali..n. e:t, can not eCTer'parreagfacer'in piano , & parre lcu:i.t:t in alro. Beyond ac10,effendo Ieforme de gli oggetciin quel modo ordinate, C t 8 & dif polte nclb surface of the eye, & in the soul ricet1t1tc, col 9uale phono ordinace, & difpofte rn:lt1rerficie of the objects, ( <> Good, homal, and that we may be) fi conchiu dc that he enecdlŠrio to correct This work, you are not afraid to do it. liare the eye,m:ihmcte r:ili forme apprcndendo,poiche in gr:iti:i fua fi do gouffi tlltte the coffers of the arrc , II 9ual corrtggimenro ( .i my opinion) fad, when fi opercra per vno de i fegucnci ways ¥ II before the first of the days, and, hey, he can't be given, he can't be given... and the fi pfoááo dimšftrare the pfans of 1'opere fuperiori agli oeehi noflri ; ehehe (i cira!Te vna linea dal primo orizonre A. al me, :zo dd marble, equidifhrm, & parallel, :ilaline:i pi:tna; lafcian, donc da! voftro (econdo orizoncc § e:idere vn 'altra a piombo, & nc Pincerfrcadone them in punt0 C, formarui Pori:zonre per all the work: & with qudro, & with Japrimicra dHl-anza d'ance, cdfore voftro, Ja quale cd.liuello apumo di t:tl orizonrc , accondre,& 11TOTALLY accšmodare with focilid: allongando il primo pfano Finish the incomro de! bottom of cutra la iftoria: Ieuando via lo decto Smurro, the Vfdo, the Camino, the Camino, &ognogn another cofo, as fi sees for I'll take my third defence. In doing so, do not vcrrcbbc the work to hauere duc orizomi, duc pfani interrupted, two dilhi.nze; but totally vn folo, appearing ogt11eof:t eon reason of Pcrfpettiua, outside Which dcrta plan of dcrta opera, which would be fi vcd; conrra Jara ... d1Perfectly bad; for dTcr your place, in t:mu alrezza, L'al..tro. way to aceonciare qudt'opcra with vcd tcrmini of Pcrip erciua, fare_bbc, ehe noh fimcttcrre l'ori:zonce, comc battcte fac, To you, nd marble; magit'r baffo aliucllo de l'oechio dc'riguardanti , comc per ranci df(t'F1pfde' valcnt'huomini difopra dcrri, fi vedc dfer' ftato ollenrato : pcrciochc ne I 'operc loro pof1-c in luogo fopcriorc :i 1'occhio noftro, non fi difeernc :ikun piano , fuori ehe in :ucuni quadd of picrura, fake with sticky nails, & portraits .... In alcohol, which is the best thing to do of Ja pfmrra; m:i. non de la feul, Burp and that's what I don't see! I don't even know how to burp in Pictur: In what time shall we go, when we shall go, and when we shall go, and when we shall go, and when we shall go, and when we shall go Modern, if thou hast in whatsoever thou hast lync'dst for it; ye, as a man of valcnc'huomo V1doueuatc atrenere Si mfgliori ¥ perdoche altre Je propofi, tioni x. x'j. xij. de l'Optica di Euclidc , & aIe ,oocvj. ~vl}; and XJOanreedfor'vofiro ; therefore for cutte Jefude:tte ragion:i, fi edimofl:rato, eh'cgli haueua in nmo eon ra... Already in Perfpctdua work, it was the gold and the clan hfefar'app:ircrc the fuder, eo piano, il ehe: f11forfc aneo da ne:ee:fsid aR:retto ¥ Ec qui p:iren, Domi h:iue:r derco abalhnza I made an end, greatly pleasing (For that which he seemed to me): some of your lovers, and as far as since prindpio s'affrect:hand molro ( ne :i.qual fine) of wanting me to return to me fpondcrc. A ' le: quali eofe M. Pcllcgrino diee.ndo:i quei Signori, &imc, cofi rffpofc~ r,!!!!!!!!!!!:.=~.f~~'-0, con granlludio , & pcnfomento me(si .. l'oz oncc :oeehio i J>Angelo; pcrcioehc corn:t i liuellode liuellode the other ori:zon, cc de l'hifl-oriadifuod, begun, (vo- Jcuacgli tell us about the other bread: of the fa{fo) ne perme vi feppi rrou:irc place morei cšmo ... qudl-o ; all that is to be done by pdneipio d =-. . pcnfaf~i molro,eome del rucro nc rdb in, formacifsimo the Si g nor Baron gui prc ... fcntc . I'm not sure if it's my orizonre, I think it's a good idea. qudt'opcr:i., ehe prim a rni p:ircuagua(h. perehc l'Angelo non hau eua orizoncc :i Huc llo de l'oeehio fuo,d:il quale (i rcggdlc,co, me fa hora daquefto mio> eon t:inta bclla mouenz:t, comc fivedc: & mofh:indo vna naked figure in the form of an angel, does which not h:mcua Con.'alcun' piano, de i quaH _fi rr:mau:i: ne fopra :iquale ha, C ij 10 And as I have seen every one of you, of! d'orizomc parlarc, qt1al'cl'orizonrc de 11 firur1,: & pcrehcnon vi foxes other rHpondcre (parrndomi, h:mcrc pur 'croppo parlaco) Foggiunfe cgli, f'lon c:cgli aliucllo de l'oeehio li.10, eomc ho facco io in which marble, the qu:i.lc,hauendoloio eon qudro orizonrc ae..eoncio, I'm not going to tell you anything else: Hor'veg ga V. S. Yes, gnor'Alfonfo,Jarifpolh, ehe midiedc qudro valent'huomo, in ... I come back :the canca eof:i eof:i di canca imporranza, & dcgna di non picciol:i eonfi,... deratione; & fopra Jaqu:ilc io haueuo fi lungamcnce djfeorfo. Of... ceua foto, hauer bcne opcraco; & pcrfeucrando ncl parer fuo,chc 1'orizoncclh :iliuello de l'oeehio de le figure, & non de>riguar, And the gulfs, and the objects, and the things which they do, are qudl:cfigure, they are habbiano to It is a matter of fae 11:cfsi,& not of men; nor of that:or of that which we seem The figures of the new generation, the figures of the new generation, are still very much the same, fi fi re from orizoncc: not auertmdQ,,ehc lefigurc from orizoncc,,ehc lefigurc from orizoncc,,ehc lefigurc from orizoncc,,f Iopiglphane, fertile the place, ouc fono pofte. Olrrc, chd' Ange ... 1 (eomc fi vedc ncl feeondo difegno) dfopra the plan dd first Arehirecco, & hauendo in:mzi Ja p;irete Y. non fi fi.... be never (qu:tso cio foffe VCl'O) rcggcre da tal'orizoncc;non cUcn ..... from the dctto feeondo orizonrc ; indeed the Detro Angclo gid in front was fatal, and that he mctte!fc m:100 i qucfro marble: takhc fipotrcbbedire (feguendo 1afua opinionc) & ha..u~ ndo ri_guar9,o alb prcecdcnria dcl ccmpo, ehe fuo orizonte fi ¥ I don't want to go... ¥ I don't want to go ... king of that ecrro Pitt0re from Crcma, difopra detco ; the qu:tlc , mcn, trc ehe Archirerco molhaua quclla fua figure naked, incromec, tendofi, & d mc imperiofamcnre riuolcofi, ( :ineor ehe alui non conueni!fe) eon vna eoral voee mi dific, facc hor'voi vna figura eomc guelh, I refuse, & ftecti to say>d Jui qucllo,ehe gi:i diffevn Pocr;1 to the Apricot tree, and to make aneh'c!To the Poera, & rr0t1arc vna rhyme, and the bifurcated, but, haucu:i. derro, and the dwarf fimulardi: But I was not hitherto, & was preuenurous to Mr. Like Sforza. 1.forone , ehevdendo quefb. fi bene proporrionaca parbtura; ne porendoJa rolcrare , fgridandolo , dilfe or_Jaffa feguitar loro , & Fc fei fei Piccorc ,falla tt'r.quafi dicdfe, ehe cofa have :the crabs foreheads With the Moon,: "Coming back to the two of us, I say, and wanting to return to us. refere, ehe gudb opera {bua molto hene rrima, fuori ehe dd fupcrior plan: the oeehi noftri _; here is what he sends us: iron ambiduc 2 'r in dif partt > for reason;rc between 1 hole > eilfolico fig ¥ F tl det.w Then, and that among the three chosen, & the Mr. and Mrs. C:ipicolo, furon or akunc various opinions, as in Gmili cofefuol' auucnirc. so that the Si.gnore Aldfandro Caimo, & M. Barnaba marhemarico , diOero, ehehe qui neo ifa ragione, l:t Perf pettiuadi M. Pcllcgrino, non po...cua So let's make it akuno; and the others, for Ja pr:mica made with Sol-da. eo ingcgnicro difopra detto, diceuano, ehecra ncl modo, at 9ualc he the haueua reduced ¥Balh ehe 110n bad:irono pumo , a What they say in Euclid, nc the other Authors. photos fi ešpiac...quero To say, and that their little ones are 1chifl: he directeth the moose, and that Their plans are not apparent; pears eoG in vfo; not Aiming, and not of painting, but of the feolcurium of gr.1nrilwo, & ehe andaua pofia in great height. DdH two gold..: zonri , nc of the two difhi.nze , nc of the two interrupted pfans , ( dctti tanrc volcc per neccfsid) vi fŸ pur'vna p:i:rola; perehe forle, ehe i1 Crattame, not foeeua al propofito for Ja faluczzade 1clor'op inio ... ni.Da lc cofc infin qui derte V. S. faeefa horagiudido,eon quale Doucan soul remains: let some of those Lords of the Capirolo, 1i, be inert. quaJi, per Je contraricd nofrre, rell:arono eonfufi , & dubbi7 ¥ Between ...which was not the said Count Sforza Marone, Caualicr judged by the Judgement of the Lord Anthony in every faculty. Maggi, & other gentlemen at the hora purified; the quaJi.molro well fep. to find the true de Jaeofa. Cofi rdhrono apun.to the dimofirations,& refoh1doninofire,of quefi:o prima capo,di... in front of the Lords of the Chapter. I'll make you aneho vn eercci,ehfa..m:: ico the Pacehiocco; the 9uale not m:::ineo eon vn eerto be thy way I hear, I say, that I charge the other mothers, who do not have any money. ow:ardent acoral forrigliezze : perehc, & of fcolmra 1 & of painting haueu:mo form do,ehe was cornaco well.quafi for J 'ope I don't see them, and I'm not sure how much I can see for you at AlTai. & And that he would, and that he would, make them true, Baldaffare between. the others, would not have faked in pimira the qu:idro in Rome, appended to the dictation in Ja paec' aRoma. With the heyiods, and with the fore foresight cornaben. But V. S. eonofcc the Paechiotto cofi birne co.rneio ...and § that, and § that, and that makes you say, & qud ehe § farc ¥ RKR!!!!!!!!!!" ~~~~~~~ or we'll call you back: ~~~~~~ or we'll call you back: ~~~~~~ or we'll call you back: ~~~~~ prefecture of efsi Gentlemen, fopr:dd opera Batti11cro , of somebody even in the epiphany:ola mia fŸ made mendone, square shaped, with four columns of mifchia stone , atta Very much to 'open up the other cau:i, with...m'edirfi comrnun parue ; volro ad dfo L:..~;;;;;~;;;;;;~ ... """"á .:, -A rchicmo difsi; I've gotta go dh. & bed, and those who don't know what they are like Jeparti d'vn proporrionato , & well formed body , not pl1<>an ... chor f:tpcre, qualc, & qu:mro fia il valore, & Jaforzafua.Perchc, fe fi norcrano leben founding words of Vicruuio nd fertile leader dd first book, ouc cgli dicc : Dif pofitio dl: apta rerum colloi;a..tio, When it goes on, you will not be able to miss it, and the colonnc Of this B:mifcero, refaced: the archirractors of vfoo, not of your own,... I give them their place, and I will give them a place, and I will lose it, and I will lose it there...my neck... with which, by not cffing mcffc to the place , ehe in rat cdifŸio ¥ Et ehe cio lfavero fiptrb vcdcrc Virruuio al fecondo head dcl rerzo ubro , ouc he dicc ¥ Dfafiyli aurem h~c crit com-pofŸio, cum crlum columnarum crafsinidinem inrcrcolumnio in, tcrponcrc poffumus,vc clt Apollinis,& Dfan.ie ~dis. H~t dif po, fŸio hanc habcc difficultatcm, q,1od epifryJia, proprer inrcruallo, rum ma~nirudincm fnnguntur ¥ ma~nirudincm fnnguntur ¥ ma~nirudincm fnnguntur ¥ ma~nirudincm fnnguntur,,. dc:rc , empty( of~ Virruuio in nofb-:i language. The compofirionc dcl Diafšlo, equando potcmo we trapporrc ncl'inrercolunnio , 1a grolTczn of trc columns. qudb difpofirione h:i quefta difficuld, ehe archicraui per lagrandc:t%a dd li fpati) fi fpczza.no. The mc, ddimo affcrma Leon Bacri(b nd fertimo. head dd quinco book: t:1I ehe fi vedc for that danger eifers ftaco vfato da buoni :inti-ch i, & modern, rali fpatiJ, eon minorinrcru:ilidi trc grolTees: As in the V dtibulo dcl Temple of Marcdlo; the inccrcolunnij de! some two column grooves phono, & mczo gud not chubby rrc: & li cre rcmpierti,chc cr:mo :i canco,ouc hora cJa chida of fan N icolo, haueuano inrcrcolunnfj di vna grolfczza ,& meza: nc alcrimenti cra.no di{hmi quelle de! Tcmpio di Vulcano: & guellc dcl Temple, eh is the code Traisno in nomc of N erua., they were of the l::tnd vn:i. groflezza , & two ccrzi di colonn:i., olrre Smolci alrri, per lc The velvety of the men, still fivcdc, and which never did the bclla Of. . ~, fpollcionc de gliEpiftylli ,chc d:1 Virruuio. Qu:into maggror~ However, for Jedem! the reasons will be the same for him :irchitr: nu di viuo , ehe fi mertcr:inno in opcra fopra :l k dem: eolon, Into their paff:ino cUlci grottoes of aeolonn:i;ehc The sound for more: the blood of those, and the words of those, and of those who have died, Not to be dangerous, and how to be able to speak, and in an edifido cale, vdh :m:i. eolloeati one,: Beyond ehe Vitruuio, Leon Bartifta, And the horn, the horn, is said, the columns, and which have support with lc walls -of the eclipses dc'Tempij; & fopn not vi fi posua The front of the building is over the hills. Bactiftero, olcre :i1 'effm: delli [ pacij, od 'inccrcolunnfjfproportioã Non-moon races :hippoggio eon :ikun' alcra eofa ; & fopra par ehe Eighteen. it is necessary to place, as follows: the arehirraui, frcgi,& eornici, those Picij fronccf the::i.biliti, & ne eamonare the picddhlli , eon fopr:1Je pir:imidi, &in the mczo of eornices, Je{heue,& lopra .il volco.Onde For n1tce the reasons dctrc vi fi fi dimofir:1, and that which is edifido s'aJã lonr:1t1J clalfieuro, & ehe eorrenon little pcricolous. N c rali :irehi Now, now and then, I will not stop you! The others, when the reason is right, po! cffcrc etcrni phono. Vi fopn(H aneo 1a.poe:1 ferme:z:za Of the 1ceolonne, I, as the phono of a pyramilb, were. 1a n:m1ra of many pieces:zzami,eheheeondo PHnio, & t áeon BattHh, fono pid de Je2.lcri imroftanti,& a1dngiurie de' pefi ph'tfott0pofl-e: oltre ehe i picddtnlh make them bad fkure, therefore they conueniuano you; because, face-ndofi Jeeolonne of major grofie:zza, & with b:111 fopra The paunm:nto, not the great p:irtc of danger, but fi (a.,. rebbe a1ico dacom:1[2gioregrandezza,& m.:eft:i al 'edificio: raffo.,. I am inclined to the remembrance of the cathedral: it would not seem to the learned, and that he was not bdlo, & hen eotnpofl:o padce, haudfe gcncrat0vn .fig1iuo1oda fe difforms. pcrcioche lc fue fue eolonne, hanno le bafsi fopr:1 il pauimenco The good vdHgi of the good, and that they should not M:u,oomeno r:i.rifsime volre, & da neeefsid cofrrerri, vfarono i pedestals, fŸoriehe negli arehi de>Trionfi : & quefl-o forfe per al: d:illc inugualid. de Je ftrade. ma talnecefsirinon fivede in vn D man~Milan. & fe to help you fp:irio, & ba{fo area, vi fofie p:iruro poco ; non rnaneau:ino Ie forme poliionie , ovo ... g ]let me say of pitt facde, & :inguli : the cutte guali return benifsjã But when it is in effect, when it is in fact a day: ino 1efimmerrie , & le regol e le darc, & see good: I do not effendo vi (as fivede) necefsid, ehe vi 1'4 :1.fl:dngeOead':ippia1'tii pi1i :id'vn:t, ehe :id'vn "a1tra fcilrni. Ec Fe fi fi voleff and :iddurrc ehe'! pious prince of the Arehitetro palTaro, has you. 1 ucking at Cto farc all-round, he'd reply to him, and he'd have to go on a trip, the eongional fundamentals eon h faeefara del Tcmpfo, per mag.gior.gior lining of the building; the 1c was not the only one that did not exist. pieddbllo,ne fopra vi vokua mettcre :ireh:irr:mi di viuo:& ehe effcendofi fi-erpated your fundamentals, & qudJi ref:uti pit1 dif eofti d:il Ja decra foedara ; & efrendofi add facto :ic eolonnc, Jipiede, (speaking in foreign language) ehe from your prince fh cal necefsid rr:ma: effendofi lcu:iro how much ...you were on your own until the very beginning. Ale which cutte eofe, eofi miri, fpofe M. Pellegrino. V f R o, ehequdHinureolunnij fonooJ.trc The rules of the fpropordonaci; but ffo fo ha-uefsi (speaking eon focefa cheerful , & n1cto ~ (T1rd promo,& al'vna.) ~~ It wouldn't do any good at all. ~~ V eggfarno ( difs'io) quanro qudro prima qudro New: I was a bit disappointed; I was always a bit disappointed. Defiderofo D ~imp: Pray: & he moftrandb the defencelessness of Bacrifl:I was, showed the So to every man, by which he intends to remcdiare the arals ineon.uenienci ; & fo qudto, to mercercerce seek pictres and spades nor frcgi,da rmte quaccro le faccie,con quacrro 1hnghe di ferro imper.nacc neither the eapicclli & caeciare nor the fuperior limbs, with vna chfa, \ \ iron two of the said fbnghe, \ each one of the friezes, and that palTino da the vna , a1 'alrra' of the quaccto colonies said, ( eomc V. S. sees for the fdl:o difcgno fegn:ito A.) & ciodecco,pareua,ehefi glo rfa(.fe dcluo di(egno, & de la foa pronra inucntione eon quei Signori, When I make it; To me (Illuftri Gentlemen) we shall have And he of the mouth:1 He hath confessed, and he with his error, And be satisfied with my remembrances; wanting no manners, and no lack of them, & infolid fofl:enue gueUo, ehe non fideue 1 & ehe ehe and Quafi impofsibile .non pero pero voglio rn:me:ire diricordarej eh eh e i frcgi I am finished, as he sees from all sides: nein efsi cfpatio per c:i.li inc:icenamend, fe di nuouo fpe di nuouo fpe di fpezzo, do not pierce it. & qu~n- do foeo ,, do inco R poffa rare, cib ehe cgti hort dircgni nfacfte; do not lose S'afsicured qudl:'opcradim:iniera,ehe non rdl-i aneo (to the heir of the molri) pŸ'r pcricolofa, ne fidcbbon fore lc fabrichc :i c;ifo,lose ... Then, I will make up for it; and from the beginning he infects us with Marco Polio, in, ehe with diligence, fi perl 'honor, eomc for the damage, ehe fc.., Guir ne po! Ta, do you have to: one for every little thing you've ever cared about. Cio I fornicate to say, we fitdetco, ehe fecund the folito,ambidm: dridraf ... gang fimo. You're not very well off, but you don't hebbcr trop, Then we will tell you that, having told him what you did to him, he has confessed; we were rkhiamati denrro, Et per dfer gil 1 'hora tarda , per JiIun.ghi Defeorphs fuck me, I was idolized, and that I said, doch'io fentiu:i dd Tempietco fuckterr:i.neo,chfamaco dal vulgo qui aMilano lo Seu, ehe efottoil Choro dd Duomo ¥ Le mende m:inifefre del Which one, which, better than incefe folfero incefe, diuifiin two heads : &nel pri, I defend myself, I defend myself, I defend myself against the differences of the proposals, And with the correspondences, which were between the m:i.m:i.ggior' and the lesser Tem.pio, 1 Whichever one is all: thou shalt go to the fucking earth 1 By helping; and the antiehi Times] cireolar, facts eon reasons to proposerionc. For the other e:i.po I dimoltrcrti, how many ineonuenient things would they do in Ch'oro fuperior, quelte confi-rurti-tioni, Pigliando adunque the first ea:po, difsi. This way! This way! I want to see it, I want to see it, I want to see it, I want to see it! f:r.cco, deue a[simigliarfi,& accofhrfi piLI-chefi:ipofsibile, :i qucll;i first form. pereiJ,elfendo Ja pianca di quefl:o maggior Tempio; drrodelqualcfi vafohricando; diuifacon Ja bella, & ben'inre, fam1nkra, oregol ade' trianguli,i lad de' quali pa{fano per li een.tri dcllc Pillars of me: the pillar of the fu:the jealousy, defignandoui I do not defignui the Own place, & other them:but the inrercohrnnij,& Je log, : ... from the outside, that is to say, from the outside force. to the decce columns, with gran proportioni, & corrifpondenzc: non alcrimend ( to my opinion) fi doueua comparcirc cucra l' area,o fpa-tio Of Tempierco's elf; as fi sees for my flea: in my hand, (andmo..; You have been among the defenders of the new place) in which you have been see facorrif ponden:za, & fimilimdine of coJonne, & de!H fpa-ti) Of the butler or Tcmpio , :tquelle de! minor; the vna at the ~meeting Of the other; & my fimilar fpatio, & I will propose to the other; & I will propose to him mezo d'e!To T em piecro, phono vguali alli fpacij di Cireonferen:za ; & nclla proporcione, and the cucco, of the major'. dreonference d'c!To Tempietco; at the lower end of the spectrum is: two wind...:. D 16 nc:, phono each duc: fpatiJ of circumfc:rc:nza ndVno intercolumnio of tne:zo,eome d ammaellr:i b first,&duodecim:t propofiriol1e dd qŸinco libro d'Euclide. in olcre lo fpaciorinchiufo cl.1detre eolš..ne, Comes :ineh'dfo in dupla proposition, with Je iue loggie; eJ)m 'e douc:re. & the tucco eproporcion.tco,con fimiglianza ddle larghez:ze At: the degrees, as they see for the profile, they do not see me. dfc:kings and departed, the beautiful, & bc:n'incefi Times] circulars of Baeeo;of San Scc:fano in Rome; & the Peripcero aTiuoli; olcrc: many :iltri ancient Tempij,ne alcriumenti cdiuifo the beautiful Tcrnpierco di Bram,u1..rc:, aSan Piecroin momorio ~ nc vi fgomenti,ehehe such fiadarada rule Vimmio, for the eonform:itione dcl theacre; and then he is not puncoda quc:fro]onc:ino, the beautiful Peripcero was in the qnarcolibro; (c bcnc:laregola ec: lo daeon others: mifurc. Et fe d':ilcra:iuccorid There eompfacefi-e; at least that dd meddimo Duomo, doue...ua b:tfi-who]e adami lucc ddla bell;i,& IT':tefh-euol away, ehe fi Tencre goddesses, not to run into eenc: f propordoni, ehe after fan...rto The opc:rc dguifa d'vn body appear, c>l1:1bewave thy limbs fparfe, & femin:itc: ¥ perdoche efi(ndofi auidnacc: lc: columns pil1 deldouerc to the ecnrro ; leloggk come anon hauere :ikuna pro..porcion of reason: (speaking in spanish) And heh:high; and heh very much is haughty, and with much ragišne: and li fpa-tij of the circumference c:rcn:z-a, not photos of equal eon the intercolun...nij of mc;Z'o: mHti:mdio cra fe ftefsi phono of mifure diuerfe ¥ other ( eompar.tti dieo cra of them) fdquirer:za: others fefquiquart:idccim:i: & other fupcrcrip:irric:nte fmima. Pcrdon:itc:..mi pc:ro , fe per forte vi parclclle vi, eh'io parlafsi fofco: non fipocc:n.. I give other words to do for this proposal : & in this way The opc:ra of the Curlew can not haure giufi-a eorri fponden:za., nt. in broad:z-ze, nc in alre:z:Z'e; as rn:mifdbmence fivede : & do..uc:( in the great cathedral of Milan ¥ madigratia , why digradar lt Haft,& curse them vc:rs'il ec:mro,: eofa no more vfara, ehe:fioda, ofi Jegga, see; and even {it would be possible to be unhappy:~ fe:i.lmeno ha...udfo áo eorrHponden%a in circumfc:renza con t:il digradacione: co.fa And that there was not, and how to see, for this day, for this day, for this day, it was the doffo de the Ophi-ra. Not iftaro hora dcŸrui qud]o, ehe hannonorato so much, i.e., that you do not have facto lc columns of ordc: ionic,cf..fendo Those overhanging the greater part of the world~ than that of the river, of the river or...dine compoffto: m.t hauero henc;,.ro d'iimndc:rc fopracio ~ual, ., ehe vofha bdf:t r:igionc. Quclto difr.,io fopra 11prime c:i.po dd Tcmpictcofoncrcrranco, eomc V. S. ,,era for Je pfancc,& profiã )j from the fcttimo to the tenth place of the difcgn i ¥ Then foggiunfi around To:the other andapo, :ipp:trrcnencc :tl Choro fopra d >cfi "o Tempielcrrion. About lc eofe difopra in Choro not I want, (difs'cgli) other than to say : rcrdcd1c other times, I dimofiraro :i.11c S. V. as dfer'l rurto. & I'll finish your r:igion:imcnro; We were mandadvn, and yet another will fly in dif parre; and the Gentlemen, (as afterwards By cerri mi fu fu der eo) fi frettero r:igion:i ndo rra Ioro fopra d'vn di, I sign from him I can see the denrro, my faputa; I do not vtdefsi vna f ua eerta inuentione,divno piano digradaco,& apen, I in v n Choro d'vn Temple of great name, & Ciu:i , com 'c 29 Jat1olh2 : opcr.i pitl tofto d:i profane dimofhationi , & comcdie, I'll be the fairies, and I'll be the workshop on top of the gual defencelessness, h :mendocfsi Mendocfsi Mendocfsi Lords, & :i who liked, :i who did not; We were called back again: we were at their head, and still at the mouth... no gr:in whispers, speaking of our propofi:c, & finalmcnce,after many c:ofe diuifate,by those in vna gui, Fakes, &d:those who in the world are in an alcra;of which,pcr nš dfer too prolific,pcr hora le caccio : fŸ detto ehe M. Pdlegrino operaua , & haueua opcrato per pratrica , & ch'io p(r 1alcienza, haucua dimolrr:ito With reason, we are right, we are right in our opinions. Quafi volefler to say, That he h fcien:he has not to do with 1apractica; and with quefio every man fi pard for alPhora irrefoluro. I cda then-authorized around d'fo Scuro-lo,& Choro, ttttto qudlo, ehe V. S. ve.dcr: I for h rncza 'pi:ima á, & was your profile mefsi in Cectimo, & otrauo place ¥ 1a Someone knows, who effo Archicecco,h:i fac ... to the floor hanging molar, with molasses in, ...and the earth is breaking down. Ji qm.Hpur foã no :ifoggfa dc' pfani ddk fcme: caden, I give in:mzi :the race of the fedayas, & fpalle d'cf... For Choro: as V.S. will see for the sake of the others, even in the last few months, & don't mold politi, because I don't actcfo; rn:i.fi benc to the shape of the cofa. á 0 N Voglio t:icer :l V. S. divn>altro far...ro Frguito pcrinanzi:dd gualc V. S. ne for5. then gud judge, ehe aJ~ipared & That's when I had the Pcpifiola at Ca...Pitolo, I prayed to P lllufire Mr. Cšrc Sfor..: Ia, ehe fi facd'fe give vn worth of the Scurolo, by dfo Archirerro ; :ic ... i.e. not fi rr:imutafieFopera in comin.cfata, & ehe :incora non crarnolto inanzianzi: i1which Signcre l'hrbbc , m:t diuerfifsirr:o dall'orera; & cl'vldrna pi:tnta pofra nc' difegni, vicino alk regal, & diuifionc dd circus, 10 Jo, I'll tell you why: & t'originalc eanco apprtffo d'd'd'dtu ntu;. Lord ftrc ¥ not even he eonrinu:ma Popera diuerfamcnccã In the way, eh 'I have dimoftr:1to,p c:r non fi abba!do to the good auco, re, & good memories. For him you will not once, and that he will don't hold him back!fc in vn ¥ i!hnce,pcr raITomiglhre Popera al d.ifcgno I'm going to give it to you, Sir, because it's a good par, rcdella noccc. Nondimenovedoveduta the work :ical {doc sign,ehc He is not able for the gr:in the fpefa ritnouere; e!fendo venuco il gior, No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no! tc, fe farcbbc benc, ehe ciofi feoprilfc ncl Capicolo, :ifine ehe fi With this and with this and this and this! I was the one who founded me, but I was talking to him; & dfo Lord Pcrmoddtfa, did not want, that 10 per all'hora r:i.uclafsi queã but a lot of people do it... but a lot of people do it. fi~~=~~~~ E s T A eh'io say (not for V. S. ehe Jo f:i molco better than me) in which , & quanri manners are reached, & defjunte Ja prattiea, & 1afcicnza : steel, ft:qucili mici fcrit.., (then V. S. m 'h:i d :uo matter of forli , of which 1aringrario) agoã even if it lictida alcri, poITa chiunquc li _ =- =---- prattkaconragio ... á leggcr:i eonofccr,ehcla nc can't elfer foza 1ac:ognition dcll'ar, ehe chabiro , ehe eon fcicn:r:i producc 1a.fua opcrationc : cf, fendo 1a caufa principak (comc says non pur Vitruuio nollro mae11ro; ma.Aril1. ) the end, the qua.le muoue all'opcrarc; & in cf, for cripo11:i Ja form of burp the opra ¥ Such is every artdke , ehe Opcr:i, that he gives principle to the beginning of the oprprr:i with The deed of: "Acts of the superior, of your mind, and of your mind, and of your work. can do it fi can c:ddibcr:uione, fe prima non fi riguard:dl .fine : m1 with which I regain fiparte from the fcfrnza, & eamin:i all'acro dcl ... To operate, that is to say, to practise every kind of art, and that is not the case, gione, fi p:irrc dalla fcicnza, & eamina :illa prattiea. M:1 fc Por eã rare fad.fen:ra ragione ; guel1o fad,o :icafo, oad imitarione. Et pcrehe tamo le good opcrc, guanro Je f:ilfc, & ranco Je farcc eon Reason, therefore Jehovah Iproportionate can be imitated by him, .r ( ehe non hdin (eJa.r:igione, pcrmczo ddla qu:ile eglipofl "a difeer ... ncrease the good apere dallc vitiofe ¥ of here nafce, ehe imir:itionc can f:tcil mcm and wander, frn z:i h guide of II'a rte. for the fi vcde ehe fi vcde qm.neo {h piti eecc'lenrc, & more dcgn:i l'arre ddl'if perienz:t ; then and that the arce cpit't near:i the faperc, inrendend o ella Je eaufe, & Je r:i, ¥ M:i perehd i veggfa, ehe l arre ,& Ja prarcic:i def, I will not remember what happened to you before, cruuio (then ehe fi parh d'Arehicenura ) il gu:ile come faV. S. cŸ... cc cofi. Arehiceci:ur:i dt fcientfapluribus difciplinis,&varij s eru, dithionibus ornara : eui us iudid o probantur omni a , quae a crceris A perficiuncurop arcibus was; that is, the Arehittura c fdenz:idi many Doctrines, and of diuerfi amadrr:imenti orn:ita; from whose g~udicio is ap, The alcrc ard ard perfectamenre fi do. It is 1doctifsinio, & nš mai abaftanza praised Pacriarea d'Aequilcfa, ncllc fuecfpolitizioni, ( ddlc which leek qucl c:mco ehe fa :i propo, fŸo, accioehdl tdto of Vicruuio rcfŸ to every clear man :) d_iã cc eofi; does eomineia doctrine ncl eecco of aeolians , ehe learns, & 1:crminanclla menre : but beautiful eofa , & vrilc c the fopporre pcrragionc, & dimoftrarc per prarcica : in that eIadoccrina, in that, I do the eruditionc, I mean I do the grovelling. Vicruuio ¥ Ea naf dcur ex {y:i}(singing "fabriea"{y:i}and ratiocinationc {y:i}but what a few years ago {y:i}wouldn't be enough. may fa.pcre, fe prima nonfifa. manifcfto, ehe eofa efabriea , & ehe ehe ¥ Fabricadt eontinu~ra, ae trita vfus mcdic:itio : gu.r manibus perfidcur cmacerfa euiufcun<;p generi11 opus cft, ad prop ofimm dcfom1ationis. AT 1 o c 1 N A T 1 o autcm cft, quae rcs fabricatas folcrtia, ae ratione proportionisdemonltr:ire,atgJ cxplicare poteft. F abriea ccontinuous , & clferci, t:it's a vfo's word, hehedi qualquc ma, to give shape to the propofi-a fi re opraphic oprah, with Je hands fieornpic . Equc11o Difcorp, ehee eofe fubricarcprontamcnre, & eon ragioncuole proporcfo,... m: can, dimofi-rando, manifest. 11Patrfarea. Every artifact, fo componimcnto haPdfcr fuo daHa noritia dcl end ¥ if desired dunquc fabricarc , makes mcfŸcri haucre eonofdrnenro dcJfine ¥ .6, 11cin{cnd'io qucllo,‖ to which the operacionc:& in quelto l...,.... J:. cqnlide:ra,,, ehe: cofa eprindpio , & ehe: cofa eme:to : c! ehe tmoua ehe:the prind pfo fi confides:ra in a manner of prefidence; & in the First, the end before, and he:1'Agenre; for the end equals It is the first time that I die at work. I agenre ehe Jaforma: & b form ehe ehe h maccrfa : imperoehe Ja maceria non emoffa,fe Ia form not cprim a in the mind of eolui,ehe opera,Volendo adun, Which to fabricate, eonofeere the end; eomc those, which at the halfway point imponc strength, & neeefsid. but for h eognirionedelfine cneee[, headlight lh1dio, & the penfamenro. Et fi eomcil Saectator not in, Stand up straight, make a face to J at Broeca, and don't let him stop you. aim: cofil'arrefiee do not touchbhcil finc, fe ad alro fi riuolgdfe. But Let's call :iVitnru~o,who says ¥ Itaque Architcfti , 9uifinc li, tnis conrendemnt, vt manibus dlent exerdtari , non poruerunc efficere, vchaberent pro lo.boribusauthoritatem. qui aurem ratio, cinationibus, & lfreris folis eonfifi fuer 2nr, vmbram, non rem per, fccuti videnrur. Ar,qui vrrunque perdidicerum, vti ornnibus2r.rnis ornad eitius cum auchoritatc quod fuitpropofirum funt a{fe... here. From Jecofedccce (says tounque Vicnmio) it fcgue, ehe Those that arehicecti, ehe f enza leerere h year cenrato of business Jemani, there's not much they can do, and they're talking about farc Joro aequifbto riputadone: :the only one: they're the ones who'll be able to fight back, gnitione of the 1ecrerefolame:nte fid:td fifono ;the omhra, not laeofa It seems to have been done, but here's where the good news is, and the other good news appears, R:they have, as men of all arms, lids, and ornaments; with cre, I say, & ript1tatione have their incenco faciferously confined. Follows the Parriarca ftcome alla natural generatione fi tiehiede the Pa, dre, &Ja Madre, & fenza vno di loro, nience figenera; cofi ad ef,... wounds Architerco, ehe t vna arrifidofa generated, fi ricrrca the dikor, fo, & Ja fabrica vnitamenre. Erfe 1lcu110 fiperfuaddfe e!fercAr.ehitetto eort la folafabriea, ouero eol folo difcorfo; he would deceive himself, & forebbe iftimaro cofa imperferra, indeed monftruof:i. ( & of gr:uia) fevno b:iudfe il fapere fol:unenre ,& vfurp:irfi vole!Te il ¥Architetre, it wouldn't make the olfefc focal point efperti r:could not every manualc reproach:1rlo , & tell him, ehe faitu r:dall'alrra p:irte, fe per hauere vn lieueeCTercirio,& alqu::1.n, To the neighbourhood; to figran nomefi inherit worthy dler; it would not place vn'inrendence ehiuderli Ja boeea, asking them eonro,& reason dclle cofe fitter: Although the practiCs have not equaled credit: H cmlito t! ptrcioche 1'Architettttra n:&e dal difcorro ¥ because not because it's still not from the atco of manufacturing ¥ Main que-fi: O place would place any dubicar, and and ire: fe veramence the Arce and In the inc elletco ; for Virrnuio says, and they, who say in the faper folamcnce fi fono ndari, the ombn, not Jacofa p:ir c'hab ... white or feguitato ,: Rifp ondo ,che Je cofe ddl' inccllerco, alla pit) p:trte ombrc seem: & the fhma fhma Jecof ein qu'ehe ehe ai fenfi, & i occhi fon f ottopolrc, & non in qua.ne non app:tio, no: & quefl-o :micne per Ja eonfuccudine,perehe non Cono Je gen, You've got to stand up for yourself. And yet the aceorco Virmuio does not grasp# But, behold, the lemmates habbi:but Pombre followed me; but he saith, an opinion; he said dinoca giudido de gliimperfri d[er facto dalle co fe apparcnci. Or Closing, I say, that the arrefenz: of the fire, not of any kind. we will rejoice; & J>vfo f enza Parre non fod.mai cofa, ehe worthy fh of !¥ But let's go back :\ Virruuio. Cum in omnibus rebus , turn maximc in Arehire&1ra, h~c duo infunt; quod fignificamr , & quod fignificac. fignifiearur propofica res , de qua didmr; hanc autem fignificac demonn-ratio radonibus dodrinarum e:,...'Plicata: cioc . Because it is in every other thing; as it is in the Arã. in.,, tellctto, & conceives in the mind, & then fegna makes rubble efl-crio.re, of the habico inccriore. Vitnmio follows. ~1are videtur vcracp e;x:ercicacum dTe debcre,qui fe Archiredum proficenrr. Onã De Amrienc, and that he who professes to be an Architect seems, and that in the world & in the alcra r:uácedfoá should dTercicato. doc, nclla cofa fignifiea.,, ca , Ja qual naf ce d.dla fabrica; & nella fignifiea.nce, Jaqua! vicnc Eá Vitruuio, & you've been efpoficore so far Saying, five days, and the first Ark the vfo , ofta prattica: & 1aprattica fenza Part, not p.10 betweenreper way someone. But I'm afraid my gualch'vno wouldn't want to ... quctarfi l'.inimo a cofi fatte ckrermina ... -= ~ _ _ -á tioni, put:unolo homai aVitnn.do, il somebody with qudlo chefegue , forrnando p ... H from difcorfo : talche per 1',,,.n.i h prattica, & perl 'alcra Jafcien:!Š ftv:ie11and to embrace, & congiugnerc, .so, that frparar not (the Pvna polfono on the other ¥ perdo deue PArchiceuo efler, & ncl.1' vna, & in the other part:iro. ~~!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Archir~tto, does.r:i chiar.o, fe non fiaofŸn:uo, &di pcrduta fperan ... ::a. And from here we will be able to: the nally conofcere.fe for 1aprattica. And the other for h fcienza po.lfano ambideidue hauer reason has come, WO{UO ~u'ilte!}: Why do you help this guy fuck up the Judge, & censorship of the authors, & of the great men, and that (cryo of gudb profefsione , fimofrra quanco ella fia apropofi, to.a V. S. with tutdglhffetti bafcio Je mani,& Jafuppfico, ehehauend'io fi fi long repoffed to the cortefifs(ma Read it, do me a favor, if I mean it, and refrain. app.agatoil fuo defiderio, & fe mi harendu, to 1I my folito place in a good opi ... Nion fua: Why would I sleep even though I'm not a!Tai d'hauerle date 1afacka to read many sheets of paper > sb:za hauer fodif..done all>in...Attempt, & volc:r fuo, ch'io haue-r.'.',femprc for dokifsirna law ¥ Of MifanoiJ X. May. M. D. LXX. 11' OF THE MAGNIFICENT MR. ALPHONSE N. AM. MA R.TlN O BAS~t. P.!!!!!===~~~~0 N great fod.isfattione , & C'Otl.-L Tries o lefsi i beUi fcritci vof1-ri, &vidi U Unlike... you... you... do... the... deeds... Duomo : nor which apun one I found again, to, eh'io dal eanto voflro giudieauauaua do..uer'efTer in fuck: & ehe with every effetro you will defer. And whatever I'm looking for. fociea, & alla lnnga , & eopiofa ferimrr:i I've had a lot to give you between now and then... I: but turning away fromW another p:irrtt aquello, ehe vi ápocreb ... Well, I'd hate to give you a good time, I'd hate to give you a good time. philodeuole, & honorat.i. moleltia ¥ la quak forfe could vn gior... Not to make eonof waxes more ehfa.re Je ,,ofh-e pro pofte; for Javircu.e The more cornballs, the more cornballs, the more the more the final reforge. & more Illufrrc appears; & rn:ifsime in faen%t as fon quefl:edi Perfpetciua, & Arehitectura, & Arehitectura : Jequali have their own rermini , & fundamentals verifsirni eon neeelTarie demofi-rations. Olrre alle auc..torid of 11 ecedlents, & famofi huomini given by you : Iquali eo, me to qucfi:e 3rti fideeprdcarindubfraca fcde, to say ... ui a.neor'io qud ehe fnto: qui.nto piu.nto ho conderato gli krit.ti Vollri: I'll sing more inrr:mo in parcre, ehe poeo piŸ fi poff :t Say of that, and that you have been written over. Et quannmque l'o.pcrctuttc , fopr:t le-which haucce difcorfo with le-their dimoflrations fi:ino mendofe,& rneridn corrcctiont : nondimeuo (in my opinion) b perf pe-triua vedura per lo voftro fceondo difegno, con due ori..: tonti, pfani incerrocci,& !'altre eireonfrances-: & the pcndcn plan .... cc :the Scene shapes facto in the Choro, eon those fcdic, degrees, & fpalle, ehe-tune eadono inan:zi, seem to me monfirnofe, & da non non potcr11 per mode akuno aeešrnodarc rnai,al gufto de gliinccnden.ti ¥ I'll see how many vcrcuofi I'll get in thatb Cit.d the fcrirri vofl:ri ¥ & phono fieuro, ehe crouer:inno lode , & com... mendation :1.ppreffo d'ogni incendence ¥ You fr:i tanto pe-rfeue ... rata ndŸ ftudijvofi:ri. ehe acof'i beautiful principles,eom'h:mecc,vi eon -E ij J8 uien fore ehe fegua vn perfrtto fine ¥ & dfcndo nd fiot de gli an,. rupott:te (hauendo vira) f perarlo :11ficuro > non rnaneando per you. And pt:rdonart:mi,fe fpronaco dali'an.1or, ehe ponovi, & ehehe I'll take you to me, vorrappa! I'll take you back to your memories. In Refraining me alcro eht: prt:garui, adarmi fpdlo noritiadi vo i ; & di some other way, and in the same day & in the same works; & hora of the Jariceuutadi quefra, I offer you, & raecommandodi continuous. Dioviguardi. DiVcronaildi XV. ofJune. M. D. LXX. l'l!!!!!!!!!!!!!!!!!-:1 A 'I v T A Ja paffat:.1 rifpofh,io mi elefsi di See d'haucre of the other opinions, per.ac, then roralmeme then roralmeme to their julHfsi ... but Ienren2:1, & rcnerla for! egge itnfra ... ¥ Pero Ja fegucmc e. 1anarratione de'capi delle cofe propofte: & Ialecrer:.1,ehe vainanzi,mucatis mu, tandis, equable, with d1e s'em~nd:i:raclfa narutione ai famofi Arehiretti infrafcrit¥ There; as they will do, and I will follow them, as they will follow you. . or LT or Magnifico Sirnor mio off "cm:u,... dilemma. Ionon hauerei dared c\idar rno-ldha V.S. conmielettere, felabond. ddl'ani mo,ch'io odo dler inhd pari alv:.1 ... Now, don't be afraid, and that there is not He will receive me, & he'll hear you willingly; but co'l venirmene alei pofŸiuamenre mi fad Gift of the fu:.1 gr:itia;the gu:ile pcrlabuon:i fame was yours, and, who knows, they defied it. On ... From Ionc:mo 1'honoro,& I reuerifico with every affectation: & mcrito, ehe V.S. wants me to come back for your birthday, & affeccion:irifsimofo¥,... shredder. Ec cofi b please carameme, who will be the first to go, cš ... mandandonri fempn: no cofa, in cheio polfa mofrrarld'amo-tt, & reference, which is what I bring, 11 ui di ltggtrc, & eonfiderarc mituramtntc i parcri , ehe le mand o alligati, & darmcne il fuotifsimo giudie10 : riprendend omi, I'm a libertarian, in this world, and I'm a pard, eh? merfri távno, ol'alcro ; ehe di cuctorim:mo satisfying, & obliga .... rifsimo verfo 1a fll'.\ corcdia. fŸquimi refto, bafciandvk fa but ... no. From Mt! ano. V And Arehicctci , in diuerfi temp1 , have fopra fopra vn great piece of mar ... mo,il qualedoueraferuirc ad vn Tempi o of Milan. Of qucfŸ their whims, & opm1oni make indices or defenses , ehe ft:. they send alligad; poftoui the characters,& Je linec euidenci,& oeeolte , at best ehe s'c poruro to make them more light; & imelligi...bili. the vno d'dsi Arehitctti feccgil fcolpi... king in the fuderrous marble the Annunciation of the Word of God, that is, Angel, & 1aMadonna di gran dleuo, & quafi da! fa{fo f piccacc; and then put it to your place, as a pit't haffo s'mcende...ra: Putting the orizome in vno de'latiin p1mto A. to give pit'ive, duta ~ ccrti fuoi fuoi partimcnci made in vno d 'dsi hti ;come fi ved nd first difegno feruandofi of braecia difranza liners: 1alinea of the The sewerage of the first sign of the cana, it is not hapless. poturo cf primcr mcglio,h:wfd'egli digradaroil pfano.D.C.G. H. ehe dunofrra di ~filgira horro braccia; & qu dl-o accio rap1 cfcnraf, fe vna ftan=a quadrara, with Je parcri attorno, fopra la gt:ale giac.ciono ledcrcc figures; comc Ftr lo decto primo d,lcgno, & fi1c no..re fociltnenre fi can eonofecrc. The other Arehiccrco lafciando In elfomarmo, as hoggi fi sees, nmo guello, there was before. orcŸnaro from your ancecdfore, you have formed yourself into a new crizome in mzo dcJl'hiftorfa, like the fertile dif ective dif egno j n punro B. pit1 :ilto of the first guindici waves, prcfa vna nuoua, & .breuifsima Defiance, and that it come not to naught, 1:-reach; and that the hour come to an end. for and:ir high from rrrra braecfa dieccfcne,e mezo ¥ Dictro al c.;u:i.le nuouo orizome, & nuoua difbnza h:ifacto fculpirc vn pcz=o di Snuffy D. G. E. F. ehe angulo form eo] primo pia, no; comc fi sees for the fertile profile in point I. nond u;i:cno JI dmo Archimto holds, and that is the first C'OndnouoIn fuptrlicie. Olcre acib, vi hain:1lzato vna. parerc, with vn'vf cio in fcordo;vn umin quadr o ; & vn pcrzo di corrina gg io ¥ Tuctc Jequali cofe addtc , vbbidifcono a1fuo nuouo orizonrc , & nuoua dHhn:u: vbbidc ndo qudlc,chc pTimav'cr:1110, & I still make you, at the first one orizonrc, & at the first dilhnza. Or efiend 'io by whom can I be, mwd :irc rkh idl:o de! parcr mio fopra cofe eofi diuerfe,ho delibc, The first thing to do is to give me the gift of so much man, like V. S. & pcrcio ho prcfo lungo tctnpo per afpett:ulo. But with V.S., I don't feel like I'm fucking caecrlous, fucking him on your pill. m:uuro, & pilt fauio giudido. I'll make it two, as V.S. for cerzo, & fourth dif egno will be able to see ¥ Et Speaking before dd tcrzo; I say, ehe da.eo, & not pcro conedfo, That the potdfcro fi could be used to move the hands of the work, and that h:mno the place I am a fupcriore to the nofu-i oceans, which I and many others have in eit, Prtfa Loveliness: To incur in less crrorc , tircrci vna lymph from the first orizonte A. al mczo dcll 'opera, equidilbntc alla Jinea pi:i-na,& by the orizontc b. nc lafcicrci cadcrc vn other :lpiom, bo, & in the inccrfeeadonc d'effc two lynx , in point C. ncl mc:zo dd marble confŸncirci vn fol orizonte pcrrutta Popcr.i.; lnrando viagli alcri duc ¥ & con quefto, & con 1aprima difranza di br.i.eã By fedicci, m'inrendcrci di r:tffctt:trc , orimediare almcno the whole= :illogando the foreground up ehe ineoncrafsi Ja bottom dd line cd marble; such a flat floor forked e61 the first continent in fuã wicked; &molhcrebbe of digracf:uo adcnrro braeda fcdici: & leuerd vfa.lo Smuffo, Ja parcte, & l'vfdo in ifcordo: rafi-rcmanã Do Ja panchccca, & courtesy, & all that, which there is fcgn:uo di punci ncl tcrzo difcgno ¥ Cio faemdofi, qucll:'opcra non verrcb 1 be ad haucre duc orizonti; but vn foloin point C. place pfŸ at ... Javcrid near : not two diftwzc, eomc not conuicne ; but vna fol :i,in aecomodaco place : don't go slow,& vn Smuffo,ehe phono hinged,& forman angulo ; rna vn folpiano straight: ne final ... mcntc vna parcc di dctt'opcra farebberctta da vn'ori:rontc,&l':il, . Tr:i da vn'alcro ; but all of it da vn folo,cornc cdouerc, & eomc the i.r.c.t. Is in charge. Faeendouipoiornamcnti eonuerucnti, eomc va, FAC:uncnrc vi fipon farc, ehe per brcuid. gŸ ho inftrnc con le fiã gurc in quefi:o tcr.ro difegno trafafdacc ¥ Non imcndo pcro~ ehe lc duc figures ia.no alccracc;poi ehe fiaouino fornicc nd dctto H m;rmo; as fi vtdt for the fruitful difcgno ¥ The other mine I think that we should kill all of them, and that we should do so. there are the liu-ello of the ecchie noftro in the conjunction1mcnto dcllc two Iinec. A. C. & B. D. de! qu:ircodiftgne,&prefer debfradifhn:za ili, he reason Joro tircreivia deJ ttrated the first floor, & the fertile Smulfe dcl Archiretto; focendo vn grade facto Ja Nofi:r:idonna bench, steel leans over the floor of, graduated to ingi11: &iliuandoil curto d'efi "a camcra, corne V. Sã can be old for the 9uarto dctto, & vltimo defencelessness of Perf pettiua: And so my fervent opinion is that I will not let you do it any more: lose: anded. high from the ground xv1). arm,& mezo; place :illa vedura no, fua di gran ltmga foperiore;& founded Iopra i grandi :mteri,& fo, pr:t the epere of modernity, cerne Brarnar.te, Balda!Tare, the 11- audiophile Mantegna ¥ & rnelti alrri, i guaH ( like V. S. § better than me) there's 11-plus cafes, & stuntmen in Perfptrtiua's aperitifs, 1:howl ja hoeca to clapper, and he that fivoglfa allomana~ from the good .-Rules,fi deHa ven Teorica,come of the good,& well founded Put tica: non hau-end'efsi :inc:i.liepere foperiori :i oeehi nofi-ri, di, never fractured a single handjano. Above vn'v other eofo (then, With V. S. I'm in: iragionare,& ad ebHgarlemi) l:ipre, go mi facefa gratia del parcr fue ¥ fi fabrin vn'edilide per vfo di Battift:I was not healed columns of mafia, & screwed the pkde!blli, & fopr.a gJi ard1itr:ud chviue, friezes, eornid, frontif pfrij, pyramids, ftatue, &volto; eome appears p.cr lo di.fegoo fegoo fegnate A. & eClen, do quefro building ifob.co da cutte'le parti,c ongli intercolunnij,ehc The Greek plants of aeolonnaise; fi die~, ehe derti archfrr:rni di vfoo non 1-rwer:hymn stops, & ehe :inbreue fifpezzcranno,do, uendofi believe us toVirruuio in the fecend.o bee of cerze libre; &al, the A1berti ne1 vij. of guinto. who die, ehe gH archicraui of I have three rooms with three groperies, fifpaecino; and that is why I have to and the saying Archimco h:i deHberato di farc;fi leua gri part of the view at the imrar of theJc dfo dfo latcral doors Tcmpio, fi ehe 11 will also see the A lcar major, in the encrare, as before: co. I think it's a great problem for the great Tcmpio. Pcrcio ma.ndo the V. S. vna pianrina del dmo Tcmpio, nd mšdo ehe cgH ha da c.liere, then ehefcd. finished; with Pannocationi ddla which, elh vedd The twists and turns, which I say, I can see, the horns of the rainbow... ¥ For the ehe hauendofi amoŸer the altar, & the Choro; I'd like to transfer every fuck to the Tribnna,eo. rnericercala difpofiriont: d'e[o Tempio; &Iafcfare a1tutto lihera 1 >Other part, by transferring me out of the difiicold said difopra ¥ the ehe dob~ amaggior deejor, & maefH delTcpio, & deltaCitta; then cl1efived , & saw the diuini vffidj cgualmencc d~ all dfo Tcmpio parci dfo with commodo, & contento grandc de> riguardand ¥ OF THE GENTLEMAN. ANDREA PALLADIUM. - t , " _~, _ r~~=~=i'i'i AC N I F I C O M ¥ Marcino. Hoad ha, uere ohligo gr:helpless at nofiro ešmu, In the friend; for a half hour to make myself with lectcre take amidtia vofira; Ja quak pu quelJo , ch>egli mi fcriue , m3 a lot of pŸ't for each bird, and that the vofiri difcorfi dirrioftrano, ed:1dlcrtenuc:icarifsima by !->:$á _ á á ciafcuno , ehe ddtdera hat1eramidria di . that's why, and that's why it's not a folly, mind, they're burning with profefaction, eh'ephsi do. \To... I pray to him to whomsoever I pray, and how he hath commandeered, as for him 4J :n,enirt con ru~ que1Jalicurd, ehe fi puo hautrc convn fuo af, fertionarif simo ;you will find in tuno qucllo mi conofccrc.tcbuono ¥ Rdro poi :ineo obligarifsimo d.voi d'honor, ehehe mi face, in farmi comc judicc dc'voftri molco bcn incdi parcri ;cir~ For which, because of the riccreaceous coffers, d.irolilxr:uncntcqucl,ch'1onc ¥ And you'll be back with this order, and you'll be back with us: I say, and that it is not doubtful, and that Japrim: the opcnionc about Jpcr. The fi rst trarca, it is not diffcult, but the horror in the world. nd the sides of the marble; the quak orizonrc for each rcgola of Per, fpettiua, dn1e elf er pofio in mezo; condofia ehe ptr dar maggior large, & more madH those coffers, ehe :iglioccm noftri Fir:ipprcf cnrano, deuono rapprcfcmarfi in such a way, and by the cftrc, I can't even doubt I'm going to make a rumc, and I'm going to make an opf, nione,Ja qualevuole,chcfifacdanoduc orizond, non fia da clfcr For my reasons, I will tell you, for my learned reasons, what you have told me. ehe , comc ho dctto, the own of such apere cil porrc Porizoncc nd rnezo:& coft fivcdc dfer olferuaco da rutti i pitt eecdlcnti huoã mini, da l'autorid dc dc which I do not parcirci m:u in mic opcrc,fc vna viuaragionenon mi mofŸalfc, chcil partirfenc foffc megliš ¥ . For lc cofc so far dcnc, pottte gi:i comprcndctt, ehe 1atern opinionc , Ja qual ponc vn fol orizonte , mi f odisfarcerebbe pitl ddlc two palfatc, fc in clfa non vi fo!fcil pfano digradato, fopra il qualcra fipongono the figures; pcrcioehe repugn. allaragionc , & alla nanr, ehe fiando in tcrr~ in vna alcezza di xvij ¥ braccfa, fi pulfa see ta1 plan ¥ Waves in canca , & in mfoor elk,fi vedc eifere fi-ato facto; everything in clTc ft potfa grant :thequanro pin dfŸgence,that ndlc apere of marble,maffunarnente doue you go to such a relaxed figure ¥ Per Ja qual cofa the fourth; and vltfmo difegno, doc the vltimavofi-raopinione,mipfa, ce infiniramcncc;condofia ehe in lci ftferuino the precctti della Per, fpectiua, & non vi parciatc. da quel, ehe Ja namra ci infegna; Jaá which dcuc eifere we feguita,[c ddidcrfamo to make the opcre nofi-rc, ehe fŸanobcne, &.fianolodeuoli. Q!so much to1Bactiltero, I do not see, comc t>opinionc diqucl, F ij H I' ArehiccttO, ehe wants it wn eofilarghi fpatiJ o-a Je eo.lonne, poffa fbre amodo akuno: pcrcioehc, :meor ehcgli Arehi.traui fi faedfero of strong stone,& stratum; & not h auelfcro akro pc..fo For 1 time their length, and they shall not be for 1 time, :i Cpezzarfi ¥ pcro mi pfacc fornm :imemc Popin iom~ to do it of Otto faecie : & gu:mdo fi faedfc ritondo , aneora mi pfacerebbc ; & hehe Jeeolonnc fo§"cro fcnza picdi{l-allo, & foffcro d'ordine Ionico;ac..ciochc li f padJ not vcni[I was too wide, h :iucndo ri (I look at the.ladebolezza dcll:i. pictra; & lŠudcrei, ehe alle bafinon fi faec§"e l'... The hemline; but the fervid sight of degrees! Thee in the place of which; comc fccc.ro the ancient nd Tcmpio rorondo aTiuoli; & in qudlo, ehe ein Rome,& fi ask San Sccfano rorondo. Quanco alle inuentioni dcl Choro,& fuck Choro mi pfacc infi, nit:imcnte l'opi nion vofl:ra; fipcrche fi eonf:i with alcra partc dcl. Temple,ehe efornita; fiperch,c foccndofi Ja part of mczo the dop...pio m:dcllc loggic, which are around you, & higher aneo;. fi fcrua quel ehehe vuolc la l':lgione,& s'imitano i dctti antichi Tempi) ¥ Which we see: a peripherience, ehc They cover those who restore them, by ; comc quclli, ehe have in febellifsimc proportioni , & phono Fortifsimi,c per doucr will last longer than the years. 01tr~ The domi pfaee, and that the whole is aliueJJo, &vi eonfiglio anon partir...ui by talc opinion; therefore :ilrrimcnti faccendofi, nc nafcercbbc grancŸfsima ineommodid in pillowcases , & bructifsima vifra , comc benif simo by you efl:ato eonfideraco ¥ Nonlaudo, ehe'l Choro fi allunghi fino :111~ colonne ddfa Tri, Buna ; but it would make me pfaecrebbe, ehelc loggiuefl:affcro free ; & the C ho.ro. non paffa{[e il diri cco de' mud d 'dfš T empio : oucro fifoec§"t dctto Choro, like you vltim:uncmc say, fuck Ja Tribuna.pcreio, hey what the offidj fi diuini offidj fi would benifissimo intcndere vgualmc you for all 1aehiefa; & the C horo,comc p.zrtt vnica,& main. would nd me:zo. Waves of sound waves, which we've been doing, Do, or else; & do well, ( eome phon ficuro, ehe da voHi ¥ Quefl:o cquel canto, ehehe about Je vofrre ingcniofe , & belle inucntioni per hora vi polfo dirc ¥ And I am worthy of c§"er vifl:e da huomini inten...ticnri: Icho fatccvederc still at M. Giufcppe Saluiaci, Pitcorc-. 45' & Pcrf pcttiuo cccellentifsimo ) & :i M , Siluio de' Bclli Vian, t vat Geomctra , the pit't excellcnte of quefrc nofire parts; which vn:mimes Jehanno fommamenre commendatc ; & they are rdtatiaf.fcccionatifsimi to the value of the value of the book. The book was created for May, Eior vofrr:i eonfolatione; & I offered myself, &commanded. Of Vcnctfa the III, July dcl M. D. L X X. Voftro affectifsimo Andrea P:llladio. OF MR. IACOMO BAROZZI VI G N OL A+ 0 LT o magnifieo M. Martino di cafa dcll'Illufrrifsimo, & Reuerendifs. Cardi.nal Moron, for the hands of Mr. Pitr... LuigiFeddi, master moJcomio, mi e Ftatoinufatovn the envelope, eon ordinc, that I the dcfsi ref pofta;nd which hotrouato vna. á ._ letter from V. S. with other wounds, & di.á =~ .::~~ Fegni, .l finc,eh'ioledica il parermio. fŸ: I, for that poem, and I'm not interested in it. I'm gonna have to pay for this debt of mine. And first over the thick dcll'Annuntfationc forroin Pcrfpcrriua;I say, and the first Arehi, tecco haucrebbc made mcglio, hauende meHoil punco ddl a vedura In McZo: Fcgianon's not bad: I.e. for a few actual fires, make sure you He's against it. Dd pareredel the fruitful Arehiretto, and that he would like to make two golds~onti, :i.mc ápartcmpo pcrduto :ipar1arne; because mofrra not liauer any term of Per{ pcttiua. And although, ehc I think I'm der.caopera; m(piaee pfŸ the parer of V. S. of the fourth difcgno; ,¥olen.do olTenrare Ja vera rcgofa df Pcrf petdua; doe mettcr l'orizonce to the place where you were: at least merterlo r:mto balfo , ehe not fivegfia H pfano, & not piglitalc 1icence of farvedcr plan in ranta high:z.%: 1; cofafalfifsima>comcehe molcil'habbiano vfara.rna in Pittma -4,tf ft can mcglio tofer:1rc, ehe in fcolnrra : & tariglonc c,ehe af tri ff pul:> cover with dirc, pretend to paint your painting in your painting :ucacc:tto the wall; as did the fire Bald:tfrar Pctruzzj Se, nefe, in the Temple of:i Peace in Rome: which finfe vn loom of dfer lumber attached :iron trunks to the wall. takhe chi not that it was the first wall, but that it was made in king, A. For t:tnco fipuo in fcolcura do such efferco. M:i. amio pa, rere, I would like to put the orizome, not t:tnto baCio , as for r:igion He would like to complain; but a little more alcohol; the end and not the work, Chin:iffe so much: bringing me back to your dikretione , & good joe dido. Qumro at Tempiccco,ouer Battiltero fecund il defegno m:i.n.daco by V.S. who'd like to do that Architerto with quar, In cal width of compartments; I king him ... puto in my opinion very weak; & I don't like the ones you got pc%%idi piare mdfc nd frieze; nc accmo per voucher I1 mcm:rui Ic ironclad: pcrciochc lc fabriche well intcle,voglionorcg, gtrfipcr fe frdTe,&non lcare attackarc with lc firinghc: &rnafsimc douc fihalibera clcctionc of po~rfi clcctionc By ran.to At least patcrc, I do not want you to be more deftalH akuno way; but I would do Je colonnc of such groifceness, and that it involves 1afua to the cezza> &larghc%%a , eon lc lor dcbite difiribuciones ; how does b Good:1, & brn' intefa Architecncra ; 0 voglinfi for qu~drc , oton, de , o a facde eomc ph't vicne i propofico; rapporrandomi fern ... Pre a.l parer de' pil'i esperti. Circ:1The Underground Temple,&Chorus,& Altarpiece;for c!Ter cofe, ehe mi bifogncrebbc effer'in fu'l place, I can't give, nc my intcro opinion , &: why V. 8. for how much I buy For your defense, & Ccrit:ti, mi par nc fia eapadfsima, & conofco, and that's a good moifa; I'll bring fcmprc back to your good judgment...< me. What I say, and that the farc lip:urimenti apcndio, mi parc vna the monllmofa,&outside of every reason,the ehe cquamo Je l.odirc. Rdhmi i ringr:ufarla good opinionc , ehe ticRc of mc, 4v The great jungle forf~ of great Junga tnlggior, and who are not my victims; & even Of the love he confides in her; of which for the one, and for the other, he is obligatory rcfto. And with this: and for that poem, which I, for that poem, I am I offer , & raecomando. D.i ~apriola alli X X V I I. of Agofi:o. V.S. Iacomo Barrom said the Vineyard ¥ O RG E O RG I 0 . VA S S AR I. ~~;, 0 seen how fiehicde for 1ivofŸi di. ~~ The two of you, the wounded, the wounded, and the sum of Je dieo, and that all of the opies of the nofua art, and of them nature have difgratia to the ocehio; for the Someone's got all the compfaeer boxes scared, Me again. Ehes'habbfa.la mifura in hand, &fi3 approuatada'piuperiti, & fatt3 with regul:i, & reason; nrcce k voJce, ehe f3ra You're not wearing a dress, and you're not wearing a dress. to,it is never approached,ehe fb.fatta per fuo feniitio,& ehe fia nor bond, nor pnfetdone dotat.i. Tanro approached it less, when it punctures.out of rule, & of mifura. Waves dicetr4 the great Michel. Angelo, what a bifurcated place to bawl the fefi:e ne gliocehi, & non In his hand, that is to say, Judgment; and by reason of which he vfaua ral vol. t:t Je figure fue di xij. & di xiij. telte, fecund ehe Je faeeua rae.colte, oŠfeder, oriete , & fceondo l'atticudine ; & eofi v faua alle columns, & other members; & acomporummti,di vaar pit'i fempre Behind the grater, and at the mif ura. But: 1mc freondo la tni fura, & la.graria non mi diipiaeeua dell' Annuntiata the first difcgno fat ... to eon vn'orfronce folo,oue non fiefee diregob. The fertile fat, To with two orizomes, it is not caprouaco giamai ; & h wdura no'l dial. I1 cer:zo(bi better; perebe r_acconefail fecund perl'. 48 á0ri-zome photo; but not 1':ll'rlchi(ce di m;nin:t,cht p:i(sidi mofto n first . The cure, I no longer defend myself: I have no more for your variety; but I have11 :l.far di nuouo guella vtdura fi ba(fo,rouin;1 tanto,cbe acoloto,che I don't make the arre,dad fafhdio to the vi{h; what a febene can fhre,gli It takes the scratchers off. Believe me, whoever voleffc durar fotica :l.trouar Some beautiful eafamenro; as did M. Andr anda Sanfouino all'Oreto in the faeciata in front of the eapella of theMad onna, in that fua Nunciata; dou e vn eafamentodi eolonne in pieddtalli , gittando Arehi, it's a very bdlo, riceo , & Various: besides that Angdo, which was accompanied by other, and that And in the fire, and in the fire, that new one full of fandelions, That we should see the miracle, and not the spirit we are making; for Jo he is It seems to me, and that those two figures fi pouere , & fole , fiano duo tocehi of Eels, in T egame ¥ Pero eon 1'ingegno vofho, fiwme You have a good reason: in some, that which is not for you; you shall be able aneora to do more that I don't die, & defer: then it is the work of tan.ta. irnportan:za, & in cofieelebre T ernpioeome odo. Yeah, I don't... pdsi the value vofh-o what fia, aneor ehehe I fia oeeupatifsimo in ' , Apere di fua Santita; hauerei aneh'io in quefl:o vofiro g:i.rbuglio I don't know how to do that, tune the f eeondo eol eol third volho,& i1andapricdo of the fourth non I am defenceless, even though the three of us may have fled, which is what the heart does and what it does and what it does not help the tongue, and what reasons it may have. and that's what I'm talking about. More:tnta delTempietto, & d'aftro ehehe you ditc, i:ion cdub, bio, that better the order, & defend vofŸi. & eredo eh>other of va, Jore v'habbino told you fopra :lbafb.n:za : so I return to judgment. Of ephsi, & of aeolian, who all inherit, and who make it to (do piously) templates. Reframi : tell him, and that the great one's great skill, the pope's work,I have been spelled by the pope,I have been spelled by mdo nd rifpondcrui,& nd ra.gionar eofi fopra fopra lc vofŸe dimande ; pero vi doued bafiarc qu:inrovivier:i l'Aee:idemfa. I'll leave the last of Semm ... Bre, suburbs:are qudhvemar:1 with fu.tSantitiin Rome. Et with That is the end of the foecio dieendoui, and that which is, and the beacon femprc voftro. Hor vdirc qucfto noftro valente Accadcmico. Magnificent ,.,, M A G N I F I C O M ¥ G E O R G l o. 1 c HE :lboeeadifsi :l V. S. Ibalbn ... For the sake of reason and for the sake of eonto de'difegni , and that from Milan there ful'o.no mandari of Perfpectiua, & d' Arehitec, n1r:1;it is not necessary to tell her whatsoever, nor to tell her whatsoever, nor to tell her whatsoever. I'm sorry, if I'm defensive, and that's when, and that's when haueua made qud feeondo Architect nd.1a Pcrf pettiua non poreua lb1re. perdoehc two golds:z:ondnon a little cšucnire in vna Perfpettiua's fol oper:1; & fe frdfe a.me, I would withdraw it, as the feee the pd.mo; ouero Ja ra§ectcrei,as from the cer:z:o efbra d1fegnaca: faecn.do Decta Perfperciua pit'i ornar:1; & with m:ighter strength, with whatsoever... nice order of pilaCi:ri, ouer colonn:ice, :tcdJ escape!fcropiu by loncan. Dcl rim:inence of the hinges I say, ehe evero,chc Vicmuio ci da Je regolecome d ,..,iene fcricto da Milano. pero fc fipore!fe to find the form of a cinder fit for the defender's arehirraui with the defenders, & ehehe not rouina[was, I don't like it. BY MR. GIO: BAPTIST B E R T A N I N G. f'l!!!!!!!!!!!!!"":'f O' riccuuto vna letteradiV, S. delli vj. December of L X X. for which I have I'm defending you, as I'm afraid to do, fe :i M. Pompco. Ecmi dogliomo1co a'. no longer hauere to rempo pon1to darc V liner. S. & cioec:iufaco for I:i.Jung:1, & difperata infirmid mia. for Which to the prefect, I still feel little act :ifcriuerui , fettando nel lecco, & con my great ineommodo ¥ even though I will strive with breuid dirui Go on! I'll give my opinion, then I'll give everyone else a chance. I understand them, over whom I am researching, they don't give me the words. In labor, c'hor fenro: bafh ch'iovi rifo1uolaudando, & ap..prouando for good advice, & well'imefi auertimenci, G ~~jij~~l~C:;~~~~ ~ ,... ecuctu:md'o ptroii ptroiii ddd piano ili m:1rin6,oitŠ frn ... magine d'Annuntfa.tione, mdfa in Perfpcrtiu:dn variJ modes. I do not deny, and that 1e vofhe regal Perf pertiua not fhno ocrime , & I am not like those of the first two Arehimri, which are of, a working man in the marble fudecco; but, bm I say unto you, that when I've got a lot of good things to do, I've got a lot of good things to do, I've got a lot of good things to do, You're a good friend, Ja.maniera. dc'qua.li rengo fŸ good., vera,& ifl,.. f~llih.ile, fide' piani, qŸanco dcl rim:mente ¥ Come fi puš vederc in the arc of SecrimiMus SecrimiMus in the Capidoglio;&ndl'Areo of V cf pafiano, & Tit0; not shit of the beautiful Areo di Trafano ap-pretfo at the Colifeo ; oue phono a.kLme quafi figures of all condo , & It sounds like you've seen it. wall of the marble. garden of Mr. Corfonlio pofto ndl'alca fommica di Monre Cauallo, the...! Meleager's acoa with the Pig of Calidonfa, & many other figures with Dardi, Arehi, & L ancie. which n1ttefiifi:orie,& They have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, and they have 1chlor figures, & don't fopn i pfn i pfans in Perfpectiua. The waves are holding steady,eh( decci.ancichl fleeing to make them plans in Perf pecdua: eonof eendo cf; fi , and that the figures of rileuo could not do it..... memc ¥ per fo ehe ame ame parimenencc non piaee 1:i.bugfa aeeomp:i.,... gnac~ e~m1a.verid, fe _not in eafo of some hovel, oCafupã pofa, od altr< egfe signriili , facrc fopra the funds of the hilrorie ¥ Tengo io Javerid effer'if rileuo nacurale; & Ja Perf pectiua eCfer Jabugfa, ¥F¡C ¥S.S. better than me ¥Ben evero,ehe Donacdlo , &Ceecocco nephew dcl Veechio Bonzino , ambidue And they made plans in Perfpmiua; and they made them fopr:1 the figures of Not in a half-finger groffezza; & of elevation Je decte figures d'vn braecio, eome fiveddn vn quadro di fu;tmano in ca, Frangip...' said Frangip:mi, even though: iMonte Cauallo, he was a great arch, I was, and science, of Perfectiua; and that all men were to be frustrated, And meaning such an Arce, that they see him. Ho;ineo in 1nente molcc a.lcre Anticaglie, ehe nmeferebbero i nofŸo pro ... Pofito speaking of the hands: of which you will forgive,fe alcronon I say; forgive me that the harm I have done, I will not hurt him any more. Ddla confidcnza, & good opinion , ehe has.uece molrraco hauere in rne molco vi ringratio,& pregoui :inon manear di ciofar per Paucnire . in every eventuality, & I offer you, & raecomando. By .Mancoa the X I I, Decembrio. M. D. L X X ¥ ,,, ~L -. Mc-f GNIFICO ~ MR. ALFONSO N. R,!!~~~ Lactanriofuo, I mofrro the infhuttiont of the coffers, eh 'egJi h:mma afare aMilano; on behalf of V.S. Onde, I'm sorry... aucmuraco, when I saw, and I went to par of V. S. Tamo's intelligent, trustworthy, trustworthy ¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥i¥h¡C I'm sorry; then she tells me to tell you Ji... Well, my parerc,fopra guello,ehe ~Hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey...hey! fiva fabricando, per alloggiggfament0 dc'forcfŸcri. voglio pcro, j,oie'hauero detco aleuna eola, ehe fc.mprc eon fopportadone, & at your own judgemental level, fi:i's the riffraff. Etquanto alla pfanta _; eome aJ ... Between time Je difsi; not pocrcbbcflar rneglio, dfendo in a way eon ... It's just a long time ago, and it can't be done, and it can't be done, and it can't be done. aneb'cffa of all qucJJe eommodid, ehe per fua natllra d rcndc the fig: fi dcJla folubrid of the air, dd fehifare the fiery foliefŸu{ ¥. as of clTer alquant0 rileuaro, & in me:zo dcJla polTefsionc. with so much bclla vedura , & adornamcnco di que ' colli dreonuid ,.., And every one of you, hehdi vedc, will come to life, and will hear the sound. Ec Then and that you ecommodid, to give me update Juce to the fcale from me:zo Day, it would seem to me well done; adarglido. & eofi par anco, :i M. Vineeritio nofho. so oJcre all'ampia:z:za,& commodira dd f:t... Lire, which V~ S. defends to give to Joro: they'll get more! More boo... n which, which, and they are looking for you: i.e., of the 'e§"er' aerofc, & melTe in place, of just a few minutes from every fadlmenrc-ricrouarc; & pid,fen:za ehe bring some strong impedimcto,to the rdto I'm still free to go to the building, and the smoke ( comc dla says ) free nd mezo, pcrrnaggior eoncenco,& lcggfadria of those, ehe fran.- G ij p . . I give the fommo deTfa fcah , vedranho n,iti eoloro, ehefaliranno, o, That they will begin again: to speak, and to film, from those views. S ih,that V. S. dke dfor dilon ghezz at eighty pal, E, & quarancaotto hrga, aneora ehe fia d.i greater grandeur de The other fbnze ; but I do not face it, and that his mind is full of magic. I would like them all to be equal in ord ine: piglfandofi 1chlor mi furc, by the so-called S wing, for elf er more proportionaca. i.e. diuifa 1ahra lar, I have decided, and half a dozen times, to make it Jalargezzaddb. lu, cc d'effc findhe,& di dm:,& vn fdto,altc:z:za,& fccondofa great, dtzzadi qucfre, then make the a1trdhnze ones: as in fat...ti, I've been trying, and I've been trying. S'io d.ieefsi, ehe arehi li fo.., pra le porce , for the faluezza de gli arehicraui , or fopra limitari di I don't mind, I don't mind: besides telling a lie, it would be the same. That's what I'm looking for, and that's what I'm looking for, and that's what I'm looking for, and that's what I'm looking for, and that's what I'm looking for, and that's what I'm looking for, and that's what I'm looking for, and that's what I'm looking for, and that's what I'm looking for.., ehe fi va faeendo, in vofrro Duomo ¥ Ond'io I'd make it ( & with reason) I'll repay, for a poem, the judgment, fapendofi , ehe cali {y:i}Arehi, {y:i}they arehi, {y:i}they arehi, {y:i}they arehi, {y:i}they arehi, {y:i}they arehi, {y:i}they arehi, {y:i}they arehi, at the lining, & perpeniid ddle fabri, But I've been talking to him for so many reasons, forgive me, please... Lord, then it is love that is the most difficult, and that I will open it, :icio dire m'in...uit1. Q.!1 Let's look at the phagom: the aeolonne, the laudo affa.i, eome I'll be a petiole, & fuelco: but M. Vincentio, he epit1mem, bmto, & fodo,Ia would like to be equal to him: so much so that he would say, ehe for the eorridore difopr.t , porrer:tnno pitl honelto earico ¥ 11ehe e how much Jifo say, around the first eapo of your letter, and that I molho M. L:I send ¥ Q.!1 to the other eapo ehe V. S ¥ mi chfrdc , eh'io give him something special: u-e auifo, how much I cdo...po eh'io Ii ferif si feguito nd nofrro Duomo : non \Tolendo m:in...care of quancomi eommanda, (aneoreh'io poeone fappfa) Ie di..roin A few words, which I've been listening to, & it's not... molco. Saprd.dunque V. S. ehe tanco tanco went before Poperade JoScurolo, ehe fi venne d give 1avolta :i lauorarc di Stucchi, & Gold: from which they are made infinite eomefe, & gargles, in tanro ¥ Ja hoggidi Ja lire ein S enaro ¥ Ja riufcira de' quali , & il perehe > I am not more eager to be burned: it seems to me; for some reason said i1mio little judged ;hauere with that greater modeftia> I'm going to do it, I'm going to do it at the Capfrolo, & d. M ¥ Pdlc..grino, ehe pearls of iP.,portions, & other euidenci defects, ehe eaufa..ua 1apfanta of the Holy Ghost, poft'in opera by him, s:>apparcechfaua ... H no mille ineonueniend. Dalh qu:tle, hauemo 1neor1 da penfo1¥c. & heir, ehc ne fiano nace 9uefi-e their eoncef e,& d i ffercnze. per ... which is to say, for all the diligence and art I will not inherit, ehe fi pofŸno ever 9uefi-i ineonuenienti nakondere , hauendoli {pigs shouting} But why, for hora, I don't give him nc I would like to say, please open to hauermi for the sake of the user, until: t:mco die And I promise, that I will make a promise, that I will make it so, It is your will, to teach him, not only to do so, but also to do so, ra, ehe of prcfente fiH for Choro, & equafi ;t fine, eompiuco I say to the federations, I say to the faithful, and to the inence: a work of great importance. For this reason, I give you thousands of fcudi, and here I am finished; as farapofsibile, ad aecord:irc two ineonuenienci,ehe vi nafeo.no the vno de'qualifi c,ehe'l maefŸo of the work, will be perfected in your work. first aecordo, eon the Lords, to make 1faith in the way, ehe fc fi handf I was aponer in opera ; it does not cover the plan p endio; rna foã I'll take it slow, I'll take it slow, I'll take it slow, I'll take it slow. & the other fi e , andhe 1'Archi.cecco for[euera in your plan, & degrees pendenri: fopra'l which an.deranno'l Pofh: The decce !edie ¥ perdoehe, he can't get it up, For what eh'io d,fsi in the jerere p::i!face : ne aneo fi can abhor a moustache ¥ ...permold ineonueniend , ehe would do ¥ ... Ond'fo per irnp:ir:ire some nouid, fhro :ive ... dcre eorne they will do, to tune quefl:e dif, Cord:mze . ehe fe fe Je fedic they will do so meffe fopr:i'I'piano pendence,non fi potd of manco , ehe not rouini,& cafes in front all:the opera , & ornaments. Onde Piragora nercfted. conla fquadrada fua pofb. & quefi:o e!fendo per cornpimemo di qu:mto per I'll tell you, f:!artichokes, & 1cbafcio Ja mano ¥ DiMilanoildi XX. September. M. n. Lxx. 1 L F I N E. ;, -áá-á-á-á-...~ ___,~, r. '1, .. , rJ(tdndijorcl tiasa:tctr-opf?-0...- ,. PROFILE áá H 1'6- 'J ~ . l 1B c -NdJ7ro[ifo Prirriod,f~ilo c) c!t(pná~o ~5iinr11toO.J?a.). fansof.o ~ 1H. c(Jondo(a.sjwotallto lomtãpi~f"-'1.a.n8c(o PPfn1mJJjonclo co..tio.ro e1duih-o fufto{o o.w-cfcirll(i,to iP ( r. d . t,-{ sm ...ic a. Jtc..01'1o o:ri~11tc : J j{rurontr ~{ yrimo (. ~O. 1 fcintnJi : rn. ~ ________ __.___,. --~-~-~ ',,. ,sccornfo nf )l topcraa.Cf t; a.u.011~ +-\ ais~rro~ moctos' arri'trol-lO., f(~rino~ B., scco11do orjz.QJltC . R. co..~ino C [ur_a. n.j( ondoTI.{> dalLe<.Q/onpeaLkdrumfercn~ 1cnondoTI.{> dalLe<.Q/onpeaLkdrumfercn~ 1cnfani]'md enh w w rU' 71.u/',' r/4.!!f.{mtc1 1 P Aftpu l yipiu10f fY ..hca.ft. _ ' ' _ _.......:_.,......,.__..,..,. iom¥i¥r,l,u,/,: Purto.d&,.cf11\(*Stwr drenro tt1i &1 rlff t~10 dc;~1uo.le.m (a. yia.nl:a.) }itrtllU> ai. everything with J~ corrypon(lcnti: ¥ ..... \ \ ... ,i.: -á .. "' -"'-.á-""-. '?'f'---'----...,...,...,,... áy . tf'// -\ -~á ,,.~ ~;,-' _,,_. I ~ \ , .. -/ ~-á ~ T'I"'" ,,+;;-~~' / ...___---i\. cC,t,,mr_cirrnto. pardid~l _4' o ton_p1 á o.~1 tnnpio t. c.olon11e.1 o Bco!0111t;~~1ond{i{o¥empLO , i!nw~c.rcnJt _ F.-e1ky\r1 . C t~r?,oltc1yt\~C1.noJ,1ccntr! (,JbClc.11 ?, (' d1 (1t(o-nf(r(JJ~ dciir d.1 Tlle".~.:: fk. . trios. ~o-ro wuuu , r I ll .1 ~ I... I... I... I... .syt'.l.(10 peP (( J(IA:C ctc o.tnD,-1.na.:(, nJ -\empittto ..., l<.c.olonnt B. Colormede!ma88wr, 7mipio C.co~nedd 7empieft9. F. Pidtifhiin circorifermza. G. Columns, dimu.ZJ)ttdi drconfi¥ nnza tra-loro ugua.fr H.Af~reJ.elm~{ot 1rm;fo l. I'm going to stand for it, Jtaft! '~ ~ '~ ~ ~ l ác; ,::.:,:, .. ~ ~ ~ ,:: ~ ~ ,:;. ~ ;,: ~ ,:; "' :::' :::::'s:.,;,,::;::: ;;:_ ~ ~ yiA110 Jd <114-8'šiw rc,nyi.a M-N.1'awme-ntodrl t.,mp~'ttom¡Mwrc o.Yolnd§lltIPjgit P Voltademw:g JiU alta.Jrllt{~it am1er.Jouete á. Q_Jed.untulmu tt a-liuetlo ,. Projllodtl 'lempitto d ch:;.;;,';f_,o' reuibtto am llá 1',anoJ,tChororetftlineoetJa.~ltlloal 1tmpto plan. \ LK-fŸno cl-el1m1utto a.1 Ja,raltlloJforra . , / / Djfyno de[loScu-rollo, da.l opera al/J{JiSjj~ C1JT2t J1,,.ifo _ screwed, and . .5.Forza rr '!Jo Pdgr1rw. ..M'oron( áXf ¥ ¥ 0 ¥ 1 1. p,,mw. de! DomodeA1tfamJla.9p.oleJttlfjgono,J'tu/timi1rrmini deejlo? rmpio. A .ilt_::rr:l!l~f_g//J~eá A-r lmee-flutermmano i/j4ho ml Bejrzur;o/tm,o rmp,d,to over q:tc.ltá~din tmut.A.lrarr. im,er~ K.A{tar~5.0lfoa.ll.a,tnbuna.u..l/oco.fao. It's J, (~l7.,::, d.e/ cc-ro '!femrzy. .so orirr.o C Ogre dcichorotto allA.., r. f . ~,.,, ~ r de/choropmtho 1rib,.ma á,, ') ¥ -,hjt/cu.arr , GE choro ;'titl!J :P , rJ.~,-á4-11ali Jivrdt11Ç -... iJ;r,-1#~ 1